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  • Review: ALL SHOOK UP (San Diego Musical Theatre)

    A HUNK-A HUNK-A BURNING FUN On the heels of Cygnet’s Rock of Ages, in which every tune is an 80s hit, comes San Diego Musical Theatre’s staging of All Shook Up, in which every musical moment is an Elvis Presley song. (It played Broadway in 2005 with 213 performances.) It’s an interesting trend, fitting in…

  • DVD Review: LES MISÉRABLES (PBS, 2018)

    C’EST MAGNIFIQUE Boy-o-Boy!!! When Art is flung in your face, you best wear it rather than wash it off for, if nothing else, your long-range emotional sake. This latest iteration of Victor Hugo’s 1862 novel about the struggles of the1830s archconservative French government’s effect on the disenfranchised sections of the country, especially concerning the life…

  • DVD Review: THOSE WHO KILL [DEN SOM DRí†BER] (MHz Releasing)

    DARKNESS IN THE LIGHT Here comes the Danish version of the newly named “Scandi Noir” or “Nordic Noir,” a genre of crime fiction set in the Scandinavia countries of Norway, Sweden, Denmark, Finland, Iceland and Greenland (although the last one is run by the Kingdom of Denmark); this genre would seem to reflect the nature…

  • Interview: VINCE MELOCCHI (writer of world premiere ANDY WARHOL’S TOMATO at Pacific Resident Theatre)

    PEELING A TOMATO If you’ve ever wondered what Andy Warhol was like as a kid, perhaps writer Vince Melocchi’s new play will give you a better understanding of the iconic artist, far beyond his eccentric persona. This curiosity became the biggest challenge for the playwright, finding the voice of a teenage Andy Warhola who was…

  • Review: COME FROM AWAY (North American Tour)

    THE OTHER SIDE OF TERROR Maybe because we need them so much, miracles are hard to take but crucial to believe.  Come from Away is a miracle musical in every way. Just as Lanford Wilson wrote  The Fifth of July  to reckon with the aftermath of a too-hopeful holiday, this Canadian wonderwork  confronts — and redeems — the horrors…

  • Film Review: MOLLY’S GAME (directed by Aaron Sorkin)

    MOLLY’S GAME: HOW DOES THE FILM COMPARE TO THE REAL STORY? Molly’s Game is based on the real story of Molly Bloom; an Olympic Skier turned entrepreneur who made a lot of money running high-stakes underground poker tournaments. When a movie is based on a person’s life, some of the sections are likely to be…

  • Theater Review: SCRAPS (Matrix Theatre Company)

    GIVE US A SECOND ACT WE DESERVE; ALL WE END UP WITH IS SCRAPS The angry young man syndrome is nothing new — think Protestant reformer Martin Luther! — but it sure found a home in the theater when British playwright John Osborne wrote the seminal Look Back in Anger in 1956. Jimmy, the uptight,…

  • Theater Review: WEST SIDE STORY (5-Star Theatricals in Thousand Oaks)

    A RESONATING STORY It rarely happens. “The Broadway Chill” I call it. That moment when an already amazing show is given the perfect and unexpected staging which heightens emotion, inducing moist eyes and gooseflesh as only can happen in the theater. Having seen West Side Story staged many times, I can say that rare is…

  • Theater Review: YOU CAN’T FAKE THE FUNK (A JOURNEY THROUGH FUNK MUSIC) (Black Ensemble Theater in Chicago)

    PUTTING THE FUN IN FUNK Taking us as far from death as is humanly possible, some shows just reward you for being alive. In perhaps their most joyous musical celebration yet, the 43-year-old Black Ensemble Theater continues its “Legends and Lessons” season with a major party:  You Can’t Fake the Funk (A Journey Through Funk Music)  is…

  • Theater Review: STRAIGHT (Loud Fridge Theatre Group in San Diego)

    WALKING THE STRAIGHT LINE 1982’s groundbreaking film Making Love gave us our first cinematic look at a man torn between the woman he loves and the man who fulfills his needs. Since then, we have been many such stories in the arts about one who genuinely cares about an opposite-gender partner while feeling incomplete because…

  • Theater Review: INTO THE WOODS (Hollywood Bowl)

    THRIVING WOODS Somewhere between “Once Upon a Time” and “Happily Ever After” there is a very adult world of tests, losses, disappointments, and grief. Despite this, we assert our agency; or as a baker’s wife sings in  Into the Woods, “If you know what you want, then you go and you find it, and you get…

  • Film Review: SHAZAM! (directed by David F. Sandberg)

    SHAZAM! Two Captain Marvel films were released in the space of a month during this year. For those who didn’t know, the superhero from Shazam! with its funny white cape and bad lightning suit, was once the original Captain Marvel. For decades, some lawsuits and a lot of creative scrutiny later, the comic book audience…

  • Theater Review: ANOTHER ROLL OF THE DICE (North Coast Rep in San Diego)

    LESSER LOESSER Well, here’s a jukebox musical just bursting at the seams with promise. And North Coast Rep’s production of Another Roll of the Dice is definitely kinda cute, a far cry from the overblown, disappointing jukeboxers we’re forced to endure. It may get a life at regional theaters with subscription audiences who thrive on…

  • Film Review: ONCE UPON A TIME IN HOLLYWOOD (directed by Quentin Tarantino)

    DO WE CARE? Being a major Quentin Tarantino fan, I was really looking forward to seeing this film. I just knew I was going to love it. But unfortunately that was not the case. My biggest problem with the film was that I didn’t really care about the characters. The one exception is Margot Robbie,…

  • Theater Preview: RAGTIME (Chance Theater)

    CHANCE THEATER’S RAGTIME EXTENDS TO AUGUST 11 This critically-acclaimed intimate reimagining of the epic musical will be adding ten performances over the course of a two-week extension. Chance Theater, Orange County’s best small theater oufit, will be extending its sold-out run of Ragtime: The Musical. Based on the novel Ragtime by E. L. Doctorow, the…

  • Chicago Theater Review: GHOST QUARTET (Black Button Eyes Productions at Stage 773)

    SEEING RIGHT THROUGH THIS MACABRE MASHUP It’s a roller coaster journey to the dark side of almost everything:  Ghost Quartet, now haunting Stage 773 in a Chicago premiere from Black Button Eyes Productions, is a sinister 2014 song cycle “of love, death and whiskey.” It issues from the macabre mind of bookwriter, lyricist and composer Dave…

  • Theater Review: THE SPITFIRE GRILL (American Blues Theater at Stage 773 in Chicago)

    SECOND CHANCES NEED SECOND ACTS Sit — and calm — down and make yourself at show. A captivating work extolling rural redemption, The Spitfire Grill, a 2001 musical of the 1995 film, shows how, if a wound goes deep, even the healing is bound to hurt. Its tender focus is on a female parolee who…

  • Theater Review: MISS SAIGON (National Tour)

    IT USED TO BE A MISS; NOW, THE HEAT IS ON IN SAIGON Infinitely stronger than the original Broadway outing, this national tour of Miss Saigon overcomes a still strangely muddled plot, some awkward sophomoric lyrics by Richard Maltby, Jr. and Alain Boublil, and a few scenes and songs that could be cut with no…

  • Theater Review: THE TALE OF DESPEREAUX (The Old Globe in San Diego)

    DESPEREAUX TIMES CALL FOR DESPEREAUX MEASURES More precious than profound, this new family musical is pure children’s theater with multilayered storytelling and plenty of songs that aid in exposition. The world premiere at The Old Globe is delightful, even if there are some flaws in the arc that keep the show from building in suspense….

  • Theater Review: TRUE WEST (Steppenwolf)

    SIBLING WARFARE Can lightning strike again after 37 years? In 1982 Steppenwolf Theatre Company put itself on the map with a landmark staging of Sam Shepard’s domestic disruption  True West starring Jeff Perry, John Malkovich, and Gary Sinise (in the Broadway transfer). Nearly two generations later, it’s back — in a rightly reckless reprise directed by…

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