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Theater
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Theater Review: BASKERVILLE (Lambs Players in Coronado)
WHEN SHERLOCK ISN’T A SURE LOCK Arguably Arthur Conan Doyle’s most successful Sherlock Holmes mystery The Hounds of the Baskervilles was actually first run as a serial from 1901-1902. It drew excited readers to pick up the next issue of London’s Strand Magazine to find out what would happen next in the dramatic story. As…
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Theater Review: THE INHERITANCE (The Geffen)
WHAT WILL YOU INHERIT? That Matthew Lopez’s sprawling near-7-hour 2-part play, with 3 acts in each part, keeps us captivated is quite a feat. Beautifully written, funny, sad, and hopeful, The Inheritance — a remarkable if flawed piece of ensemble theater — is a fresh, realistic look at gay life in NYC with reflections on…
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Theater Review: LITTLE SHOP OF HORRORS (San Diego Musical Theatre in Kearny Mesa)
PLANT YOURSELF AT SDMT Let’s start with the fact that it’s a show about a plant that craves human blood. Oh, and there’s this nerdy botanist Seymour who raises him, whom the plant intimidates into fulfilling its needs. That shouldn’t work. That really shouldn’t work. Yet, oh, it does! The 1982 hit off-Broadway musical (based…
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Theater Review: AUNT JACK (New Conservatory Theatre Center)
AUNTIE JACK MAME PANSEXUAL: relating to having, or open to sexual activity of many kinds. POLYAMOROUS: the practice of, or desire for, intimate relationships with more than one partner with the consent of all partners involved. FLUIDITY: the quality of not being solid and able to flow. Joseph Alvarado, Nick Trengove, and Jennifer McGeorge Joseph…
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Theater Review: THE ELABORATE ENTRANCE OF CHAD DEITY (Chance Theater)
BOOM BOOM BOOM It’s no wonder that Kristoffer Diaz‘s The Elaborate Entrance of Chad Deity was nominated for a Pulitzer Prize in drama. The veneer is a hip-hop comic entertainment about the dynamics and crazy characters in the world of pro-wrestling (ya know, the kind where the outcome is known to the muscled performers, i.e.,…
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Theater Review: NINA SIMONE: FOUR WOMEN (South Coast Repertory in Costa Mesa)
FOUR-GET ABOUT IT While her career may be skyrocketing as a TV writer, Christina Ham has not mastered the art of playwriting. I felt terrible thinking that after seeing the opening of her world premiere Nina Simone: Four Women at South Coast Rep last weekend (right when the Orange County Museum of Art, OCMA, had…
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Theater Review: SCENE WITH CRANES (REDCAT in DTLA)
CRANES HAS A CLIPPED WING Last night at REDCAT in downtown Los Angeles, CalArts presented a new play by Octavio Solis, and the story is magnificent. In East L.A., a teenager named Nico has been mowed down by a car outside his home, but it’s a mystery as to why. And this was a special…
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Theater Review: HAMILTON (North American Tour)
OUR FUNKY FOUNDING FATHERS A hip-hop Alexander Hamilton? A beat-box Father of His Country? A jumping James Madison and a jiveass Jefferson who disses bigtime in a poetry slam? The ten-dollar bill will never be the same (or the dollar note for that matter). A sassy-spunky 2015 blast from the past set to irresistible rhythms, Hamilton is…
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Theater Review: YOUNG FRANKENSTEIN (La Mirada Theatre)
A BRAINDEAD MUSICAL REANIMATED TO GLORIOUS LIFE In 2007, the Mel Brooks musical Young Frankenstein opened on Broadway to largely dismissive reviews. Some say it opened too close on the heels of Brooks’s powerhouse, The Producers. But when the touring version visited Los Angeles years later with original star Roger Bart imitating the film’s star…
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Theater Review: ANIMAL FARM (A Noise Within in Pasadena)
THE FARM-TO-FABLE REVOLUTION IS HERE In what is Los Angeles’s best season since well before the pandemic, comes along the best show of the season. Only in New York would one expect the caliber of talent and technical elements than in A Noise Within’s production of Animal Farm. Riveting, frightening, and entertaining, director Julia Rodriguez-Elliot’s…
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Theater Review: SILENT SKY (Sierra Madre Playhouse)
THE SKY’S THE LIMIT IN THIS LOVELY PRODUCTION Unless you are an astronomer or an astronomy buff, you likely have never heard of Henrietta Swan Leavitt. She was an American woman who made discoveries during the early 1900s that helped later scientists establish the present scale of the universe. Leavitt’s story attracted the interest of…
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Theater Review: OEDIPUS (Deaf West Theatre at The Getty Outdoor Theatre in Malibu)
A BLINDINGLY BRILLIANT PRODUCTION Since its premiere in c. 429 BC, Sophocles’ Oedipus the King has been considered the Mount Olympus of Greek Tragedies, largely because it humanizes the theme of fate, a subject that fascinated the Greek culture; personally, I warrant that a story which contains patricide, unholy incest, self-mutilation and not leaving well…
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Theater Review: TROUBLE THE WATER (Theatricum Botanicum)
SMALLS MAKES A HUGE STORY In January 2017, President Barack Obama issued an executive order establishing Reconstruction Era National Monument in Beaufort County, noting the significance of Robert Smalls to our national story. In 2019, the park was renamed Reconstruction Era National Historical Park with a visitor center located just a few blocks away from…
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Theater Review: OKLAHOMA! (National Tour)
OKLAHOMA! AS WOKELAHOMA NOT SO OK ON TOUR This ain’t your mama’s Oklahoma! While Daniel Fish’s completely rethought and stripped-down production of Rodgers and Hammerstein’s 1943 watershed musical comedy Oklahoma!, now at the 2000+-seat Ahmanson as part of a national tour, has moments which will provoke post-theater discussions, I can’t help but believe that something…
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Theater Review: ALWAYS, PATSY CLINE (Center Rep at Lesher Center in Walnut Creek)
A CLOSER WALK WITH PATSY Patsy Cline couldn’t be more fondly or accurately recalled than by Cayman Ilika in Karen Lund’s sweet production of Always:Patsy Cline, the oft-produced 1990 paean to the once and future crossover country icon who made audiences “fall to pieces.” Written and originally directed by Ted Swindley, this tribute — equal…
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Theater Review: ANNABELLA IN JULY (North Coast Repertory in San Diego)
SKI RESORT SKETCH SKILLFULLY SKIPS ALONG AND SKYROCKETS INTO OUR HEARTS Saturday Night Live has been notorious over the years for coming up with some bits that are funny enough to fill an entire seven-minute sketch while other skits have the joke run thin two minutes in with five minutes remaining. One can almost imaging…
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Theater Review: KINKY BOOTS (Ray of Light Theatre)
THESE BOOTS ARE MADE FOR FUN Kinky Boots: The Musical is back in San Francisco, again at the Victoria Theater for a month-long run. Based on the same-titled 2005 film written by Geoff Deane and Tim Firth, the hit Broadway musical with songs by Cyndi Lauper and book by Harvey Fierstein tells the story of…
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Theater Review: GODDESS (World Premiere Musical at Berkeley Rep)
ONE TOUCH OF GODDESS Goddess, the exciting new musical at Berkeley Rep with its sights set for Broadway, re-imagines the African myth of Marimba: the goddess of music. In order to experience real love, the goddess has come down from the heavens as Nadira (Amber Iman, who raises the roof with every note) to live…
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Theater Review: MACBETH (Independent Shakespeare Co. at Griffith Park in Los Angeles)
THE HEAVEN’S BREATH SMELLS WOOINGLY HERE It seems odd to say that I was enchanted and beguiled with Independent Shakespeare Co.’s (ISC’s) production of Macbeth, which opened this past weekend at the Dell in Griffith Park (site of L.A.’s old zoo). You would think perhaps horrified. After all, this is a tale of treachery, malice,…
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Theater Review: CABARET (Cygnet Theatre Company in San Diego)
COME SEE THIS CABARET, MY FRIEND One of the wonderful things about period pieces, including musicals, is that they rarely feel dated because the book writer (Joe Masteroff, in this case) starts with the premise that the show isn’t happening now. What’s marvelous, and sometimes chilling, about this fifty-six year old book is that it’s…



















