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Los Angeles Theater Review: GLORIA (Echo Theatre)
IF IT BLEEDS, IT LEADS If anyone should dislike the confrontational and cynical aspects of Echo Theatre’s knockout L.A. premiere of Branden Jacobs-Jenkins’ Gloria, I assert it’s no fault of the artists involved, including the playwright. This 2015 Off-Broadway two-act is unsettling, shocking and funny as it scathingly depicts the poorly-paid, dead-end, “soul-sucking” jobs of…
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Theater Review: UK UNDERDOG (Zephyr Theater)
HE’S NOT GOING TO THE DOGS, BUT THE PROCEEDS ARE There are many reasons to see writer/performer Steve Spiro’s entertaining and touching one man show, a powerful and emotional true story now playing at the Zephyr Theatre. Nicely shaped by director Ann Bronston, Spiro brings his childhood and subsequent years to life in a palpable way…
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Film Review: A STAR IS BORN (directed by Bradley Cooper)
BRADLEY COOPER — A STAR REBORN The first A Star Is Born (1937) tells of aspiring actress Esther Blodgett (played by Janet Gaynor) who impresses an alcoholic matinee idol Norman Maine (Fredric March). Esther gets her first big break in Norman’s next picture (and a marriage proposal from the smitten Mr. Maine). The movie’s a…
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Theater Preview: WHO’S HYSTERICAL NOW? (Bootleg Theater in Los Angeles)
GENDER-SWITCHED REENACTMENT OF THE KAVANAUGH/FORD TESTIMONIES ONE NIGHT ONLY, TUESDAY OCTOBER 2 If you think the Senate hearings last week were high drama, imagine seeing them live in the theater, but with a twist. Writer/producer Tina Poppy and Bootleg Theater’s Jessica Hanna offer you the timeliest commiseration on record. Tomorrow night, Tuesday October 2 at…
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Chicago Theater Review: DOWNSTATE (World Premiere by Bruce Norris at Steppenwolf)
CHILD MOLESTERS GET A PLAY Some underdogs seem deeply deserving — which makes sympathy for devils a tricky proposition. Pulitzer-winning Bruce Norris has never shied away from upsetting the apple cart. Co-commissioned and co-produced with the National Theatre of Great Britain, Steppenwolf Theater’s latest provocation Downstate examines four child molesters in a group home. Norris exposes them…
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Theater Review: NELL GWYNN (Chicago Shakespeare)
THE BELLE OF COAL YARD ALLEY LEAVES YOU GWYNNING FROM EAR TO EAR When you’re mistress to a monarch, your perch is precarious. Envy supplants praise as, moving from “rags to royalty,” your origin pursues you through slander and shaming. Lacking the protection of marriage, seldom measured by your merit (just your maneuvers), the royal…
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Theater Review: AMERICAN HERO (IAMA Theatre Company at the Pasadena Playhouse)
FEAR THAT TASTES LIKE CHICKEN IAMA Theatre Company’s 2018-19 season opener, Bess Wohl’s American Hero (a Pasadena Playhouse guest production at the Carrie Hamilton Theatre) is a portrait in miniature of the underemployed working poor’s quiet and not-so-quiet desperation. There is superb teamwork between the actors, and when it is at its best, the play…
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Album Review: DISSONANCE (Diderot String Quartet)
NOTHING TO DIS HERE For utterly superb technique and ensemble intricacy and expression, look no further than Diderot (DEE-der-oht) String Quartet’s new release of Mozart’s String Quartet No. 19 in C Major, K. 465, commonly known as Dissonance (1785). Consistently remarkable is the perfect blend of gravitas and lyricism — seriousness without being erudite or…
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CD Review: HILARY HAHN PLAYS BACH
BACH TO BRILLIANCE It’s now practically lore that violinist Hilary Hahn decided that her debut album would not only be solos, but partitas and a sonata by Bach, works that have been held as the zenith of violin composition and the most intangible of objectives for a newcomer recitalist. It was a move that raised…
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Theater Preview: THE OTHER PLACE (Chance Theater)
THE PUZZLE BOX OF THE SOUL Sharr White’s riveting and affective play, The Other Side, concerns Juliana, a neurologist and holder of a billion-dollar patent, whose life suddenly starts crumbling before her eyes. The show begins with her — confident, sophisticated, impregnable — lecturing to a convention hall full of doctors. By the end she…
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Concert Preview: HILARY HAHN PLAYS BACH (Los Angeles Chamber Orchestra)
LACO GIVES YOU A HAHN It’s now practically lore that violinist Hilary Hahn decided that her debut album would not just be solos, but partitas and a sonata by Bach, works that have been held as the zenith of violin composition and the most intangible of objectives for a newcomer recitalist. It was a move…
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TOP FOUR ART-THEMED ONLINE SLOT GAMES
TOP 4 ART-THEMED ONLINE SLOT GAMES Themes are a great way to attract players, and in online slots, it plays a crucial role in changing the gameplay of a regular slot machine. Art-themed slot games are not very popular, but there are a few games that can attract art lovers and players who are just…
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Opera Review: DON CARLO: (LA Opera)
DOMINGO A SHINING LIGHT IN SOME DARK STAGING In LA Opera’s production of Verdi’s Don Carlo, which has some cosmic casting but a stifling set and stingy staging, the titular character has had a rather rough time before a note is sung. He has sneaked away from his princely duties to meet his betrothed, Elisabeth…
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Chicago Theater Review: WE’RE ONLY ALIVE FOR A SHORT AMOUNT OF TIME (Goodman Theatre)
A RETROACTIVE RECKONING IN 12 SONGS His seventh coming is a gift worth opening. It’s been 13 years since Obie-winner David Cale has appeared on the Goodman Theatre stage. That’s where he previously presented six worthy works — The Redthroats, Deep in a Dream of You, Smooch Music, Lillian, Somebody Else’s House and Floyd and Clea Under the Western…
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Theater Review: MAME (Musical Theatre Guild)
THE ENDURING LEGACY OF JERRY HERMAN AND THE ‘STAR VEHICLE’ The chief pleasure in Musical Theatre Guild’s presentation of Mame at the Alex Theatre is hearing the music, full-out, as written, unencumbered, and unembellished. I mean that in the best sense. Jerry Herman’s score is lush and lovely, and it requires no reinvention. In the…
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Off-Off-Broadway Theater Review: BEEP BOOP (HERE)
THIS ONE’S A BEEPER Richard Saudek’s one man show beep boop begins with a man struggling to break through an elastic translucent membrane. He succeeds and is born — spit out of a womb — emerging dressed like a Brooklyn millennial and holding a smartphone. What follows is a brilliant display of mime and clown…
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Theater Review: THE CAKE (Geffen Playhouse)
LOVE AND TOLERANCE BEGIN AT HOME Debra Jo Rupp is like a hurricane in miniature. She takes us inside a character’s small, unexpected, interior storms. We see and feel her mind and emotions churning. Sometimes she lets all that energy propel itself outward, and she bounces around the stage with adorable comic effect. Other times…
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Theater Review: BONNIE & CLYDE (Candlelight Pavilion Dinner Theater in Claremont)
A SURE(GUN)FIRE HIT The team of Bonnie Elizabeth Parker and Clyde Chestnut Barrow, the most famous robbing, murdering, loving couple in U.S. history, is as unlikely a subject for a musical as Sweeney Todd. From their first meeting in West Texas through their tumultuous courtship and romance; from their brief, history-making crime spree to their fateful…
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Theater Review: THE BEAUTY QUEEN OF LEENANE (Studio/Stage in Hollywood)
BLACK COMEDY, KITCHEN SINK DRAMA & ONE FECKIN’ MOTHER While the horror and suspense aren’t as delectable as previous productions of The Beauty Queen of Leenane — Martin McDonagh’s 1996 black comedy — the dark humor, bleakness, and romance positively boil over, making Capricorn Eleven Productions’ revival a recommended trip. For 20 years, 40 year-old spinster…
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CD Preview: THE BOY WHO DANCED ON AIR (Original Cast Recording)
THE BOY WHO DANCED ON AIR, AN AFFECTING CHAMBER MUSICAL The Boy Who Danced on Air,  a musical love story set in rural Afghanistan that was seen Off-Broadway last spring,  will receive an original cast recording from Broadway Records. This musical about  bacha bazi — “the ancient tradition where wealthy men buy boys from poorer families, train them…
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