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Tony Frankel
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News: THOR STEINGRABER TO LEAD NEWLY REBRANDED VIVO PERFORMING ARTS, BOSTON
FROM THE SORAYA TO BOSTON: THOR STEINGRABER’S NEXT ACT After transforming The Soraya at California State University, Northridge into one of the nation’s most adventurous and respected presenting organizations, Thor Steingraber is heading east. For Boston, it represents an exciting new beginning. For Los Angeles, it is the departure of one of the region’s most…
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Theater Review: KEERAH (Definition Theatre / Chicago)
KEERAH’S WAYWARD WANDERINGS: DON’T LOOK BACK—OR DO An ambitious meta-theatrical drama of love and loss boasts terrific performances but struggles to find its focus with too many detours There are many things to recommend about Netta Walker‘s new play Keerah, her first, but director McKenzie Chinn has yet to shape its intriguing ideas into a…
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Theater Review: ALWAYS…PATSY CLINE (American Blues Theater / Chicago)
CRAZY FOR PATSY A warm-hearted tribute lets Patsy Cline’s music do most of the talking American Blues Theater closes out its 40th season with a rather left-field choice: the 1988 revue Always…Patsy Cline, created by Ted Swindley. Covering the career of country music legend—scratch that—music legend Patsy Cline, this is an odd but crowd-pleasing bio-musical,…
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Dance Preview: SPECTACULAR BALANCHINE! (American Contemporary Ballet / Los Angeles)
WHEN BALLET BECAME AMERICAN American Contemporary Ballet celebrates the choreographer who traded princes and swans for jazz, swagger, and pure fun Before George Balanchine arrived in America, ballet belonged largely to princes, princesses, fairy tales, and European courts. Within a generation, he transformed it into something unmistakably American. Balanchine understood that Americans moved differently. They…
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Theater Preview: AIN’T MISBEHAVIN’ (Ebony Rep / Nate Holden Performing Arts Center / Los Angeles)
FATS WALLER’S JOINT IS JUMPIN’ AGAIN Ledisi and an all-star cast bring the Harlem Renaissance roaring back to life at the Nate Holden Center Ain’t Misbehavin’ is a sizzling celebration of Fats Waller’s music—songs that he made famous in a career that ranged from uptown clubs to downtown Tin Pan Alley to Hollywood and concert…
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Theater Preview: MS. BLAKK FOR PRESIDENT (Vineyard Theatre, NYC)
POLITICS, IN FULL DRAG: A CAMPAIGN LIKE NO OTHER Wayne Brady leads a wild, urgent, and unexpectedly timely ride through queer history and unfinished business. There have been outsider candidates before, but none quite like Joan Jett Blakk—the self-declared Black drag queen who ran for President of the United States in the early 1990s, armed…
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HI-LO CARD GAMES AT THE CASINO: RULES, ODDS, AND POPULAR VERSIONS
Hi-Lo, sometimes written as High-Low, sits among the simplest card titles found in card rooms and on gaming sites across Australia. The premise asks the player to predict whether the next card drawn from a standard deck will rank higher or lower than the card currently shown. Most rounds last only seconds, which explains the…
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Theater Review: FOR WANT OF A HORSE (Echo Theater Company, Atwater Village Theatre)
HOLD YOUR HORSES A provocative subject that proves hard to recommend—and harder to ignore Olivia Dufault’s For Want of a Horse tackles a subject most plays wouldn’t dare touch—and to its credit, it does so without melodrama. But what might have been a deeply human exploration of how such a taboo shapes lives instead plays…
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BEFORE THE GLORY: MORGAN FREEMAN’S VERY FIRST MOVIE ROLE IN THE PAWNBROKER (1964)
Some careers start with a bang, whereas others start with a whisper. The career of Morgan Freeman started with a single, uncredited moment on a busy New York street. No name in the credits and no lines to deliver. Just a young man in the background of one of the most powerful American films of…
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Theater Review: COCKROACHES (World Premiere at Revolution Stage Company, Palm Springs)
THIS SHOW BUGS ME A Southern Gothic that hints at something deeper but never quite gets there For all its promise, Cockroaches, the 2024 Del Shores Foundation Best Play winner by Emma Schillage, leaves you grasping for clarity—and, at times, patience. Set in a decaying Southern home, the play centers on three sisters—Charlie (Leilani Baldwin),…
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Music Preview: SANTA MONICA INTERNATIONAL JAZZ FESTIVAL (Various Venues, Santa Monica)
COASTAL COOL, GLOBAL GROOVE A new festival turns Santa Monica into L.A.’s jazz epicenter L.A. jazz lovers are already buzzing about the inaugural Santa Monica International Jazz Festival, a nine-day, citywide event running May 1–9 that aims to turn the beachside enclave into a bona fide jazz destination. Anchored by major headliners, centennial tributes, and…
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WHY SLOT ONLINE APPEALS TO A NEW GENERATION OF USERS
Ever looked at how younger digital users spend their free time and thought, “What makes some kinds of online entertainment click so fast?” That question helps explain a lot about the growing pull of slot online for newer users. Today’s digital generation is used to smooth screens, quick interaction, short sessions, and entertainment that feels…
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Theater Review: TEEN BEAT LIVE | 80s MOVIE MIXTAPE (CineVita, Inglewood)
I LOVE THE NIGHTLIFE A high-energy 80s mixtape that actually leaves you wanting more For The Record has built a reputation on remixing cinematic nostalgia into immersive, high-octane theatrical events—but with Teen Beat Live | 80s Movie Mixtape, they may have finally cracked the code. Easily one of the most successful entries in their long…
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Exhibition Review: JAWS: THE EXHIBITION (Academy Museum of Motion Pictures, Los Angeles)
YOU’RE GONNA NEED A BIGGER GALLERY A blockbuster exhibition that proves the Academy Museum can crate an exhibition with bite There are museum shows you admire—and then there are ones you feel. Jaws: The Exhibition is the latter. With just three months left before it closes on July 26, the Academy Museum has mounted one…
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Theater Review: THE PRICE (Pacific Resident Theatre, Venice)
THE COST OF LOOKING BACK With a soaring first act, I’m willing to pay the price for a second that can’t quite keep up Arthur Miller’s The Price has always been a talky, introspective piece—more excavation than action—but when it works, it’s quietly devastating. At Pacific Resident Theatre, director Elina de Santos delivers a production…
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Event Preview: MARC SHAIMAN / NEVER MIND THE HAPPY BOOK TOUR (In Conversation with Michael Bublé at The GRAMMY Museum in Los Angeles)
FROM BROADWAY TO HOLLYWOOD— AND BACK AGAIN A showbiz raconteur brings stories, songs, and Michael Bublé to L.A. There are memoirs—and then there are memoirs written by Marc Shaiman, who has spent decades at the center of Broadway, film, and pop culture, collecting stories the rest of us only hear secondhand. On Tuesday, May 5,…
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Event Preview: FUNDRAISER FOR SENATOR JON OSSOFF (Lin-Manuel Miranda Hosts Virtual Fundraiser)
BROADWAY GOES POLITICAL A starry virtual event blends music, activism, and marquee names If you’re going to tune into a political fundraiser, it might as well come with a Broadway-caliber lineup. On Thursday, May 7, Lin-Manuel Miranda hosts a one-night-only virtual event supporting Senator Jon Ossoff’s re-election campaign—bringing together an eclectic mix of performers and…
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Theater Review: “MASTER HAROLD” …AND THE BOYS (Geffen Playhouse)
MASTER PRODUCTION During the last half-hour of the exquisitely produced “Master Harold”…and the boys, the Geffen Playhouse becomes theatre as a temple: a transcendental, spiritual, empowering and uplifting theatrical experience that only a playwriting craftsman like Athol Fugard could create. For what was up to then a lyrical examination of a white seventeen year-old school boy,…
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Theater Preview: A MAN OF NO IMPORTANCE (The Bent, Palm Springs Cultural Center)
SMALL MUSICAL, BIG HEART An intimate Irish story about courage, community, and the quiet power of living truthfully There’s a certain kind of musical that doesn’t announce itself with spectacle, but sneaks up on you—softly, gently—and then leaves you wrecked. A Man of No Importance is that kind of show. Opening May 8 at the…
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Theater Preview: 43RD ELLIOT NORTON AWARDS: NOMINATIONS & CEREMONY (Boston Theater Critics Association, The Huntington)
The Boston Theater Critics Association has announced nominations for the 43rd Annual Elliot Norton Awards, a wide-ranging snapshot of the current theater season in Greater Boston. The ceremony, set for June 1 at the Huntington Theatre, includes more than 130 nominations across acting, directing, design, and production categories, along with several honors for visiting work….
Theater Review: LEOPOLDSTADT (Writers Theatre / Glencoe, Chicagoland)
by Croydon Fernandes | June 15, 2026
in Chicago, TheaterTheater Review: BAD BOOKS (Gloucester Stage Co. / MA)
by Lynne Weiss | June 15, 2026
in Boston, TheaterTheater Review: ANASTASIA (La Mirada Theatre)
by Michael Landman-Karney | June 12, 2026
in Los Angeles, Theater

















