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Chuck Louden
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Theater Review: CULT OF LOVE (Berkeley Repertory Theatre)
CULT OF LOVE TAKES YOU FROM “HO, HO, HO” TO “HOLY CHRIST!” The Dysfunctional Family, whether in a comedy or drama, is a staple of storytelling, from The Bible and Shakespeare to Netflix. We all have one. And what better fodder for drama is there than the dysfunctional American family? Throw in the trope of…
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Theater Review: KOOZA (Cirque du Soleil — International Tour in San Francisco and San Jose)
KOOZA RETURNS TO THE CITY OF ITS 2007 U.S. PREMIERE Circuses since the 19th century conjure up images of clowns, fire eaters, men walking on stilts and lion tamers with jungle felines jumping through flaming hoops. The sexy girl in the sparkling bustier riding atop the elephants around in a circle is the quintessential image…
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Theater Review: MIRIAM AND ESTHER GO TO THE DIAMOND DISTRICT (World Premiere at Magic Theater)
ANDREA GORDON’S NEW PLAY IS A DIAMOND In Andrea Gordon’s lovely and engaging play Miriam and Esther Go to the Diamond District — which opened last Friday at Magic Theatre — two estranged sisters meet at their wealthy stepfather’s house 45 years after their opera singer mother’s death to go through her possessions and clean out…
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Theater Review: EVERY BRILLIANT THING (Center Repertory Company at The Lesher Center for the Arts in Walnut Creek)
EVERY BRILLIANT PLAY Now playing at Lesher Center for the Arts in Walnut Creek through Jan. 28 is the fantastic one-man show Every Brilliant Thing. Written by Duncan Macmillan and Jonny Donahue, this show combines humor and pathos with audience participation for a night of riveting theater. Originating in London and made into an HBO…
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Theater Review: A CHRISTMAS CAROL (A.C.T.)
For two generations, a yearly outing to see A Christmas Carol has been a feel-good tradition for San Francisco families. American Conservatory Theater (A.C.T.) has staged adaptations of this famous Dickens story continuously since 1976, with few gaps until COVID, changing up the production on a regular basis to keep it from getting stale. Right along…
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Highly Recommended Theater: KALEIDOSCOPE (Circus Bella)
A WINTER BIG TOP HOLIDAY SPECTACULAR Ladies and Gentleman, Boys and Girls! Step right up. Come one, come all. The Circus is in town. Circus Bella – Full Company (Daisy Rose Coby) Stage and Cinema highly recommends San Francisco’s newest holiday tradition. Circus Bella‘s Kaleidoscope is here for the holidays under the big top. From…
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Theater Review: RUTHLESS! (New Conservatory Theater)
WHO DOESN’T LOVE A RUTHLESS CHILD? (ON STAGE, THAT IS) Just in time for some holiday fun, New Conservatory Theater presents the 1992 Off-Broadway smash hit Ruthless. With Book and Lyrics by Joel Paley and Music by Marvin Laird, it’s a dark comedy about a 1950s bored housewife living in the suburbs with her talented…
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Theater Review: GUYS AND DOLLS (San Francisco Playhouse)
GUYS AND DOLLS IS A SAFE BET Just in time for the holidays, San Francisco Playhouse presents a Broadway favorite, Guys and Dolls. It’s amazing. Were this masterpiece from Broadway’s golden age an actual guy or doll, he or she would be scoring Social Security. But make no mistake, this 1950 hoofer is no worse…
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Theater Review: THE GOLDEN GIRLS LIVE: THE CHRISTMAS EPISODES (Victoria Theatre)
AS GOLDEN AS EVER This perennial favorite is back for its 18th year. This “drag” version of classic holiday themed The Golden Girls episodes seems to grow in popularity every year. Since its inception in 2005 when it was originally performed to a select crowd of friends informed by email, it has outgrown the living…
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Theater Review: CINDERELLA ENCHANTED (Berkeley Playhouse)
ENCHANTED, INDEED Now playing at the Berkeley Playhouse, just in time for the holidays, it’s the classic story of Cinderella. This version began as the now-famous Rodgers & Hammerstein musical in 1957, with Julie Andrews playing the heroine in black and white. The ’65 version starred a young Lesley Anne Warren, Stuart Damon (General Hospital),…
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Theater Review: THE LEGEND OF GEORGIA MCBRIDE (Center Rep at Lesher Center in Walnut Creek)
GEORGIA MCBRIDE AIN’T NO DRAG Definitely worth the drive out to the suburbs, Center Rep’s The Legend of Georgia McBride is fun, irreverent and empowering. Alan Coyne Matthew López (The Inheritance) created this original story of Casey (Joe Ayers), who works as an Elvis impersonator in Cleo’s, a dive bar in Florida, where most of…
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Theater Review: HEDWIG AND THE ANGRY INCH (Shotgun Players in Berkeley)
East Berlin expat Hedwig was forced to leave a rather important bit of himself’”later herself’”behind the Wall in order to pass physical exams and immigrate to America with the G.I. of her dreams. Move ahead one year: impoverished, divorced and the casualty of a distortedly bungled gender removal procedure, creator John Cameron Mitchell’s counterculture hero(ine)…
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Theater Review: BULRUSHER (Berkeley Rep)
A PLAY WITH WATER AS A THEME WILL HAVE YOU FLOATING OUT OF THE THEATER Now playing at the inimitable Berkeley Rep, Eisa Davis’s lyrical, fascinating, humorous and gorgeous play Bulrusher — a 2007 Pulitzer Prize finalist — is set in 1955, 110 miles north of San Francisco in Boonville, California. Founded in 1890, the…
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Theater Review: WE ARE CONTINUOUS (New Conservatory Theatre Center in San Francsico)
COMING OUT AS A CONTINUANCE New Conservatory Theater’s Fall offering is the West Coast Premiere of a new play by Harrison David Rivers (The Bandaged Place, This Bitter Earth, a semi autobiographical journey. we are continuous examines how we change with the times and how our definitions of love and family can evolve. Alicia Stamps…
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Recommended Theater: PIAF! THE SHOW (Global Tour at the Herbst in San Francisco)
FOR ONE NIGHT ONLY, PART OF A GLOBAL TOUR, PIAF! THE SHOW WILL DELIVER THE ULTIMATE FRENCH KISS French cabaret singer Edith Piaf is one of the most celebrated performers of the 20th century. She began her career in France back in the 1940s singing as a street artist to earn money. With her unique…
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Theater Review: BEFORE THE SWORD (World Premiere at New Conservatory Theater Center)
TURNING SWORDS INTO PLOWSHARES British author Terence Hanbury “Tim” White (1906-1964), better known as T.H. White, is best-known for The Once and Future King (1958) a collection of four novels — three previously published — based on the Arthurian Legends, stories which had already been around for over a thousand years when, in 1938, White…
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Theater Review: CRUEL INTENTIONS: THE ’90s MUSICAL (Ray of Light at Victoria Theatre)
RAY OF LIGHT ROCKS! The Bay Area’s Ray of Light Theater is known for putting fresh interpretations on classic shows, most notably musicals that push boundaries, such as Kinky Boots and The Full Monty. Their latest production is Cruel Intentions: The ’90s Musical, and it’s a winner. Based on Roger Kumble’s campy 1999 movie starring…
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Theater Review: HIPPEST TRIP–THE SOUL TRAIN MUSICAL (Pre-Broadway World Premiere: A.C.T.in San Francisco)
A LOTTA SOUL IN THIS EXPRESS TRAIN TO JOY Officially starting A.C.T.’s 23/24 Season is the Broadway-bound world premiere musical based on the iconic TV Show Soul Train, which opened last Wednesday at the Toni Rembe Theater. Several years in the making, the jukebox musical Hippest Trip — The Soul Train Musical traces the story…
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Theater Review: RECIPROCATING PUMPS (The Marsh San Francisco)
HEATED PUMPS Now playing at The Marsh Theater, San Francisco’s independent theater for new performances, writer and director Dirk Alphin’s original production, Reciprocating Pumps, is a riveting, emotionally intense drama. On an intimate set of a living room and bedroom, this family (both chosen and genetic) drama takes place over the course of a single…
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Theater Review: SPRING AWAKENING IN CONCERT (Ray Of Light Theater)
SHINING A RAY OF LIGHT ON PUBERTY This past weekend, San Franciscans were treated to a special treat with Ray Of Light Theater’s version of Spring Awakening — yet while it was subtitled “In Concert,” performers had parts memorized and the lighting by Weili Shi was Broadway caliber. My only disappointment with this production is…
Theater Review: ASSIMILATION (Word for Word / San Francisco)
by Chuck Louden | October 28, 2026
in San Francisco
(Bay Area), TheaterTheater Review: BOBBY ROBOTOWITZ (IAMA Theatre Company / Los Angeles)
by Shari Barrett | October 27, 2026
in Los Angeles, TheaterOpera Review: QUEENEY TODD: THE DEMON BOTTOM OF FLEET STREET (Heartbeat Opera, NY)
by Alex Simmons | October 27, 2026
in Music, New York, TheaterTheater Review: MUD ROW (Remy Bumppo / Chicago)
by Croydon Fernandes | October 27, 2026
in Chicago, TheaterConcert Review: 007: JAMES BOND FOREVER (New York Pops / Carnegie Hall)
by Paulanne Simmons | October 27, 2026
in Concerts / Events, New YorkTheater Review: THE WINTER’S TALE (Chicago Shakespeare Theater)
by Croydon Fernandes | October 27, 2026
in Chicago, TheaterOff-Broadway Review: AFTERMATH (A.R.T./New York Theatres)
by Paulanne Simmons | October 26, 2026
in New York, Theater



















