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Theater
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Theater Review: BULLETS OVER BROADWAY (National Tour at PrivateBank Theatre in Chicago)
AS FUNNY AS A PUNCH ON THE JAW Call it a comic “war of the worlds.” It’s the tabloid-trashy tale of a Broadway show that is literally “under the gun.” As the title suggests, Woody Allen and Douglas McGrath’s 1994 film Bullets Over Broadway depicted a forced marriage between the Mob and Manhattan, specifically a…
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Theater Review: RIVERDANCE (20th Anniversary Tour)
TWENTY YEARS OF HARD-HEELED HOOFING What Stomp delivered through percussive street-dancing, Forever Tango gave to Argentina’s national cooch dance, and A Chorus Line and 42nd Street did for tap, Riverdance breathtakingly offers Irish dance and its cultural spin-offs. Wowing rapt crowds at Chicago’s Cadillac Palace Theatre in its 20th anniversary world tour, this high-hoofing extravaganza can…
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Theater Review: AN ACT OF GOD (Ahmanson Theatre)
EVEN GOD CAN’T SAVE THIS FROM ITSELF Dear God (if I may quote Alice Walker): What’s going on with the theater these days? Oh, that’s right, you already know. In fact, you’re appearing on stage at the Ahmanson in the guise of TV’s Will & Grace star Sean Hayes, whose name actually is placed over your…
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Theater Review: GOTTA DANCE (Pre-Broadway World Premiere at Bank of America Theatre in Chicago)
SENIOR RUSH No, despite the title, Gotta Dance, a world premiere at Chicago’s Bank of America Theatre, is no musical homage to Gene Kelly or MGM’s musicals. It’s a true-life, feel-good salute to sexagenarian (and older) hoofers who deserve’”and get’”a second chance to literally kick their heels and make a splash. Based on the real-life case…
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Theater Review: THE BRIDGES OF MADISON COUNTY (U.S. National Tour)
HOW DO YOU LIKE YOUR BRIDGES? Given Marsha Norman’s awkward and dispiriting adaptations for The Secret Garden (1991) and The Color Purple (2005), the most surprising, but not the best, element of the musicalized version of The Bridges of Madison County is her libretto. Neither is Jason Robert Brown’s score the greatest thing on stage at the Ahmanson Theatre, where this short-lived…
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Theater Review: CARRIE: THE KILLER MUSICAL EXPERIENCE (Los Angeles Theatre)
GET CARRIE’D AWAY The key words in the title Carrie: The Killer Musical Experience are Killer Experience. Director Brady Schwind has taken a forever-troubled musical based on source material which probably should have never been musicalized and turned it into one of the most blazingly memorable and, yes, killer experiences you may ever have in…
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Theater Review: MOJADA: A MEDEA IN LOS ANGELES (Getty Villa in Pacific Palisades)
BORDERING ON TRAGEDY There is a lot to like about playwright Luis Alfaro’s Mojada, a modern retelling of Medea which sets the main character as an undocumented immigrant and seamstress in the East L.A. neighborhood of Boyle Heights. At its best moments, this Euripides redux offers remarkable insight into both the harrowing and promising aspects…
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Theater Review: SONDHEIM UNSCRIPTED (Impro Theatre at the Falcon Theatre in Burbank)
RECREATION My editor and I didn’t toss a coin to see who would write the review – he’s smarter than that; he wrote a very nice preview piece, the kind I find very difficult, and that was that. Neither one of us wanted to write a review because we’re out of words to describe Impro…
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Theater Review: UP HERE (La Jolla Playhouse)
THERE’S NOTHING GOING ON UP HERE It’s an idea whose time has already come this summer, and with far superior results. In fact, the character of Lindsay, a t-shirt designer who has fallen for the analytical nerdy computer whiz Dan, mentions on their first date the enormously successful Disney’¢Pixar film Inside Out, which chronicles the…
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Theater Review: ALWAYS…PATSY CLINE (Sierra Madre Playhouse)
A FINE CLINE Patsy Cline couldn’t be more fondly or accurately recalled than by Cori Cable Kidder in Robert Marra’s production of Always…Patsy Cline, the oft-produced 1990 paean to the once and future crossover country icon who made audiences “fall to pieces.” Written and originally directed by Ted Swindley, this tribute—equal parts play, concert and…
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Theater Review: BENT (Mark Taper Forum)
DACHAU DELIVERANCE TO THE MAX More than six million Jews were slaughtered by Nazis. When Martin Sherman wrote Bent in 1979, the yellow star that emblazoned the clothing of Jews was well-known, but history had yet to add “We shall never forget” to the image of a pink triangle, the insignia used to identify the…
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Theater Review: ALL’S WELL THAT ENDS WELL (Stage Left Theatre at Theater Wit)
AN OFFER HE CAN’T REFUSE It’s easy to dislike this alleged 511-year-old comedy. All’s Well That Ends Well (originally Love’s Labors Won) is the wrong title: It should be “The End Justifies The Means.” The end is for the sadly smitten Helena to successfully fornicate with Bertram, her attractive and worthless spouse. The means is…
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Theater Review: ANTIGONICK (Sideshow Theatre Company at Victory Gardens in Chicago)
SOPHOCLES, ANCIENT BENDER OF GENDERS This “free translation” of Sophocles’ timeless tragedy about a sister against the state is only 75 minutes long. Even so, Antigonick manages to almost completely repeat itself. The catch or switch is that the protagonists’ sexes are reversed, as if to prevent a universal conflict from ever being sex-specific. Thanks to Canadian…
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Theater Review: SONS OF THE PROPHET (The Blank Theatre in Hollywood)
ALL IS REALLY WELL In playwright Stephen Karam’s touching and funny drama, characters are frequently spotted quoting the great Lebanese poet-philosopher Khalil Gabran. “All is well,” they say, often in the midst of the most odious adversity. Of course, all is not well at all: Indeed, all is rather, as the Yiddish expression goes, full…
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Regional Theatre Review: TRISTAN & YSEULT (Kneehigh Theatre Company at South Coast Rep)
THEATRICAL TRICKERY TRUMPS A TRAGIC TALE Cheeky, goofy and sassy, Tristan & Yseult at South Coast Rep affectionately mocks and contemporizes a classic love tragedy and literary legend while respecting English performing arts tradition, from music-hall and panto to Peter Sellers and Ealing Studios. This irrepressible import from Kneehigh, that brassy Cornish theater company which…
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Theater Review: IT’S A WONDERFUL SANTALAND MIRACLE, NUT CRACKING CHRISTMAS STORY… JEWS WELCOME! (Stage 773)
ROASTING CHESTNUTS Nothing if not all-inviting, this modestly entitled holiday revue, It’s A Wonderful Santaland Miracle, Nut Cracking Christmas Story… Jews Welcome! is Stage 773’s second coming of 2012’s feel-good, all-purpose Yuletide romp. Accordingly, the pro(scenium) stage is festooned with colored lights, stockings, snowflakes and sparkles. The audience is regaled with cookies before the show…
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Theater Review: PIPPIN (National Tour)
I’M NOT SAYING YOU SHOULD BE SKIPPIN’ PIPPIN, BUT: Prepare yourself. After all the rave reviews and buzz from New York, Diane Paulus’s Tony-winning revival hits the road filled with enough high-flying frivolity to bedazzle even the most jaded of theatergoers. But for all its extraordinarily magical moments it ends up being a soulless circus…
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Theater Review: HAIR (Hollywood Bowl)
EVEN WHEN A GENERATION CAN’T HOLD UP, ITS HAIR CAN When Diane Paulus’s revival of Hair swooshed into the Pantages in 2012, it felt more like a cause for nostalgic partying than a recreation of the zeitgeist of the summer of love. Adam Shankman’s version which opened at the Hollywood Bowl last night is far…
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Theater Review: INTIMATE APPAREL (Eclipse Theatre)
THE THREADS THAT BREAK There’s no doubt why Lynn Nottage’s drama won five national awards for best play, including the Drama Critics’ Circle Award and American Theatre Critics Association’s Primus Award. Nine years ago we saw the cause in Jessica Thebus’ Steppenwolf staging, a perfect marriage of inspired script and elegant production. Eclipse Theatre Company,…
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Theater Obituary: RICHARD (RIC) MONTEJANO
“THIS JOURNEY IS MINE” Richard (Ric) Montejano was born on September 22, 1949 in San Gabriel and grew up in Van Nuys and then La Habra. In the late 1970’s, he found his true community in Silver Lake, CA where he lived as a creative artist, entrepreneur, and activist on his own terms, chasing his…



















