Areas We Cover
Categories
D.C.
(Maryland / Virginia)
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Theater Review: BAD BOOKS (Round House Theatre)
BAD BOOKS IS GOOD NEWS Nothing beats the thrill of watching great performers bring a playscript to life, moment to moment, right before your eyes, sharing their space as they breathe the same air you are breathing into their lines. The good news is that Bad Books at Round House Theatre in Bethesda, MD, is fueled…
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Concert Coverage: 2025 SONDHEIM AWARD GALA HONORING MANDY PATINKIN (Signature Theatre at the Anthem Theatre)
A Dazzling Night of Song and Tribute Broadway took up residence on the banks of the Potomac last night as the Anthem Theatre played host to the Signature Theatre’s annual Sondheim Award Gala, this year honoring the iconic Mandy Patinkin. It was an evening where legends mingled with rising stars, and the power of live…
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Theater Review: UNCLE VANYA (Shakespeare Theatre Company)
A BEAUTIFULLY SHABBY, STARKLY HUMAN TRIUMPH From the moment the house opens, Shakespeare Theatre Company’s Uncle Vanya, directed by Simon Godwin and starring Hugh Bonneville, signals that this is no ordinary Chekhov. The “pre-show” is a quietly brilliant touch: actors drift onstage, greet the audience, lace up their boots, and half-slip into character as if the…
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Theater Review: #CHARLOTTESVILLE (Keegan Theatre in D.C.)
HAUNTING, URGENT, AND SPEAKS VOLUMES Priyanka Shetty’s #Charlottesville, currently running at the Keegan Theatre, is a searing and deeply personal exploration of one of the darkest moments in recent American history—the 2017 “Unite the Right” rally in Charlottesville, Virginia. More than a mere recounting of the events, the production offers a visceral and emotionally charged portrait…
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Theater Review: SISTER ACT (Ford’s Theater in D.C.)
BENEATH THE SCHMALTZ IS A JOYFUL NOISE Fun, uplifting, and yes, frivolous, Sister Act is a musical remake of the famously successful 1992 hit movie starring Whoopi Goldberg. The historic Ford’s Theater, which also houses a museum based on Abraham Lincoln’s legacy, is a tourist destination and is known for producing non-controversial shows for the…
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Dance Review: Dance Review: DIABELLI & SLACKTIDE (Twyla Tharp Diamond Jubilee at Kennedy Center)
AN EXERCISE IN JUBILATION In the midst of a Trump takeover of The Kennedy Center, thank goodness one production wasn’t canceled or withdrawn from the roster. I’m talking about Kennedy Center Honoree Twyla Tharp’s Diamond Jubilee modern dance tour. The iconic choreographer is celebrating 60 years of impeccable dance. With astounding dancers equipped with strength,…
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Theater Review: THE AGE OF INNOCENCE (Arena Stage, DC)
FORBIDDEN LOVE AND THE GILDED AGE GLOW IN ARENA’S DAZZLING PRODUCTION, BUT THE AGE OF INNOCENCE LINGERS Playwright Karen Zacarías (Destiny of Desire which premiered at Arena in 2015, Native Gardens) breathes new life into Edith Wharton’s 1920 classic The Age of Innocence, blending period drama with sharp social commentary. Set in Gilded Age New…
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Theater Review: IN THE HEIGHTS (Signature Theatre in VA)
MORE THAN JUST A REVIVAL, THIS INTIMATE IN THE HEIGHTS IS A JOYFUL TRIBUTE TO COMMUNITY AND DREAMS Before Hamilton changed the face of Broadway, there was In the Heights—Lin-Manuel Miranda’s first revolution. Bursting onto the scene in 2008, it infused hip-hop, salsa, merengue, Broadway, and street-smart storytelling into a genre that never saw it…
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Theater Review: THE BEDWETTER – A NEW MUSICAL (Arena Stage in D.C.)
URINE LUCK WITH THIS NUMBER ONE MUSICAL Sarah Silverman’s The Bedwetter splashes onto Arena Stage’s Kreeger Theater with a gleeful irreverence that belies its emotional depth. Adapted from Silverman’s 2010 memoir, this musical—co-written with Joshua Harmon, with music by the late Adam Schlesinger—turns childhood mortification (incontinence, self-acceptance, and family dysfunction) into comedy gold. Under Anne…
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Dance Review: CRIME AND PUNISHMENT (American Ballet Theatre at Kennedy Center)
DISAPPOINTING CRIME PUNISHES Based on Choreographer Helen Pickett’s riveting dance interpretation of The Crucible at the Kennedy Center in 2023, I highly anticipated her version of Crime and Punishment performed by American Ballet Theatre. However, at Wednesday‘s opening something was lost in the translation (the show runs through Sunday). Instead of capturing the crescendo of…
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Theater Review: SCHMIGADOON! (Broadway Center Stage, Eisenhower Theatre at Kennedy Center)
IT’S A SCHMIGAHIT! Adapting from his Apple TV+ series that satirized and saluted the glories of old timey musicals like Oklahoma! and Carousel, co-creator and writer Cinco Paul brings his stage version of Schmigadoon! to Kennedy Center. The fun angle here is that NY doctors Josh (Alex Brightman) and Melissa (Sara Chase) are hoping to…
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Theater Review: GUAC (Woolly Mammoth, DC)
USING ART TO COMBAT GUN VIOLENCE GUAC at Woolly Mammoth is not traditional theater—it’s a powerful act of performance art that explores life and tragic loss in the wake of a mass school shooting. Manuel Oliver‘s deeply personal one-man piece concerns his son, Joaquin—nicknamed “Guac”—who was one of 17 students massacred at Marjory Stoneman Douglas…
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Theater Review: DOWNSTATE (Studio Theatre, DC)
DOWNSTATE CHALLENGES MOST BASIC ASSUMPTIONS Bruce Norris’s regional premiere of Downstate, currently at Studio Theatre, brings us up close into the forbidden world of pedophiles and shockingly presents them as both pariahs and victims. Emily Kester and Tim Getman Granted, this provocative play isn’t for everyone and it’s difficult to sit through. It may even…
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Theater Review: LEOPOLDSTADT (Shakespeare Theatre Company at Harman Hall in D.C.)
A TRIUMPHANT SAGA OF A VIENNESE FAMILY Shakespeare Theatre Company, in association with Huntington in Boston, is presenting at Harman Hall an epic, haunting play about loss and survival. Grandiose in scale and complete with 23 actors who portray multiple characters, Tom Stoppard’s Leopoldstadt is incredibly moving in that it speaks of unimaginable loss. Concerning…
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Theater Review: DEATH ON THE NILE (Arena Stage, D.C.)
DEATH IS ALIVE AND BETTER THAN WELL Ken Ludwig’s stage adaptation of Agatha Christie’s Death on the Nile premiered to a packed house at Arena Stage, with the playwright himself attending the Kreeger Theater’s opening performance. The story follows 11 disparate passengers embarking on a six-day Nile River cruise. Along the way, relationships are tested, secrets are…
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Theater Review: SUMMER, 1976 (Studio Theatre in D.C.)
A POIGNANT LOOK AT FEMALE FRIENDSHIP What are the makings of female friendships? What holds them together and what causes them to shift off course? These are just two of the philosophical questions raised by David Auburn’s latest masterpiece and recent Broadway hit Summer, 1976, currently at Studio Theater. Known best for his heady play…
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Theater Review: A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Signature Theatre in Arlington, VA)
THE GOOD-NATURED BUFFOONERY IN FORUM IS THE TONIC FOR WHAT AILS YOU A Funny Thing Happened on the Way to the Forum, currently at Signature Theater, is knee-slapping farcical fun à la vaudeville and the Marx Brothers mixed with ancient Roman escapades, all set to the music and lyrics of Stephen Sondheim. Sound like a…
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Theater Review: DATA (Arena Stage in D.C.)
SURE, LET SILCON VALLEY DO ITS JOB WITH THE GOVERNMENT. WHAT COULD GO WRONG? Along with The Other Americans, Arena Stage is offering yet another world premiere. A highly relevant corporate thriller that makes the Enron financial scandal look tame, DATA plunges viewers into the ethically complex world of Silicon Valley at a time when our…
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Theater Review: THE OTHER AMERICANS (World Premiere by John Leguizamo at Arena Stage in D.C.)
SEEN THROUGH A LATINO CONTEXT, THE OTHER AMERICANS IS A UNIVERSAL GLIMPSE INTO FAMLY TRAUMA The world premiere of John Leguizamo’s newest endeavor, The Other Americans, directed by Ruben Santiago-Hudson, packs a hard punch in the gut while exploring familial dysfunction and immigrant survival. John Leguizamo (Nelson) and Luna Lauren Velez (Patti) Leguizamo stars as…



















