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Theater Feature: DEATH OF A SALESMAN (Ruskin Theatre Group in Santa Monica)
MORE LIFE FOR DEATH Rob Morrow’s completely compelling interpretation of Willie Loman in Arthur Miller’s Death of a Salesman has made the show so popular that an extension has been announced. Slated to close on August 4, 2019, the exciting event will play until August 25 (dark August 12 -15). The miracle of Death of…
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Theater Review: THE PLAY THAT GOES WRONG (National Tour)
THE PLAY ABOUT THE PLAY THAT GOES WRONG GOES WRONG The title of this play is brutally honest ’” and you can’t say you weren’t warned. In the style of Monty Python and Michael Frayn’s farce Noises Off (an infinitely cleverer romp), The Play That Goes Wrong, a 2015 London hit written by Henry Lewis, Jonathan Sayer and…
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Theater Review: PASSION (Custom Made Theatre Company in San Francisco)
A PASSIONATE PASSION Stephen Sondheim’s Passion is less a work of art than it is an art piece and the Custom Made Theatre Co., in its lovely and elegant chamber version, treats it as such. It is the jewel in the Sondheim canon, exquisite to some, an oddity to others, and it contains some of…
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San Francisco Theater Review: CABARET (SF Playhouse)
GO TELL MAMA: CABARET‘S A HIT Cabaret was and remains one of the boldest and most innovative experiments in the history of musical theater, a ravishing work that has neither lost its power nor its pertinence no matter what one does with it, and it is gratifying to report that the new production at the…
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Dance Preview: THE ROYAL BALLET & COMPANY WAYNE MCGREGOR (World Premieres in Los Angeles)
ROYAL DANCE PREMIERES Do you hear the buzz? One of the biggest events of the year with some of the biggest arts organizations in the world involved, The Music Center’s Dorothy Chandler Pavilion will host the dance world premiere of the 45-minute Inferno which will be a part of the full-length evening The Dante Project…
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Music Review: CARNIVAL OF THE ANIMALS (Sean Hayes, Katia and Marielle Labí¨que & The LA Phil)
BEAUTY AND HUMOR I wonder what French Romantic composer Camille Saint-Saëns (1835-1921) would have thought had he known his Carnival of the Animals (Le Carnaval des Animaux) would become one of his most well-known and perhaps best-loved works. Written in 1886, it was meant to be a divertissement for his pupils to play, so the…
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Theater Review: HAIRSPRAY (Bay Area Musicals)
EVEN WHEN HAIRSPRAY CAN’T HOLD UP… THE EXPERIENCE CAN There are some shows that are beyond criticism or, rather, shows that render criticism totally unnecessary, and the Bay Area Musicals production of Hairspray is one of those shows. Everyone involved has set out to provide a lively showcase for local talent and for the friends…
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Theater Review: ROCK OF AGES (Cygnet Theatre Company in San Diego)
SOLID AS AN 80s ROCK Big hair, short shorts, and tons of Madonnawannabees. It’s hard not to love the spirit of the 80s. A huge part of that was the high-spirited music of the decade. Moving past the 70s folk ballad/disco era but not yet into the angst-y 90s, the 80s were loaded with feel…
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Theater Review: THE MUSIC MAN (Goodman Theatre)
MAN, OH MUSIC MAN If ever a show spelled out summer, it’s Meredith Willson’s 1957 masterpiece The Music Man. Throughout the rollicking story, the title character exudes sunny optimism, a flimflam that “Professor” Harold Hill wants to believe as much as the suckers who take it in. His buoyant drive fits the season like a picnic. It’s…
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Los Angeles Theater Review: WE SHOULD HANG OUT SOMETIME (Santa Monica Playhouse)
A GUY WITH ONE LEG WALKS INTO A THEATER: This show-in-residence at the Santa Monica Playhouse (it plays most Friday nights) is a funny, exhilarating dive into comedian, best-selling author, Paralympic champion, and YouTube star Josh Sundquist’s sometimes bizarre, always engrossing experiences as a guy who, although he had plenty of friends and a great…
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Theater Review: THE TEMPEST (Midsommer Flight)
TEMPEST BELONGS OUTDOORS The words can get windblown or contend with sirens and such. But, just as food tastes different (better?) when eaten outdoors, so does the Bard. Embracing all, Shakespeare needs no roof and the sky’s no limit. Now in their eighth season of offering free performances in four Chicago parks through August, this…
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Theater Review: HEAD OVER HEELS (Kokandy Productions in Chicago)
GO-GO SEE THIS SHOW-SHOW It’s a marriage made in musical heaven: A ton of fun erupts from combining seemingly antithetical elements — a 16th-century fairy-tale/poem cycle by Sir Phillip Sidney and jukebox hits from the 1980s’ female rock band The Go-Go’s. As created by Jeff Whitty and adapted by James Magruder, the riotous result is…
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Dance Review: MAYERLING (The Royal Ballet)
THE ROYAL BALLET TAKES ON ROYAL INTRIGUE Considering we couldn’t tell most characters from each other at last night’s opening of Royal Opera Ballet’s Mayerling, a good time was had by all. With Kenneth McMillan’s inventive and daring 1978 choreography, Koen Kessels’ live orchestra’s thrilling rendition of Liszt’s exquisite music (arranged and orchestrated by John…
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Theater Review: MYSTERIOUS CIRCUMSTANCES (Geffen Playhouse in Westwood)
NO SHIT, SHERLOCK As with Good Boys playing across town, Mysterious Circumstances doesn’t quite give us an ending the material deserves, but hoo-boy what a ride this is. Directed by Matt Shakman with a magical meta-theatrical flourish that makes life worth living, our fever dream is based on the still-unsolved true-life death of a Sir…
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Theater Review: DEATH OF A SALESMAN (Ruskin Theatre Group in Santa Monica)
DEATH LIVES Arthur Miller makes Willie Loman, the tragic figure in his Death of a Salesman, 63 years old. So I was more than a little skeptical as to whether or not Rob Morrow (of Northern Exposure fame) could pull it off. At Ruskin Theatre Group, Morrow, with his boyish good looks, appears much younger…
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Los Angeles Theater Review: DAMES AT SEA (Sierra Madre Playhouse)
THERE IS NOTHING LIKE A DAMES When Dames at Sea opened in 1966 at the Caffe Cino, a small coffee house and performance space in New York City’s Greenwich Village that was at the heart of the early off-off Broadway movement, the show was a trifle — a campy lark into the backstage musicals of…
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Theater Review: GOOD BOYS (Pasadena Playhouse)
A GOOD GOOD BOYS COULD’VE BEEN GREAT Gay playwright Roberto Aguirre-Sacasa (contributor to Glee and Big Love) gets a revival of his drama Good Boys and True that premiered at Steppenwolf ten years ago. There is some solid stagecraft in his story about a privileged prep-school teen caught up in a sex scandal, but it’s shocking that while…
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Theater Review: THE PRODUCERS (Celebration Theatre in Los Angeles)
I WANNA SEE THE PRODUCERS Let’s get the bad news out of the way first. The Celebration production of The Producers is as far away from the Borscht Belt as a New York musical comedy — whose central characters are named Bialystock and Bloom — can get. On the other hand, this is the kind…
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Theater Preview: HEDDA GABLER (Los Angeles Theatre Works at UCLA)
A JEALOUS WIFE WITH BAD GUN CONTROL You can’t keep a bad/mad woman down. Not to be confused with A Doll’s House, where Henrik Ibsen offers an almost feminist defense of a vastly underestimated wife, his poisonous 1891 domestic drama Hedda Gabler depicts a very different “helpmate.” Here a bored and bitter housewife transforms her contempt for her…
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Theater Review: GRINDR THE OPERA (AN UNAUTHORIZED PARODY) (Pride Films and Plays)
AN APP-ETITE FOR AMOUR Sooner or later you knew an Internet application would get its own show, especially when it plays Dan Cupid, hooking up randy seekers of one-night stands or permanent pleasure. First produced in the U.K. last year, Grindr The Opera (An Unauthorized Parody) is an alternately cheeky and bittersweet salute to some…
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