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Lynne Weiss
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Theater Review: BAD BOOKS (Gloucester Stage Co. / MA)
TO BAN OR NOT TO BAN Who decides what children are allowed to read? Playwrights are among the many who are struggling to reconcile the escalating conflicts among different factions of our society. Huntington Theatre’s Eureka Day portrays the executive board of a progressive private school at odds with itself when a mumps outbreak pits…
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Theater Review: ON YOUR FEET! THE STORY OF EMILIO & GLORIA ESTEFAN (North Shore Music Theatre / Beverly, MA)
HIGH ENERGY AND HIGH HOPES Rhythm, resilience, and a lot of heart On Your Feet! The Story of Emilio & Gloria Estefan is far from groundbreaking theater, but it is certainly uplifting. Let’s face it: a jukebox musical about a successful female performer whose male partner is neither abusive, manipulative, nor adulterous is something worthy…
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Theater Review: MY HOME ON THE MOON (CHUANG Stage / Boston)
HOME IS WHERE THE PHO IS Looking for a real life amidst the demands of AI Directed by cara hinh and written by Minna Lee, this East Coast premiere is alternately hilarious and joyous and, at other times, a sobering and touching look at the effects of gentrification, the threats of AI, and the ongoing…
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Theater Review: AIN’T TOO PROUD (Ogunquit Playhouse / Ogunquit, Maine)
TRAGEDY AND TEMPTATIONS The rise and fall of a hit machine Ain’t Too Proud tells the story of the rise of The Temptations, a musical group comprised of young Black men who came together in Detroit to form what became the most successful R&B band in history. The story begins like this: Following a six-month…
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Theater Review: (RE)DRESSING MISS HAVISHAM (Boston Playwrights’ Theatre)
GREAT EXPECTATIONS, OR GREAT DECEPTIONS? Miranda Jonte and playwright John Minigan turn Dickens into the subject of a witty and compelling literary cold case Despite the broken air-conditioning on a hot and sticky night, Miranda Jonte kept me engaged and curious with her spirited portrayal of both a literary sleuth and one of literature’s iconic…
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Theater Review: OEDIPUS EL REY (Huntington Theatre Company / Boston)
GREEK TRAGEDY WITH A LOWRIDER HEART Luis Alfaro’s barrio reimagining of Sophocles turns Greek tragedy into a vibrant, joyous story of identity, fate, and survival Playwright Luis Alfaro’s reimagining of Sophocles’ Oedipus Rex, Oedipus El Rey, relocates the ancient tragedy to a Los Angeles barrio, where hope is hard to come by—especially for the four…
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Theater Review: SWEPT AWAY (SpeakEasy Stage at Boston Center for the Arts)
ADRIFT, AND MORALLY AT SEA A haunting, musically rich survival tale that probes faith, labor, and the cost of living on Directed by Jeremy Johnson and driven by the highly listenable roots-inflected songs from The Avett Brothers (music director Paul S. Katz), this engrossing SpeakEasy Stage production of Swept Away, a New England premiere, tells a…
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Theater Review: THE SECRET SHARER (DNAWorks at Emerson Paramount Center)
TOO MANY HANDS ON DECK An inventive but overstuffed adaptation floods the narrative The world premiere of DNAWorks‘ adaptation of Joseph Conrad’s “The Secret Sharer,” directed by Daniel Banks at Emerson Paramount Center offers a lot of intriguing approaches to this classic tale of two men who strongly resemble one another. Regarded as a novella…
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Concert Review: THE SOLDIER’S TALE (Boston Symphony Chamber Players, Symphony Hall)
FIDDLER, DEVIL, AND A DEAL GONE WRONG Beautifully realized, with narration and music in sync—The Soldier’s Tale is devilishly surprising, if a bit abrupt at the finish Igor Stravinsky composed L’Histoire du Soldat (The Soldier’s Tale) in the waning days of World War I, when resources were scarce. Working with a Swiss writer named C….
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Theater Review: WHAT THE CONSTITUTION MEANS TO ME (Greater Boston Stage Company)
A GREAT DEBATE A play that asks the audience to think about what the Constitution means to them When she was 15, Heidi Schreck went on tour to compete for college scholarships by delivering a talk called What the Constitution Means to Me to American Legion posts. Her talk was successful enough to pay her…
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Theater Review: WHEN PLAYWRIGHTS KILL (Huntington Theatre, Boston)
TURNING A THEATRICAL LEMON INTO FIZZY LEMONADE Matthew Lombardo spins a true-life theatrical disaster into a relentlessly funny backstage comedy According to Nora Ephron, who turned her husband’s infidelity into a best-seller and screenplay for the novel and the movie Heartburn, “Everything is material.” But she didn’t say it should be hilarious material. If she…
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Theater Review: CHARLOTTE’S WEB (Wheelock Family Theatre, Boston)
TERRIFIC, RADIANT, AND HUMBLE An age-appropriate exploration of death and the life-saving power of words Based on E. B. White’s beloved children’s book of the same title and adapted by Joseph Robinette, the staged version of Charlotte’s Web offers many points of entry for children. Themes of friendship, death, persistence, problem-solving, and diversity all play…
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Theater Review: MARIETTE IN ECSTASY (Treehouse Collective, Boston)
NO ECSTASY TO BE FOUND An effort to portray religious transcendence lacks focus and context Treehouse Collective describes itself as an ensemble-based theater company “dedicated to producing rarely performed works.” In the case of Mariette in Ecstasy, I suspect there is a reason the work is rarely performed. The play takes place in a convent,…
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Theater Review: WAIT UNTIL DARK (Greater Boston Stage Company)
DARK VICTORY Disability transformed in a gripping and tension-filled noir Director Weylin Symes provides unerring direction of the classic thriller Wait Until Dark at the Greater Boston Stage Company in Stoneham, Massachusetts. This modern adaptation of the 1966 Broadway play by Frederick Knott enjoys superb sound (Caroline Eng) and lighting design (Jeff Adelberg) to transform…
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Theater Review: THE ANTIQUITIES (SpeakEasy Stage at Boston Center for the Arts)
WE WON’T KNOW WHAT WE’VE GOT ‘TIL IT’S GONE An exploration of what it means to be human through the consciousness of the machines we created SpeakEasy Stage presents the New England premier of Jordan Harrison’s The Antiquities in a groundbreaking, thought-provoking, and poignant production directed by Alex Lonati. Nine actors take on more than…
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Theater Review: ZABEL IN EXILE (Boston Playwrights’ Theatre)
THE LIFE AND LEGACY OF ARMENIAN WRITER ZABEL YESSAYAN BROUGHT TO THE STAGE A reflective memory play balancing biography, imagination, and urgency In keeping with Boston Playwrights’ Theatre’s commitment to bringing new plays to the stage, Zabel in Exile, by R. N. Sandberg, presents the life of Zabel Yessayan, an Armenian writer and activist born…
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Boston Theater Review: LITTLE WOMEN (Actors’ Shakespeare Project)
LITTLE PATIENCE FOR LITTLE WOMEN Girls interrupted, potential unrealized Actors’ Shakespeare Project is an esteemed local theater company here in Greater Boston and frankly one of my favorites. Kate Hamill, one of the most produced living playwrights in the United States, is also one of my favorite playwrights. Not everyone loves the way she applies…
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Theater Review: JOB (SpeakEasy Stage Company)
A PRESSURE COOKER OF A PRODUCTION A thriller that examines the effects of social media Josephine Moshiri Elwood (Jane) and Dennis Trainor Jr. (Loyd) pull out all the stops in Job, an 80-minute intermission-free exploration of the effects of social media on those who produce it and those who consume it. Jane has been sent…
Theater Review: LEOPOLDSTADT (Writers Theatre / Glencoe, Chicagoland)
by Croydon Fernandes | June 15, 2026
in Chicago, TheaterTheater Review: BAD BOOKS (Gloucester Stage Co. / MA)
by Lynne Weiss | June 15, 2026
in Boston, TheaterTheater Review: ANASTASIA (La Mirada Theatre)
by Michael Landman-Karney | June 12, 2026
in Los Angeles, Theater



















