TO GRIEVE OR
NOT TO GRIEVE

American Conservatory Theater presents Hamnet, the stage adaptation of Maggie O’Farrell’s historical novel, adapted by Lolita Chakrabarti (Life of Pi) and directed by Erica Whyman.

Hamnet, the historical novel by Maggie O’Farrell, reimagines the family life of William Shakespeare in the 16th century. It’s an intimate portrait of his marriage, centered on the tragic loss of his only son. For Bay Area audiences, the opportunity to see this story played out on stage by the Royal Shakespeare Company is a treat, even if you saw the film adaptation from last year.

Young William Shakespeare (played by a handsome Rory Alexander) lives in Stratford-upon-Avon in England with his parents, John, an alderman (Nigel Barrett), and Mary (Penny Layden). He was well educated at the King’s New School in Stratford, specializing in grammar based on Latin authors. After finishing school, he earned an income tutoring students and continued writing as a pastime. His father is resentful that his son does not have a trade to fall back on and considers him to be lazy.

At age 18, William meets and marries a local woman, Anne Hathaway, whom everyone calls “Agnes.” People in Stratford consider her to be a “healer” and an empath. She is sought after for her abilities as well as her kindness, and she is the emotional center of this story. The domestic life of the family is the focus of the play. Her brother Bartholomew (Troy Alexander) lives nearby, as well as her stepmother Joan (played with delightful wickedness by Nicki Hobday). William and Agnes have three children: Susanna (Ava Hinds Jones) and the younger twins, Judith (Saffron Dey) and Hamnet (Ajani Cabey).

In the second half of the play, William’s writings—both stories and plays—begin to gain recognition and earn him money. He spends most of his time in London, immersing himself in the theater scene and producing his works. Agnes remains at home raising the family. When the twins fall ill, William is sent for, but by the time he receives word and returns, Hamnet has succumbed to his illness. With both parents grieving, William chooses to return to London and his work. Agnes feels deserted and left alone to cope with her loss.

On a visit home, William tells the family that his latest play, “Hamlet,” was completed as a tribute to their son Hamnet. Agnes is outraged and views this as a betrayal of the family’s privacy. She travels to London to see the play performed. The powerful scene in which Agnes watches the play—and, more specifically, senses the spirit of her late son—is deeply moving. Through her grief, we see her transformation into something luminous and almost joyful. In this production, all eyes are on Kemi-Bo Jacobs and her cathartic performance.

All the performers in the Royal Shakespeare Company bring these 16th-century characters vividly to life. The family members shine, and in the smaller roles, Elizabeth Connick, Bert Seymour, Karl Haynes, and Heather Forster—many playing multiple parts—round out the story effectively.

Tom Piper’s multi-level wooden set is ideal for showcasing the central story while allowing supporting action to unfold in the background. His costumes, some threadbare and muted, help define the working-class characters. Simon Baker’s sound design supports the mood throughout.

Even for those familiar with the story, the emotional impact remains strong. Seeing this intimate portrayal of a family’s love and loss up close makes for a moving theatrical experience.

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photos by Kyle Flubacker

Hamnet
American Conservatory Theater
Toni Rembe Theatre
San Francisco, CA
ends on May 24, 2026
for tickets ($25–$130), call 415.749.2228 or visit act-sf

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