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Theater Review: KISS MY AZTEC (La Jolla Playhouse)
SHOULD EVERYONE KISS MY AZTEC? IT DEPENDS: For fans of John Leguizamo, the notion of a full-length musical written by him is a thrilling draw. Whether a fan from his numerous edgy one-man Broadway shows like Ghetto Klown and Latin History for Morons, or his dramatic roles in Carlito’s Way and ER, or his comedic…
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San Francisco Music Preview: DANIIL TRIFONOV & MTT: RACHMANINOFF 4 (San Francisco Symphony)
RACH ON Daniil Trifonov is continuing his journey to honor and emulate his hero, the great Rachmaninov, by joining the San Francisco Symphony this weekend to perform the Piano Concerto No. 4 in G minor, a golden opportunity since it’s rarely played often in concert halls. Preceding The Fourth, Michael Tilson Thomas — in his…
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Theater Preview: GRUMPY OLD MEN — THE MUSICAL (La Mirada Theatre for the Performing Arts)
FASTEN YOUR SEAT BELT; IT’S GOING TO BE A GRUMPY RIDE John and Max are elderly neighbors in a cold Minnesota town. They both live alone in their homes since their wives have died, and exchange stories about how their friends are now dying when they are not busy insulting each other. They have a…
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Theater Review: SKINTIGHT (Geffen Playhouse)
THE NEW NORMAL A weird dynamic takes over the house at Skintight, Joshua Harmon’s comedy, now at the Geffen Playhouse. In broad terms, it feels like a battle of the sexes — with men in the audience, straight and gay alike, cheering for Elliot (Harry Groener), a seventy-year-old billionaire clothier who defines love as something…
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Theater Review: THE GREAT LEAP (Steppenwolf)
HOOP DREAMS IN THE CELESTIAL KINGDOM No question, Lauren Yee is a wonderful new voice in theater. With Cambodian Rock Band she made crucial connections between iconic survivors and unspeakable genocide. Victory Gardens Theater’s 2018 local premiere was a powerful work of witness and redemption. Just as remarkable in its fusion of sport and history, people…
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DVD Review: GRANTCHESTER, Season 4 (PBS)
A CHANGE OF FAITH Well, apparently there will be a Season 5 of Grantchester, a safe but superbly made series about a local parish priest in the fictionalized version of a real rural community in the southeast of England, just south of Cambridge. This season, number 4, is set in 1956, continuing its gentle ride…
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Theater Interview: BEKAH BRUNSTETTER, Playwright of MISS LILLY GETS BONED (West Coast Premiere by Rogue Machine at Electric Lodge in Venice)
BONE CALL When a young Bekah Brunstetter set out to explore where she stood on issues like animal rights, faith, and even relationships, it was before she had ever learned to question what she wrote. No filters, just passion. Sex, faith, and violence are all part of the intricate package of connections in Miss Lilly…
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Los Angeles Theater Review: THE SOLID LIFE OF SUGAR WATER (Deaf West Theatre at Inner-City Arts)
A PRODUCTION WITH SOLID LIFE Phil and Alice are in love, the kind of messy, well-known, commonplace love that many couples are familiar with. They meet cute in a post office when a package full of sex toys meant for his brother bursts apart. But don’t think you are in for a romantic comedy. This…
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Chicago Theater Review: TINY BEAUTIFUL THINGS (Victory Gardens)
CAPSULE CURES Not to be confused with anything else, Tiny Beautiful Things is a theatrical curiosity, fluidly blocked but dramatically static as it unleashes a swirling cascade of questions and answers. The latter, culled from 2010 to 2012, come from “Sugar,” an advice columnist of the Miss Lonelyhearts persuasion who wrote for The Rumpus, an online literary magazine. Unpaid…
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Theater Review: FIVE PRESIDENTS (American Blues Theater at Stage 773 in Chicago)
A CONVERGENCE OF HISTORY It was supposedly the “end of an era,” the memorial service for Richard Nixon in the Nixon Library in his birthplace Yorba Linda, California, on April 27, 1994. And we are there: Five Presidents, a recently revised 2015 drama by Chicago favorite Rick Cleveland, delivers 85 minutes of fascinating “fly on the…
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Theater Preview: CAROLINE, OR CHANGE (Ray of Light at Victoria Theatre in San Francisco)
CHANGE IS NOW We hear that that the only thing constant is change, yet we struggle against change, we fight against change, and some are even willing to succumb to the unyielding stress of determined apathy rather than change. We live in a world that must change the way it consumes and change the way…
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Theater Review: THE CHINESE LADY (Greenway Court Theatre in Los Angeles)
DECORATIVE CHINA I saw this beautifully sad, poignant, dark play last Saturday evening and I’m still thinking about it. Thanks to the wonderful writing, acting and directing this two-person outing based on a true story is that memorable. In 1834 a 14-year-old Chinese girl, Afong Moy (the excellent Amy Shu), arrived in New York from…
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Concert Review: BARRY MANILOW (Hollywood Bowl)
BARRY ME BACK TO THE SEVENTIES You know when glowsticks have been placed on each seat of the Hollywood Bowl prior to Barry Manilow’s extremely well-sold concert that there would be heart-wrenching numbers ahead. And there obviously were. Easy-listening, high-charting, orchestral pop tunes “Even Now,” “Weekend in New England,” and “Mandy” among them, backed up…
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Theater Review: LATIN HISTORY FOR MORONS (Ahmanson Theatre in Los Angeles)
MORON THAT NOW One-man stage phenom John Leguizamo, who has popularized the stories of his Columbian/Puerto Rican/Bronx Ghetto peeps and their culture in semi-autobiographical shows Mambo Mouth, Freak, Spic-O-Rama, and Ghetto Klown, returns with lefty, sobering, highly entertaining monologue that brings home the tragic 3000-year history of Latino Americans. While the show is titled Latin History for…
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Theater Review: SPAMALOT (Mercury Theater Chicago)
NOT DEAD YET It’s at least a chuckle a minute. Half the hilarity is verbal sallies, half sight gags. This cheeky, subversive, and unashamedly sidesplitting Spamalot, described in the press release as “ridiculous men in tight pants,” is a labor of laughter. Its irreverence feels contagious, its target-shooting flawless. Nothing is spared its satire as it…
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Theater Review: MIDSUMMER [A PLAY WITH SONGS] (Greenhouse Theatre Center)
LOVE IN THE FAST LANE “Love will break your heart; sometimes you want it to.” That curious contradiction is the opening shot in MIDSUMMER (A Play with Songs). This theatrical roller coaster merrily chronicles a weekend “stand” in Edinburgh between convulsively disparate thirtysomething partners, a quirky encounter that may indeed have a future. Now in a…
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Theater Preview: SKINTIGHT (Geffen Playhouse)
GET SKINNED Joshua Harmon’s new play Skintight assays the nature of love, the power of attraction, and the ways in which a superficial culture persists in teaching its children that all that matters is what’s on the inside. This dramedy completed its successful run at Roundabout in NY, and opens at The Geffen Playhouse this…
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Cabaret Preview: ONE NIGHT ONLY CABARET WITH THE CAST OF HAMILTON (Marines’ Memorial Theatre in San Francisco)
YOU SAY YOU WANT A REVOLUTION In 1994, the groundbreaking decision was made to cast openly gay, HIV-positive Cuban-American Pedro Zamora as part of MTV’s The Real World: San Francisco. Zamora’s time in the Real World house on Lombard Street brought a face to the AIDS crisis. The darkly handsome, funny, surprising, and in-your-face activist…
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Dance Preview: FORMULAE AND FAIRY TALES (Invertigo Dance Theatre World Premiere at The Broad Stages in Santa Monica)
ONES AND ZEROS, APPLES AND POISONS, QUEENS AND WITCHES, FORMULAE AND FAIRY TALES A new dance work by Invertigo Dance Theatre is making its world premiere at The Broad Stages in Santa Monica next weekend on Friday and Saturday, September 13 & 14, at 7:30. Formulae and Fairy Tales is based on the life and…
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Theater Review: WITCH (Geffen Playhouse)
A PITCH FOR THIS RICH WITCH Written by Jen Silverman and directed by Marti Lyons, Witch is inspired by William Rowley’s Jacobian 1621 play Witch of Edmonton. The classic story follows Elizabeth Sawyer, a woman forced to the outskirts of society who finds revenge on her bullying neighbors by selling her soul to the devil. Well,…
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