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San Diego Theater Review: THE FULL MONTY (San Diego Musical Theatre)
THE FULL MONTY IS WORTH BARING IN MIND When the main factory in town shuts down and only menial work, far below previous pay grade, can be found, what’s a man supposed to do? For the two central men in The Full Monty, the answer is to create a one-night-only strip show to compete with…
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Los Angeles Theater Preview: CANDIDE (LA Opera)
YES, WE CANDIDE There isn’t much I could say about the musical Candide that hasn’t been written about before. What I can say is never miss an opportunity to catch a production, especially when it’s a full-on spectacle like the one opening tonight with LA Opera. Leonard Bernstein created one of our greatest Broadway scores when he…
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CD Review: DARKEST HOUR (Soundtrack by Dario Marianelli)
A DARK HOUR FOR FILM SCORES There are film scores which multiply suspense, doing the job quite well for the film, but not transportive to someone merely listening. In the case of Darkest Hour — Joe Wright’s film about Winston Churchill and the early days of his Prime Ministership, when Hitler was closing in on Britain during…
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Los Angeles Dance Preview: ASTAIRE DANCES (American Contemporary Ballet)
I’LL TAKE ASTAIRE’S WAY TO PARADISE The great ballet choreographer George Balanchine compared Fred Astaire to Bach, and Baryshnikov claimed Astaire gave him an inferiority complex. Katharine Hepburn once said about his partnership with Ginger Rogers: “He gives her class, and she gives him sex.” Astaire himself said, “I don’t make love by kissing, I…
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Los Angeles Music Preview: ARTURO SANDOVAL JAZZ WEEKEND (The Wallis in Beverly Hills)
ARTURO SANDOVAL’S AMAZING JAZZ WEEKEND IS HERE! He moves easily across many varieties of jazz and instruments — using his trumpet to produce a fiery assortment of resonances, interchangeably stately, amusing and starry-eyed. The mighty, vibrant, effervescent Cuban trumpet player, big band leader, and composer Arturo Sandoval — a protégé of Dizzy Gillespie — is…
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Los Angeles Music Review: DUDAMEL CONDUCTS BRAHMS (Los Angeles Philharmonic)
A WEEKEND OF FIRSTS Gustavo Dudamel returns to the podium this weekend — Thursday through Sunday, January 25-28, 2018 — to lead the LA Phil in a concert easily predicted to be a stunner. Brahms First Symphony, on which he labored for so long (over 14 years), is an openly passionate work, the last great…
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Los Angeles Theater Review: THE CHOSEN (Fountain)
LOVE AND “COMPASSIONATE SILENCE” We are living through an era that seems to value greed, hypocrisy, narcissism and blatant dishonesty over truth and meaning. This makes the journey into the world of Aaron Posner and Chaim Potok’s The Chosen that much more satisfying. It feels as impactful as a dear friend’s determined embrace, the kind…
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Los Angeles Theater Review: A DELICATE SHIP (Road Theatre Company in North Hollywood)
THESE THINGS MUST BE DONE DELICATELY If you lose your way trying to navigate the enigmatic journey Anna Ziegler wants to take us in her well-written but thematically dense A Delicate Ship, keep your eye on Josh Zuckerman – it’ll be impossible not to – because he has found the human trajectory that Nate, one of…
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Los Angeles Music Review: YARN/WIRE (Monday Evening Concerts at The Colburn School)
THEY’LL LEAVE YOU WIRED For those who don’t know, Monday Evening Concerts is L.A.’s longest running new music show, dating to back to 1939. To put its legacy in to perspective, the series hosted Pierre Boulez’s American debut and a few Stravinsky premieres. Now it exists much in the same way, premiering works by emerging or established…
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Music Preview: WELL-STRUNG (National Tour)
LOOKING GOOD FROM FRONT AND BACH The Los Angeles LGBT Center has announced a special one-night-only return of the internationally acclaimed singing string quartet Well-Strung. The four performers specialize in pairing universally recognized classical pieces while singing pop music hits by the likes of Taylor Swift, Rihanna, Kelly Clarkson, and others. As part of their…
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Los Angeles Theater Preview: LOUISIANA PURCHASE (Musical Theatre West in Long Beach)
RARELY PRODUCED BERLIN SCORE COMES TO LIFE No doubt when folks hear “Louisiana Purchase,” they think of Thomas Jefferson’s gargantuan land acquisition from France in 1803, a purchase which resulted soon thereafter in Lewis and Clark’s expedition. So, is this the subject of the musical Louisiana Purchase? Nope. Wait… What..? You mean you’ve never even…
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Chicago Theater Review: YANK! A WWII LOVE STORY (Pride Films and Plays at the Pride Arts Center)
A RODGERS & HAMMERSTEIN STYLED MUSICAL THAT ASKS AND TELLS Call it the new nostalgia. In most ways, Yank! A WWII Love Story is an unashamedly conventional book musical, as predictable as pleasant. These fast-paced 140 minutes burst with peppy tap-dancing, torch songs, production numbers, solo turns, and feel-good storytelling. This is World War II set to…
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Chicago Theater Review: BOY (TimeLine Theatre Co.)
THE LOST–AND FOUND–BOY What resonates in each of the 90 minutes of TimeLine Theatre Company’s Boy is the play’s total absence of rage or recrimination. As compassionately told by Anne Ziegler, this deeply moving one-act recounts a true-life/true-love tale of what was once called in Louisiana a “crime against nature.” Boy could have degenerated into a feeding frenzy of…
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Theater and Music Preview: IL RITORNO (Circa Contemporary Circus)
AN OPERATIC CIRCUS ODYSSEY The uber-innovative Australian performance troupe, Circa, returns to the States with its newest production, Il Ritorno, a unique production that melds circus arts with Baroque opera to explore themes of loss and displacement. This special engagement takes place one night only, Tuesday, January 23, 2018 at the gorgeous Musco Center for the…
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Chicago Theater Review: THE ANTELOPE PARTY (Theater Wit)
MY LITTLE (PARANOID) PONY If you believe The Antelope Party, a Theater Wit two-act world premiere, fascism could soon be coming to a neighborhood near you. The “party” reference is political, not social. The blatant thrust of Eric John Meyer’s new work is that purity is no defense against paranoia. Indeed, one kind of role-playing can…
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Los Angeles Music and Dance Preview: Mí„LKKI, STRAUSS & DANCE (Zimmermann’s Cello Concerto & Alpine Symphony, Susanna Målkki and the LA Phil)
DANCE! U.S. PREMIERE! ALPINE SYMPHONY! One of the reasons that the LA Phil is doing better than ever is the programming variety. With plenty of classics, we are also getting a slew of new music, much of it seeing its premiere at The Walt Disney Concert Hall (there will be over 50 such works next…
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Broadway Theater Review: JOHN LITHGOW: STORIES BY HEART (Roundabout Theatre Company)
YOU GOTTA HAVE HEART Here’s the thing: This solo show written and performed by John Lithgow, the endlessly talented star of more movies, TV shows, and plays than there are stars in the heavens, is downright delightful. Few performers possess the charisma and, frankly, the chops to straddle a stage alone and draw you in…
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Theater Review: SMALL MOUTH SOUNDS (National Tour at The Broad Stage in Santa Monica)
YOU LEAVE SEEKING PEACE AND A PLOT When a play comes along that is entirely different from any play that has preceded it, especially in our era of over-informative white noise and copycatting creativity, it deserves attention. Even Small Mouth Sounds — Bess Wohl’s 2016 work, now stopping at The Broad Stage in Santa Monica as…
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Chicago Theater Review: FIVE MILE LAKE (Shattered Globe Theatre at Theater Wit)
YOU STILL CAN’T GO HOME AGAIN Plays about what doesn’t happen feel a lot trickier than the action models: Exhibit A (through Z) is Rachel Bonds’ Five Mile Lake, a group portrait of five twenty-somethings held back even in motion. (One calls it “treading water,” which of course fits the title.) It’s no accident that in Shattered Globe Theatre’s Chicago…
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Chicago Theater Review: TRAITOR (A Red Orchid)
GET THE LEAD OUT “The majority is always wrong.” Norwegian disrupter Henrik Ibsen practically carved that credo into his 1882 potboiler An Enemy of the People. In his still-seminal protest play, Ibsen lambastes the captious critics of his earlier sensation, Ghosts: He forges a plot in which Dr. Peter Stockman, a village doctor, discovers that the mineral…
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