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Lynne Weiss
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Theater Review: AN IRISH CAROL (Greater Boston Stage Company in Stoneham, MA)
DICKENS IN AN IRISH PUB ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ The New England premiere of An Irish Carol by playwright Matthew Keenan offers a fresh take on Charles Dickens’s A Christmas Carol, a familiar and much-performed holiday classic that holds out, again and again, a secular interpretation of the renewal…
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Theater Review: ANNIE (Wheelock Family Theatre)
TRIED AND TRUE ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ Annie is an excellent choice for Boston University Wheelock Family Theatre’s holiday offering this year. True to the mission of Wheelock Family Theatre (to create professional theatre and educational experiences for artists and audiences of all ages), the audience last night included…
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Theater Review: SWEENEY CLAUS: THE DEMON FATHER OF SLEET STREET (The Gold Dust Orphans)
MORE NAUGHTY THAN NICE, WITH PLENTY OF SPICE ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ ✦ As they have for the past thirty years, Ryan Landry’s Gold Dust Orphans honor the saturnalian origins of Christmas with a holiday burlesque. This time the target of the spoofing crew of shamelessly talented punsters, dancers, singers,…
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Theater Review: FUN HOME (The Huntington)
THE KEYS OF KNOWLEDGE What can I say about a show that offers one moment of delight after another while holding the anguish of parental narcissism, the joy of discovering one’s own identity, and the power of creative expression to transform grief? One thing I can say is this: anyone within commuting distance of downtown…
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Theater Review: SPACEBRIDGE (ArtsEmerson)
A BRIDGE TO UNDERSTANDING There may have been, at some point in human history, an evolutionary advantage to sorting other people into “us” and “them.” But with modern weapons technology, whatever benefit that old reflex once offered has long vanished. Since the development of nuclear arms, in fact, that instinct to classify entire groups as…
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Event Review: A CONVERSATION WITH KAMALA HARRIS (“107 Days” Book Tour)
FIGHTING FOR THE FUTURE You wouldn’t know that former Vice President Kamala Harris lost the 2024 presidential election if you’d been standing outside the Chevalier Theater in Medford, Massachusetts (a near suburb of Boston) early Saturday afternoon. The line to fill the 1900-seat theater had already formed by noon for a show slated to begin…
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Theater Review: A SHERLOCK CAROL (Lyric Stage)
A HOLIDAY CAROL THAT HITS ALL THE RIGHT NOTES If you’re looking for a holiday treat, look no further than the delightful production of A Sherlock Carol at the Lyric Stage. Brilliantly directed by Ilyse Robbins, this mash-up of Charles Dickens’ A Christmas Carol and Sir Arthur Conan Doyle’s Sherlock Holmes combines wonderful performances with…
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Theater Review: HARRY POTTER AND THE CURSED CHILD (National Tour, Emerson Colonial Theater)
SPECTACULARLY CONFUSING You don’t need me to tell you that J. K. Rowling’s Harry Potter series has tapped into something deeply elemental for many people. Her stories about a young wizard and his education at Hogwarts, a school that teaches the magical arts while bearing a strong similarity to a traditional British public school, have…
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Theater Review: SUMMER, 1976 (Central Square Theater)
WOMEN ON THE VERGE Central Square Theater’s lovely production of playwright David Auburn’s (Proof) Summer, 1976 offers a story of two women who find an unexpected friendship at a tipping point in both their lives. It’s an especially fitting choice for Central Square Theater, the oldest female-led theater company in Boston. Central Square’s mission includes…
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Theater Review: THE BEAUTIFUL LAND I SEEK (LA LINDA TIERRA QUE BUSCO YO) (Teatro Chelsea)
GUNNING FOR PUERTO RICO Stephen Sondheim chose an unlikely topic for his 1990 Assassins, a musical that portrays assassinating or attempting to assassinate a president is as American as popular music. I can’t say whether or not playwright Matthew Barbot was inspired by Sondheim’s musical, but Barbot certainly fills a hole in Sondheim’s line-up of…
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Theater Review: THE 4TH WITCH (Manual Cinema)
BLACK AND WHITE AND DREAD ALL OVER Chicago-based Manual Cinema employs an extraordinary suite of “old-school” technologies and techniques to bring a response to Shakespeare’s Macbeth to the Emerson Paramount theater as part of the Arts Emerson series. With no spoken dialogue, the company uses shadow puppets, projected pantomime, live music, and recorded sound effects…
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Theater Review: TICK, TICK … BOOM! (Umbrella Stage Company in Concord, MA)
THINGS THAT GO BOOM AND JUST RIGHT It’s impossible to see a production of Jonathan Larson’s Tick, Tick … Boom! without seeing it as a precursor to his Pulitzer Prize-winning musical Rent. All the elements are there—aspiring creatives living in lower Manhattan squalor, the lethal creep of AIDS, anxiety about “selling out” and abandoning dreams….
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Concert Review: CÉCILE McLORIN SALVANT (Berklee Performance Center, Boston MA)
VIVIDLY VIRTUOSIC Cécile McLorin Salvant describes herself as hovering “between orthodoxy and heterodoxy” as well as being “really, really eclectic” and “interested in traditions and roots and history.” Her November 1 performance at Berklee Performance Center, part of the Boston Celebrity Series, beautifully encompassed those diverse tendencies. Recipient of a 2020 MacArthur Foundation award and…
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Theater Review: LIZARD BOY (SpeakEasy Stage)
GREEN SCALES AND SHAM I generally count on SpeakEasy Stage for stellar productions of innovative and ground-breaking plays and musicals. But that history, along with fine performances and charming musicianship from Keiji Ishiguri as Lizard Boy Trevor, Peter DiMaggio as his friend Cary, and Chelsie Nectow as Siren are not enough to rescue this production…
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Theater Review: THE CHER SHOW (North Shore Music Theatre In Boston)
CLOTHES MIGHT MAKE THE MAN, BUT NOT THIS SHOW Costumes were essential to the success of superstar Cher. She and her singing partner and husband Sonny Bono first burst on the music scene in the 1960s in the brightly colored bell-bottoms and fur vests of California’s emerging hippie culture. Madeline Hudelson (Babe) and Frankie Marasa…
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Theater Review: MOTHER MARY (Boston Playwrights’ Theatre)
LOVE IN UNEXPECTED PLACES Two women, from quite different backgrounds, meet in Boston in 1968, a time and a place where ancient grudges and present-day conflicts seem sure to keep them apart. And yet, their very differences bring them together. Adriana Alvarez (Jo) and Tara Forseth (Mary) convincingly portray a transformation from friendly kindness to…
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Concert Review: THE GENIUS OF HAYDN (“What Makes It Great” with Rob Kapilow at Jordan Hall)
A LOVELY SURPRISE The focus of the first program in the 28th season of Rob Kapilow’s “What Makes It Great,” was Franz Joseph Haydn’s String Quartet in G Major, known as “Jack-in-the Box.” With his signature wit and energy, celebrity conductor and music educator Rob Kapilow entertained and educated about this particular string quartet and…
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Theater Review: MISERY (Merrimack Repertory Theatre)
MISERY LOVES COMPANY… AND A GOOD PLOT Karen MacDonald and Tom Coiner do a wonderful job of animating William Goldman’s stage adaptation of Stephen King’s intriguing, twisty novel by the same title. Best-selling novelist Paul Sheldon is rescued by Annie Wilkes, his self-described number 1 fan, following a car accident during a Colorado blizzard. In…
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Off-Broadway Review: OH HAPPY DAY! (The Public Theater)
OH HAPPY DAY! BRINGS A HAPPY DAY Playwright and actor Jordan E. Cooper’s heart-breaking but joyously gospel-inflected New York premiere of Oh Happy Day! is an earned emotional treat. The show opens with a rousing gospel number “A Good Day to Be Happy†(original music by David Lawrence), delivered by the stunning voices of The…
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Theater Review: CHURCHILL (Calderwood Pavilion at Boston Center for the Arts)
TWO LONG HOURS WITH THE FORMER MAN OF THE HOUR There is no question that Churchill was a hero who played a major role in saving the world from Hitler’s fascism (though perhaps not as big a role as Stalin, but let’s not go down that road). Nor is there any doubt that David Payne,…
Theater Review: AN IRISH CAROL (Greater Boston Stage Company in Stoneham, MA)
by Lynne Weiss | December 8, 2025
in Boston, TheaterTheater Review: THE BEATRIX POTTER HOLIDAY PARTY (Chicago Children’s Theatre)
by Croydon Fernandes | December 8, 2025
in Chicago, TheaterOff-Broadway Review: THE SLIDE IS THE NEGATIVE (The Chain Theatre)
by Dmitry Zvonkov | December 8, 2025
in New York, TheaterTheater Review: THE LONG CHRISTMAS DINNER (TUTA Theatre at Bramble Arts Loft)
by Croydon Fernandes | December 7, 2025
in ChicagoTheater Review: A YEAR WITH FROG AND TOAD (Young People’s Theatre of Chicago)
by Croydon Fernandes | December 7, 2025
in Chicago, TheaterTheater Review: ANNIE (Wheelock Family Theatre)
by Lynne Weiss | December 6, 2025
in Boston, TheaterTheater Review: A CHRISTMAS STORY: THE MUSICAL (San Diego Musical Theatre)
by Milo Shapiro | December 6, 2025
in San Diego, TheaterHOW THEATER AND GAMING ELEVATE YOUR ENTERTAINMENT LIFE
by Brandon Metcalfe | December 6, 2025
in ExtrasHOW DIGITAL STORYTELLING IS TRANSFORMING THE ARTS: FROM STAGE TO SCREEN AND BEYOND
by Aveline MacQuoid | December 6, 2025
in Virtual



















