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Lynne Weiss
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Theater Review: WAIT UNTIL DARK (Greater Boston Stage Company)
DARK VICTORY Disability transformed in a gripping and tension-filled noir Director Weylin Symes provides unerring direction of the classic thriller Wait Until Dark at the Greater Boston Stage Company in Stoneham, Massachusetts. This modern adaptation of the 1966 Broadway play by Frederick Knott enjoys superb sound (Caroline Eng) and lighting design (Jeff Adelberg) to transform…
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Theater Review: THE ANTIQUITIES (SpeakEasy Stage at Boston Center for the Arts)
WE WON’T KNOW WHAT WE’VE GOT ‘TIL IT’S GONE An exploration of what it means to be human through the consciousness of the machines we created SpeakEasy Stage presents the New England premier of Jordan Harrison’s The Antiquities in a groundbreaking, thought-provoking, and poignant production directed by Alex Lonati. Nine actors take on more than…
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Theater Review: ZABEL IN EXILE (Boston Playwrights’ Theatre)
THE LIFE AND LEGACY OF ARMENIAN WRITER ZABEL YESSAYAN BROUGHT TO THE STAGE A reflective memory play balancing biography, imagination, and urgency In keeping with Boston Playwrights’ Theatre’s commitment to bringing new plays to the stage, Zabel in Exile, by R. N. Sandberg, presents the life of Zabel Yessayan, an Armenian writer and activist born…
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Boston Theater Review: LITTLE WOMEN (Actors’ Shakespeare Project)
LITTLE PATIENCE FOR LITTLE WOMEN Girls interrupted, potential unrealized Actors’ Shakespeare Project is an esteemed local theater company here in Greater Boston and frankly one of my favorites. Kate Hamill, one of the most produced living playwrights in the United States, is also one of my favorite playwrights. Not everyone loves the way she applies…
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Theater Review: JOB (SpeakEasy Stage Company)
A PRESSURE COOKER OF A PRODUCTION A thriller that examines the effects of social media Josephine Moshiri Elwood (Jane) and Dennis Trainor Jr. (Loyd) pull out all the stops in Job, an 80-minute intermission-free exploration of the effects of social media on those who produce it and those who consume it. Jane has been sent…
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Theater Review: SOME LIKE IT HOT (National Tour, Broadway in Boston)
A REIMAGINING OF A HOLLYWOOD CLASSIC Frothy fun with an affirmingly progressive perspective The art deco sets (Scott Pask, scenic design), broad-shouldered plaids (Gregg Barnes, costumes), and jitterbugging choreography (Casey Nicholaw, who also directed) are a pleasing eyeful in Broadway in Boston’s energetic rendition of the Tony-award winning Some Like It Hot. But there’s more…
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Theater Review: LIBRARY LION (Adam Theater)
NO LYIN’ ABOUT THIS ADORABLE LION A story about rules and when it is right to break them The four-year-old I took to the Adam Theater production of Library Lion at the Calderwood Pavilion in the Boston Center for the Arts was terrified when he saw the picture of the lion’s large and expressive face…
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Theater Review: THE SOUND OF MUSIC (National Tour at the Citizens Opera House, Boston)
THIS SHOW IS ALIVE … WITH THE SOUND OF MUSIC A classic musical celebrates the power of music to promote authenticity How do you solve a problem like—presenting a musical that is so familiar as a movie that an audience may think they already know everything it has to offer? Director Jack O’Brien offers a…
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Theater Commentary: WOMEN, POWER, AND PROGRESS (Ragtime and Liberation on Broadway)
SISTERHOOD, INTERRUPTED Ragtime, Liberation, and the unfinished work of women’s equality Even when we know better, most of us seem to think that history proceeds in a linear manner. Life in the present, while far from perfect, is an improvement over life in the past, isn’t it? Women as a whole today enjoy expanded educational…
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Theater Review: WONDER (American Repertory Theater World Premiere in Cambridge)
WONDER OF WONDERS! A musical that refuses pity and earns its hope American Repertory Theater’s world premiere of the musical adaptation of R. J. Palacio’s best-selling Wonder and the eponymous 2017 film, is, indeed, filled with wonders. The children’s novel is not only the story of a boy with a facial difference, though that is…
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Theater Review: BLACK NATIVITY (National Center of Afro-American Artists at Emerson Paramount)
GO TELL IT! There are many ways to celebrate the holiday season on Boston-area stages, ranging from dance interpretations of The Nutcracker to performances and revisions of Dickens, to the ever-new traditional Revels and shows that use the Christmas season as a backdrop for stories of joy and even hilarity. None get so deeply to…
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Theater Review: IS THIS A ROOM (Apollinaire Theatre Company)
AN OMINOUS AND DISORIENTING THRILLER A meticulously staged interrogation that tightens its grip minute by minute In theater and in life, some risks are worth taking. Others may not be worth the cost. Reality Winner, a U.S. Air Force veteran and a contractor for the National Security Agency, took a risk in May of 2017…
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Theater Review: MIDWINTER REVELS: A SCANDANAVIAN STORY FOR CHRISTMAS (Sanders Theater at Harvard University)
WELCOME YULE! In keeping with its Scandinavian theme, this year’s Midwinter Revels presents a smorgasbord of stories, songs, and dances in Harvard University’s Sanders Theatre. The very foundation of the Revels experience is something of a smorgasbord, in fact. Revels has evolved from the Christmas Revels to the Midwinter Revels since its founding in 1971….
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Theater Review: AN IRISH CAROL (Greater Boston Stage Company in Stoneham, MA)
DICKENS IN AN IRISH PUB ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ The New England premiere of An Irish Carol by playwright Matthew Keenan offers a fresh take on Charles Dickens’s A Christmas Carol, a familiar and much-performed holiday classic that holds out, again and again, a secular interpretation of the renewal…
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Theater Review: ANNIE (Wheelock Family Theatre)
TRIED AND TRUE ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Annie is an excellent choice for Boston University Wheelock Family Theatre’s holiday offering this year. True to the mission of Wheelock Family Theatre (to create professional theatre and educational experiences for artists and audiences of all ages), the audience last night included…
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Theater Review: SWEENEY CLAUS: THE DEMON FATHER OF SLEET STREET (The Gold Dust Orphans)
MORE NAUGHTY THAN NICE, WITH PLENTY OF SPICE ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ As they have for the past thirty years, Ryan Landry’s Gold Dust Orphans honor the saturnalian origins of Christmas with a holiday burlesque. This time the target of the spoofing crew of shamelessly talented punsters, dancers, singers,…
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Theater Review: FUN HOME (The Huntington)
THE KEYS OF KNOWLEDGE What can I say about a show that offers one moment of delight after another while holding the anguish of parental narcissism, the joy of discovering one’s own identity, and the power of creative expression to transform grief? One thing I can say is this: anyone within commuting distance of downtown…
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Theater Review: SPACEBRIDGE (ArtsEmerson)
A BRIDGE TO UNDERSTANDING There may have been, at some point in human history, an evolutionary advantage to sorting other people into “us” and “them.” But with modern weapons technology, whatever benefit that old reflex once offered has long vanished. Since the development of nuclear arms, in fact, that instinct to classify entire groups as…
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Event Review: A CONVERSATION WITH KAMALA HARRIS (“107 Days” Book Tour)
FIGHTING FOR THE FUTURE You wouldn’t know that former Vice President Kamala Harris lost the 2024 presidential election if you’d been standing outside the Chevalier Theater in Medford, Massachusetts (a near suburb of Boston) early Saturday afternoon. The line to fill the 1900-seat theater had already formed by noon for a show slated to begin…
Theater Review: WAIT UNTIL DARK (Greater Boston Stage Company)
by Lynne Weiss | March 12, 2026
in Boston, TheaterTheater Review: THE ANTIQUITIES (SpeakEasy Stage at Boston Center for the Arts)
by Lynne Weiss | March 12, 2026
in Boston, TheaterOff-Broadway Review: ZACK (Mint Theater Company)
by Paola Bellu | March 11, 2026
in New York, TheaterOff-Broadway Review: BUGHOUSE (Vineyard Theatre on East 15th St)
by Gregory Fletcher | March 11, 2026
in New York, TheaterCabaret & Theater Review: GREY ARIAS (The Flea)
by Paola Bellu | March 10, 2026
in Cabaret, New York, TheaterOff-Broadway Review: MARCEL ON THE TRAIN (Classic Stage Company)
by Paulanne Simmons | March 10, 2026
in New York, Theater



















