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William Keiser
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Dance Review: CONCERTO BAROCCO: A BALANCHINE BALLET (American Contemporary Ballet)
BALLET IS WOMAN What is the true nature of beauty? Do objects we find beautiful contain beauty, or, as Plato theorized, do they merely reflect its true heavenly form? These are the questions posed by American Contemporary Ballet’s evening, Concerto Barocco: A Balanchine Ballet. And when I say these are the questions posed, I am…
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Dance Review: DEEP RIVER (Alonzo King LINES Ballet)
THIN LOVE We go to the ballet for bodies. Don’t we? If the dance audience at The Wallis in Beverly Hills, where I saw Alonzo King LINES Ballet’s Deep River yesterday (there is one more performance tonight, June 10), were presented with a version of the AMC Theater’s Nicole Kidman promotional trailer, what would she…
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Theater Review: MUD ROW (Remy Bumppo / Chicago)
by Croydon Fernandes | October 27, 2026
in Chicago, TheaterConcert Review: 007: JAMES BOND FOREVER (New York Pops / Carnegie Hall)
by Paulanne Simmons | October 27, 2026
in Concerts / Events, New YorkTheater Review: THE WINTER’S TALE (Chicago Shakespeare Theater)
by Croydon Fernandes | October 27, 2026
in Chicago, TheaterOff-Broadway Review: AFTERMATH (A.R.T./New York Theatres)
by Paulanne Simmons | October 26, 2026
in New York, TheaterTheater Review: HEARTBREAK HOUSE (Antaeus Theatre Company / Glendale)
by Michael Landman-Karney | October 26, 2026
in Los Angeles, TheaterBroadway Review: OTHER DESERT CITIES (Hudson Theatre)
by Carol Rocamora | October 26, 2026
in New York, TheaterTheater Review: PHANTOM (North Shore Music Theatre / Beverly, MA)
by Carmen Barsomian-Dietrich | October 25, 2026
in Boston, Theater

