Opera: HEARTBEAT OPERA (2021-22 Season, NYC and Tour)

Post image for Opera: HEARTBEAT OPERA (2021-22 Season, NYC and Tour)

by Gregory Bernard on August 10, 2021

in Music,Theater-New York,Tours

HEARTBEAT OPERA — the indie opera company whose re-imagined, re-orchestrated and stripped down stagings of classic operas have been called “a radical endeavor” by Alex Ross in The New Yorker — returns to the in-person stage for its eighth season this year.

THE 2021-22 SEASON

BREATHING FREE, a visual album
September 18 at Pier 63, Hudson River Park Trust
At dusk
A free outdoor screening with live performances
(Additional future screenings TBA)
Focusing on Black empowerment in the arts
Featuring excerpts from Beethoven’s Fidelio, Negro Spirituals, and songs by
Harry T. Burleigh, Florence Price, Langston Hughes, Anthony Davis, Thulani Davis Director: Ethan Heard
Filmmaker: Anaiis Cisco
Creative Producer: Ras Dia
Co-Music Directors: Jacob Ashworth & Daniel Schlosberg
Movement Director: Emma Jaster

Watch Breathing Free Trailer

“Fervent, mesmerizing, and lushly sensual.” — Opera News
2021 Drama League Award Nominee for Outstanding Digital Concert Production

In 2018, Heartbeat collaborated with 100 incarcerated singers in six prison choirs to create a contemporary American Fidelio told through the lens of Black Lives Matter. In 2020—the year of George Floyd’s murder, a pandemic which ravages our prison population, and the 250th anniversary of Beethoven’s birth—they curated a song cycle, brought to life in vivid music videos, mingling excerpts from Fidelio with Negro Spirituals and songs by Black composers and lyricists, which together manifest a dream of justice, equity… and breathing free.

Jamilyn Manning-White in DRAGUS MAXIMUS, photo by Andrew Boyle
December 16 at 8pm and December 17 at 7 and 9:30pm
at Roulette in Brooklyn
Directed by Ethan Heard
Music Directed by Jacob Ashworth
Arranged by Daniel Schlosberg

Watch WNET’s ALL ARTS feature on Heartbeat’s drag extravaganzas

“Heartbeat Opera’s annual Halloween shows are known for blending genres and bending genders, and have become a sought-after stage for opera virtuosos,
drag superstars and award-winning designers.”
— Mary von Aue, Observer

Heartbeat’s beloved annual drag opera extravaganza returns in all its glory this December. Over the past seven years, Heartbeat has presented six fabulous extravaganzas at venues across Brooklyn: Hot Mama: Singing Gays Saving GaiaDragus Maximus: a homersexual opera odysseyAll the World’s a Drag! Shakespeare in love…with operaQueens of the Night: Mozart in SpaceMiss Handel; and Purcell’s The Fairy Queen. These interdisciplinary celebrations playfully mix opera classics with pop culture and drag to create an otherworldly experience that encourages audience members to embrace opera in new ways.

This year, the show moves to December—just in time for Christmas. Featuring familiar tunes by Handel, Tchaikovsky, Berlin, and many more, this naughty pageant celebrates the holidays with wit and warmth. Expect tradition…with a peppermint twist.

Kelly Griffin in FIDELIO, photo by Russ Rowland

Heartbeat’s first tour

February 10, 12 & 14, 2022 at Met Live Arts, New York City
February 19 at The Mondavi Center, UC Davis, California
February 22 at The Scottsdale Performing Arts Center, Arizona
February 26 & 27 at The Broad Stage, Santa Monica, California

Music by Ludwig van Beethoven
Original libretto by Joseph Sonnleithner & Georg Friedrich Sonnleithner
Adapted & Directed by Ethan Heard
Arranged & Music Directed by Daniel Schlosberg
New English Dialogue Co-Written by Marcus Scott & Ethan Heard
Featuring Derrell Acon (Roc), Curtis Bannister (Stan), Kelly Griffin (Leah),
Victoria Lawal (Marcy), Tim Mix (Pizarro)
and more than 100 incarcerated singers in six prison choirs 

Watch Fidelio Trailer

“I was blindsided by its impact” — Alex Ross, The New Yorker

Heartbeat was planning to take its Fidelio on tour in 2020, the 250th anniversary of Beethoven’s birth. Then the pandemic hit, affecting incarcerated people especially and forcing them to postpone the tour. Then George Floyd was murdered, sparking a much-needed racial reckoning. Now, with humility and a renewed sense of purpose, Heartbeat has the opportunity to bring the tour back and even expand it. The story of their Fidelio is more urgent and timely than ever:

A Black activist is wrongfully incarcerated. His wife, Leah, disguises herself to infiltrate the system and free him. But when injustice reigns, one woman’s grit may not be enough to save her love. Featuring the voices of imprisoned people, this daring adaptation pits corruption against courage, hate against hope.

Heartbeat is thrilled to continue its work on this Fidelio, updating the libretto for our current moment, deepening the company’s commitment to anti-racism in all that they do, collaborating more with their prison choir partners, sharing the production, and sparking important conversations. This tour is Heartbeat’s largest and most ambitious venture yet. They have the opportunity to reach thousands of new audience members, including hundreds of young people, in four cities across the country.

Art by Yuki Izumihara

QUANDO, ossia Project “0”
In-person screenings w/live performances in NY and Long Beach, April 2022
A co-production with Long Beach Opera
The pilot production of NO EVIL Projects

Creative Produced by Derrell Acon
Music Directed and Arranged by Daniel Schlosberg
In-person screenings with live performances in New York and Long Beach in April 2022
(dates TBC)

Some of the most beautiful and famous music from the operatic canon becomes the landscape for this fierce social satire of sex, activism, and the performance of everyday life. Music from Verdi’s operas La Traviata and Don Carlo and Gluck’s Orfeo ed Euridice are repurposed and refashioned into a 25-minute short film that follows a starry-eyed young couple as their night on the town unravels into a surrealist swirl of decadence, intrigue, and ultimately, vengeful justice.

The short film, a co-production with Long Beach Opera and produced by Heartbeat’s newly-appointed Associate Artistic Director Derrell Acon, will be screened as is, and then followed by a second presentation that features live composer-performers actively disrupting and reconstituting the music from the score for a one-of-a-kind theatrical experience. No two performances will be the same, as the ending will change with each iteration of the live performances, and audiences will be challenged to re-examine their perceptions of art and its role in societal transformation.

NO EVIL is an initiative meant to create a self-replenishing fund of seed money for new projects in the opera field by BIPOC (Black, Indigenous, and other People of Color) creators. Acon is in conversation with OPERA America, the Sphinx Foundation, and other industry colleagues about the full structure of NO EVIL Projects, which has an anticipated launch of 2022.

Says Acon: “As Arts Equity Specialist for the OPERA America New Works Forum, I had the opportunity to facilitate all-BIPOC adjudication panels for granting, and was deeply impressed by the nuance of perspective and intentionality centered in those discussions. I am convinced that the financial barriers experienced by marginalized creators in the field require even more attention and action—and, frankly, MONEY!”

Art by Andrew Boyle

A new one act opera

Music by Daniel Schlosberg
Libretto by Amanda Quaid, based on her play
Directed, Conceived, and Developed by Louisa Proske
Music Directed by Jacob Ashworth

World Premiere Production Coming in Winter 2023

Watch 13-minute documentary about The Extinctionist

During the 2020-21 season, Heartbeat Opera commissioned its first-ever opera, The Extinctionist, a one-act work that grapples with the catastrophic effects of climate change and one woman’s unorthodox choice to sterilize herself to save the planet and become the very first “Extinctionist.” The dark comedy turns one woman’s body into the battlefield of our political anguish, conflicting desires, and individual responsibility.

This past May, The Exctintionist was featured in The New York Times, which chronicled Heartbeat’s longtime commitment to reimagining classic works and its new expansion into commissioning. A semi-staged production of the opera was presented in May 2021 at PS21 in Chatham, New York, and the world premiere is slated for Winter 2023.

Heartbeat Opera
“A radical transformational approach to the standard repertoire”
— The Wall Street Journal

Heartbeat’s Artistic Director Ethan Heard and Associate Artistic Director Derrell Acon (top) co-Music Directors Jacob Ashworth Daniel Schlosberg

Heartbeat Opera was founded by ​​​​Ethan Heard (Co-Founder & Artistic Director) and Louisa Proske (Co-Founder & Resident Director) in 2014, after they graduated from Yale School of Drama’s directing program, to create incisive adaptations and revelatory arrangements of classics, reimagining them for the here and now. “One of the most agile and dynamic companies on New York’s indie opera scene” (Opera News), Heartbeat has established itself as a highly-respected, innovative force in the opera world. Daniel Schlosberg and Jacob Ashworth joined the team as Co-Music Directors from the first season. In the summer of 2021, Proske relocated to Germany, and Heartbeat welcomed Derrell Acon as Heartbeat’s first Associate Artistic Director. Annie Middleton is the company’s Managing Director, and Penny Pun is the Associate Producer.

{ 1 comment }

nan greenwald February 20, 2022 at 12:37 pm

please put me on your e/mail list

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