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Los Angeles Theater Preview: GROUNDLINGS MIX TAPE (The Groundlings Theatre)
MIXING IT UP For over four decades, The Groundlings has proved itself to be one of the premiere comedy troupes in the nation, creating more stars than the Big Bang. Performers showcase material that arises from improvisation workshops, and the scenes that have been created are legendary. The problem is, once the current Main Stage…
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Concert Preview: NEW YEAR’S EVE WITH KRISTIN CHENOWETH (Disney Hall)
A KRISTIN PRESENT FOR NEW YEAR’S EVE The supremely talented platinum blonde speaks in a small voice and possesses a very petite, yet bodacious body. When she sings, however, we get very unique, beautiful and extraordinarily powerful musical notes in perfect pitch. At 4’ 11”, this wacky and vulnerable powerhouse is the new amalgamated American…
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Theater Review: THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (Greenway Court Theatre)
AN AMAZING INCIDENT Meet Christopher, a wannabe bloodhound who has significant social, behavioral and communication challenges; we assume the unnamed disorder is on the autism spectrum, but this magnificent play isn’t about his mental challenges. The British teen — the unlikely hero of Mark Haddon’s best-selling novel and Simon Stephens’ equally valued adaption, The Curious…
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Theater Review: THE MAN WHO CAME TO DINNER (Group Rep at the Lonny Chapman Theatre)
NOT A SEVEN-COURSE DINNER, BUT FILLING JUST THE SAME While on a Midwest lecture tour, arrogant and overbearing critic and radio commentator Sheridan Whiteside slips on an icy doorstep, injures his hip, and is confined to a wheelchair in a small Ohio town for six long weeks of recovery. He completely disrupts and unnerves the…
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Opera Review: DER RING DES POLYKRATES (Numi Opera at Zipper Hall in Los Angeles)
A RINGER Erich Wolfgang Korngold is best known for his grand scores of the golden age of movie music – principally for such swashbucklers as The Seahawk, Captain Blood, Anthony Adverse and The Adventures of Robin Hood. Andre Previn praised these great scores thus: “His wonderful melodies, orchestrated in the most gorgeous Richard Strauss-oriented manner, are a joy…
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Music Review: HANDEL’S MESSIAH (Los Angeles Master Chorale at Disney Hall)
HANDEL TO PERFECTION There’s little to say about Handel’s Messiah that hasn’t already been said. That this great work has been a seasonal favorite for two hundred and fifty years, assures us it will be performed at least annually for at least the next two hundred and fifty, and beyond. The scale of the piece…
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Theater Review: DANCE NATION (Steppenwolf)
DANCING AROUND ADOLESCENCE It happened with You’re A Good Man, Charlie Brown, that peculiar, often cloying, problem of adult actors playing unfledged kids. There’s an unavoidable condescension that’s not lost on grown-ups — even less so with young folks — when performers stoop to be small. But sometimes, as with Clare Barron’s 2017 Dance Nation (a Pulitzer…
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Concert Preview: DIANNE REEVES: CHRISTMAS TIME IS HERE (Disney Hall)
DIANNE TIME IS HERE She was the first singer to ever perform at Walt Disney Concert Hall, and she returns this Friday, Dec 2, 2019, to get your jazz going with a holiday confection of yuletide treats. Songbird Dianne Reeves is easily one of my favorite voices, and I’m astounded how many folks are not…
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Theater Review: PRIDE & PREJUDICE (World Premiere Musical at TheatreWorks in Palo Alto)
LOST IN AUSTEN All of Jane Austen’s novels are built on the same premise. A woman meets and marries an eligible man after a series of usually comic difficulties. But Austen extracts a remarkable amount of drama, comedy, and human interest from her domestic tales through her witty, ironic prose and her shrewd but forgiving…
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Theater Review: JULIUS CAESAR (Warriors for Peace at the Hudson Theatre in Hollywood)
HAIL, CAESAR! Shakespeare’s 1599 history play has, of course, had many lives – conservative as well as wildly interpretive – which has kept the slain Dictator of Rome in the forefront of our histories. Some directors have kept to the known facts as imagined by the Bard, and some have modernized it for contemporary comment….
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Dance Review: THE NUTCRACKER (American Contemporary Ballet; Santa Fe Ballet; Long Beach Ballet)
TRIPLE-CRACKED It wouldn’t be the holidays without The Nutcracker ballet, a wondrous fantasia limited in scope only by imagination — or, more practically, budget. This year I attended three separate SoCal productions: L.A.’s own American Contemporary Ballet’s sparkling condensed jewel and Santa Fe Ballet’s disappointing tour both pared down the work, while Long Beach Ballet…
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Theater Review: BURNING BLUEBEARD (The Ruffians at Ruth Page Center for the Arts)
ASHES TO THEATER It’s the spectacle that keeps on giving: No longer sprawling the width of the Neo Futurarium’s stretched-out stage or concentrated in Theater Wit’s proscenium hall, The Ruffians’ superb 100-minute Burning Bluebeard has now taken its glorious, dream-like make-believe and contagious magic realism to the Ruth Page Center for the Arts — in…
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Theater Review: A CHRISTMAS STORY (San Diego Musical Theatre at Horton Grand)
A HOLIDAY CLASSIC PUT TO SONG: ONE THAT WON’T SHOOT YOUR EYE OUT While it may seem a bit premature to call the 1983 movie A Christmas Story a “classic,” the near-universal popularity of the film and its nostalgic look back at a Christmas in 1940 certainly give it that feeling. True to the film,…
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Film Review: CATS (directed by Tom Hooper)
CATNIP FOR THIS CATS LOVER OK, I’m fully aware that many people find Cats the musical a baffling phenomenon. I’ve loved it from the start, when I saw it with my husband on Broadway. He hated it. Later I dragged him clawing and mewling to the now shuttered Shubert Theatre in Los Angeles, and he…
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Cabaret Preview: THE SKIVVIES: I TOUCH MY ELF (Laguna Playhouse)
GET YOUR SANTA CLAWS INTO THIS! The Skivvies. A not to be missed, sexy, entertaining, musical cabaret performance. New York based Lauren Molina and Nick Cearley are singers/actors/musicians who have performed anywhere they can take their clothes off, performing fun arrangements of eclectic covers and eccentric originals. Not only is the music stripped down —…
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Theater Review: IRVING BERLIN’S WHITE CHRISTMAS (National Tour)
LET THEM SING AND WE’RE HAPPY Given the daylight deprivation that comes with December, music works like light to dispel the darkness. This musical couldn’t be brighter: White Christmas, of course, salutes the similarly named 1954 film that itself builds on the 1944 delight Holiday Inn, the film that in the middle of a war premiered the…
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DVD Review: AGATHA CHRISTIE’S CRIMINAL GAMES [LES PETITS MEURTRES d’AGATHA CHRISTIE] Season One (MHz Releasing)
NIFTY CHRISTIE MYSTERIES As clever as Agatha Christie (1890-1976) was in her now old-fashioned writing (no vulgar words or on-page violent deaths), contemporary film makers have a difficulty in making her plots relevant to our more brutal and vicious times So, in the French tradition of Maigret, six of Christie’s novels have been adapted to…
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Theater and Dance Review: SWAN LAKE (Matthew Bourne Productions at the Ahmanson)
SWOON LAKE Sir Matthew Bourne’s Swan Lake has flown into town and it’s a rapturous reimagining of Tchaikovsky’s beloved ballet. While productions based on the popular Petipa-Ivanov 1895 revival are commonly performed (with alternate endings), Bourne’s radical retelling — which debuted a hundred years after this iconic interpretation — gives the folkloric piece a modern…
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Theater Review: THE CHRISTMAS FOUNDLING (Pride Films and Plays in Chicago)
A GOLD RUSH NATIVITY You could call it a second coming of Christmas from our Golden West. Delivered with the grit and gusto of 19th century raconteur Bret Harte, The Christmas Foundling is a likable tale from the California Gold Rush, specifically a late-blooming nativity on Christmas Eve. Norman Allen’s 2001 period piece, now warmed up by directors…
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Theater Review: FROZEN (National Tour)
CAN FROZEN MELT YOUR HEART? Direct from Broadway, Disney’s Frozen officially kicks off its national tour at the Hollywood Pantages after a tryout in Schenectady, NY, and it’s the hygge snowblast we need. Based on the 2013 Academy Award-winning animation (currently the 15th highest-grossing film of all time), this stage musical adaptation — directed with…
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