VIVA LA POP’S MAMMA Bringing opera to a wider audience is the noble goal of many a musical entrepreneur, but few succeed as well as Josh Shaw (stage direction and production design) and Stephen Karr (music director and conductor), founders of Pacific Opera Project (POP). Major opera companies should take note of the upstart company’s…

I DID, TEN MINUTES IN Ike Holter’s play Hit the Wall, a historical “remix” about June 27 and 28, 1969 in New York City, went up first at the Steppenwolf in Chicago in 2012. The next year it went to New York, where it received mixed notices. A new production by LA’s LGBT Center has…

HOW BROWN WAS MY VALLEY? The San Fernando Valley has always creeped me out. My family moved from Anaheim to Canoga Park (now West Hills) in 1971 (two weeks before the earthquake, thank you). For the next 11 years I never felt like I fit in. It was like it was haunted or something. White…

A HOMECOMING In last season’s Failure: A Love Story, Joseph V. Calarco played a veterinarian who at one point had to euthanize his good friend, a dog played by Gregory Nabours. The staged moment took less than five minutes, but remains as good an example as I have seen of the harmony of talent, skill…

A MILD MENDELSSOHN & A SOARING STRAUSS When scholars speak of the greatest concertos ever written for the violin, certainly the names of Beethoven, Brahms, and Bruch are bandied about. But for out-and-out popularity with audiences you can look to two, both of which’”regardless that they are performed and recorded with alarming regularity’”remain reigning favorites….

NEED TO KNOW MORE Since moving into my six-unit apartment eight months ago, I have encountered the loveliest neighbors a man could hope for. But just two weeks ago, a  tall, gangly, middle-aged man, who was watering the lawn at the four-unit building next door, saw my husband and I hurriedly entering the locked gate in…

HOME AND HEART When you go to Pacific Resident Theatre in Venice, one of the great pleasures is seeing performers Orson Bean and his wife Alley Mills hanging out in the lobby either manning the concession stand or assisting in helping folks to their seats (that is, if they aren’t actually in the show). Both…

THE FUTURE OF AMERICAN OPERA IS HERE I shudder when the time comes to see a “New American Opera.” The majority of new works are frustratingly inaccessible. Instead of reinventing opera, most composers stick with the same non-melodic minimalist recitative while librettists get more wrapped up in poeticism (such as repeating phrases for unfathomable reasons)…

SHORT ON WICKED; SHORTER ON LIT While Knott’s Scary Farm has been doing it for decades with its haunted mazes, interactive theater is gaining ground nationwide as a way to address dwindling and/or disinterested theatergoers. Live performances are battling with the internet’s popularity: The performing arts need audiences, and audiences are intrigued by the notion…

GOD HE’S GOOD A belated but welcome revue, Sondheim on Sondheim offers both songs and personal musings from one of Broadway’s best composer/lyricists. This inside look is rich with the stories behind the songs, new arrangements for old favorites, and a few obscure tunes. Part showcase  and part documentary, this Los Angeles premiere, as with other…

ROSENCRANTZ AND GUILDENSTERN ARE ALIVE AND WELL AND WAITING FOR GODOT Rajiv Joseph’s surprisingly complex and touching two-hander concerns a couple of guards assigned to stand watch at the walls in front of the newly built Taj Mahal, which will be revealed to the public for the first time since construction began 16 years earlier….