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Theater Review: MS. BLAKK FOR PRESIDENT (Steppenwolf)
THE ULTIMATE DRAG RACE It’s both louder than life and strident with substance. The perfect play for Pride Month and a deafening blast from the past, Ms. Blakk for President, an uproarious and rambunctious rouser, gives a magnificent cause future reference. Created by ensemble members Tina Landau and Tarell Alvin McCraney for Steppenwolf, this 100-minute jubilee…
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Theater Review: RHINOCEROS (A.C.T. in San Francisco)
WHAT AN ABSURD WORLD The first scene in the A.C.T. revival of Eugene Ionesco’s absurdist masterpiece Rhinoceros, directed by Frank Galati with razor-sharp clarity and breakneck swiftness as a comic duel between two life-long friends, the fuzzy minded alcoholic Bérenger and the elegant know-it-all Jean, deliciously played by the casually woeful David Breitbarth and the…
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Theater Review: DESIRE IN A TINIER HOUSE (Pride Films and Plays at the Pride Arts Center)
POINTLESS PERPLEXITY Sometimes what you see is much less than what you get. Case in point: Pride Films and Plays is closing its season with a daunting new work written by Ryan Oliveira and directed by Topher Leon. Desire in a Tinier House (its title as mystifying as most of its plot) is a two-hour, two-act, two-character…
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Theater Review: HARVEY (Laguna Playhouse)
YOU’RE GETTING TO BE A RABBIT WITH ME Whatever happened to all the imaginary friends we had as kids? Did they all end up in some limbo where they started making friends with each other, or, like Peter Pan, did they transfer their affections to a new generation of make-believers? Anyway, they’re no longer there…
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Theater Review: ANNA IN THE TROPICS (Open Fist Theatre Company in Los Angeles)
HAS TOLSTOY EVER BEEN SO HOT? In his Pulitzer Prize-winning play, Anna in the Tropics, Nilo Cruz created the role of striking, velvet-voiced, Cuban Lothario Juan Julian, a lector who is hired to read books to the workers in a 1929 Tampa cigar factory — it alleviates tedium, inadvertently educates them, and, in this case, causes…
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Theater Review: BRONCO BILLY – THE MUSICAL (World Premiere at Skylight Theatre)
BILLY BOY OH BOY Meet Billy, an ex-con sharpshooter who is living his American Dream in 1979. This optimistic showman, romantic, and visionary has encouraged a fraternity of castaways — a Native American and his wife, a car thief, an ex-nurse, an erstwhile bank teller — to join him as entertainers in a troupe about…
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Theater Review: READY STEADY YETI GO (Rogue Machine Theatre at Electric Lodge in Venice)
GRAFFITI THAT ASKS PERMISSION Carly Uhlenbeek (Jasmine St. Clair), an African American suburban seventh grade girl, seeks answers in playwright David Jacobi’s Ready Steady Yeti Go, a Rogue Machine production that is part of the National New Play Network’s rolling world premiere program. She assembles her friends to reenact the events of a recent hate…
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Theater Review: FALSETTOS (National Tour in Chicago)
WHAT MORE CAN THEY SING? By its riveting end Falsettos, a fusion of March of the Falsettos (1981) and Falsettoland (1990), has jolted us with its heartbreak and won us with its wit. This very grown-up musical by composer/lyricist William Finn and bookwriter James Lapine still delivers a daring plot: Marvin leaves wife Trina and son Jason for…
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Theater Review: A STREETCAR NAMED DESIRE (Odyssey Theatre in Los Angeles)
PLENTY TO DESIRE When I was thirteen I discovered Tennessee Williams when I picked up his play A Streetcar Named Desire at the New York Public Library. I don’t know if I fully understood it at that age, but there was one line that not only stayed with me my whole life, but is the…
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Theater Review: SHOOTING STAR — A REVEALING NEW MUSICAL (Hudson Mainstage in Hollywood)
SHOOTING STAR AIMS, SHOOTS … AND BORES Shooting Star, billed as “A Revealing New Musical” — and getting its World Premiere at the Hudson Theatres in Los Angeles under the direction of Michael Bello — offers us a glimpse of one man’s journey through the world of gay porn. Written by Florian Klein (a.k.a. adult…
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Theater Review: SIX (The Yard at Chicago Shakespeare)
SIX CHICKS REMIX TO NIX PRICKS Singing well is the best revenge, especially if you married the spouse from hell. So runs the cunning concept behind Six. This raucous pop concert joyously restores to very loud life the six ex-wives of Henry VIII. The rampaging result, recalling the hip-hop irreverence of the Q Brothers’Othello: The Remix and Christmas…
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Theater Review: HAPPY DAYS (Mark Taper Forum)
HAPPY DAYS IS HERE AGAIN I had never read nor seen Samuel Beckett’s absurdist classic Happy Days, now at the Mark Taper, but was excited at the prospect of seeing the great Dianne Weist in the flesh. Like many people, I’ve loved her ever since Hannah and Her Sisters, one of Woody Allen’s best films,…
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Theater Review: STYLE AND GRACE: IN TRIBUTE TO LENA HORNE AND NANCY WILSON (Black Ensemble Theater in Chicago)
SINGING UP STORMY STUFF With this theater everything good is new again — and never old. The latest homage from Black Ensemble Theater, Style and Grace: In Tribute to Lena Horne and Nancy Wilson honors stellar singers whose consummate talents we lost in 2010 and 2018, respectively. Incarnating “impeccable style and enduring grace,” these divas…
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Theater Review: M. BUTTERFLY (South Coast Rep)
MEH BUTTERFLY M. Butterfly asks the audience to accept a love story in which a French career diplomat takes a Chinese opera diva as his mistress for 20 years, unaware that the diva is actually a man. Truth being stranger than fiction, the story is based on a real life affair that David Henry Hwang…
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Theater Review: MARY SHELLEY’S FRANKENSTEIN (Lookingglass Theatre Company in Chicago)
THE MONSTER WITHIN It was a dark and stormy night. Escaping a tempest by seeking shelter in the Villa Diodati on a summer night in 1814, good friends Mary Shelley (as she would later be called), her future husband and Romantic poet Percy Bysshe Shelley, the infamous George Gordon Lord Bryon, affable Dr. John Polidori,…
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Theater Review: BLOOMSDAY (Remy Bumppo Theatre Company at Theater Wit)
DÉJí€ VU VS. NEVERMORE A very prolific playwright, Steven Dietz can deliver dense dramatic homage. In his 2013 Mad Beat Hip & Gone, now playing at The Edge Theater Off Broadway, his dialogue dives into a recreation of beatnik Jack Kerouac’s road-trip fantasies. Another very recent work, his 2016 Bloomsday, incarnates and embodies James Joyce, specifically the…
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Theater Review: YOGA PLAY (Moxie Theatre Company in San Diego)
PUTTING CAPITALISM ON THE MAT Which of the following defines yoga to you? A series of gentle exercises meant to relax and invigorate the body; A Hindu spiritual and ascetic discipline using breath control and meditation; An 83 billion-dollar international industry of mats, equipment, clothing, and accessories. All three are true, but for Joan (Jo…
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Theater Review: AT THE TABLE (Road Theatre at Lankershim Arts Center in North Hollywood)
THERE’S A LOT AT THIS TABLE At the Table takes place in Catskills, a resort area in the low mountains in E New York State that I hold dear to my heart since I spent many summers there — as many Jewish New Yorkers did. The setting is the house of Nate (Christian Prentice), who…
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Theater Review: JULIUS WEEZER (The Troubies at El Portal in North Hollywood)
CAESING THE MOMENT What do you get when you mix Shakespeare’s beloved tragedy Julius Caesar with the hard-driving rock band Weezer? Adapter, director and choreographer Matt Walker, who also plays Cassius, arrived at the mash-up known as Julius Weezer, and you should be prepared before attending that you will no doubt wind up laughing your…
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Theater Review: AS YOU LIKE IT (Oregon Shakespeare)
AS YOU LIKE IT, OR DON’T These are strange times we’re living in, and political correctness makes strange bedfellows. For years now, Oregon Shakespeare Festival has been a leader of inclusionary casting — meaning actors who have been looked over in the past will be readily accommodated regardless of physical disabilities, age, race, sex, deafness…



















