Areas We Cover
Categories
D.C.
(Maryland / Virginia)
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Theater: BALTIMORE CENTER STAGE (2022-23 Season)
Baltimore Center Stage (BCS)’s complete 2022/23 Season, celebrating BCS’s 60th Anniversary features artists such as Thornton Wilder, Stevie Walker-Webb, Jordan E. Cooper, Lili-Anne Brown, Nia Vardalos, Stori Ayers, Pedro Calderón de la Barca, María Irene Fornés and more. Memberships for the 22/23 Season are on sale today at Centerstage.org, and single ticket sales will begin on August 16, 2022. BCS also offers a…
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Theater: CATCH ME IF YOU CAN (Revised Version at Arena Stage in Washington, D.C.)
Arena Stage in Washington, D.C. is presenting a revised version of the much-loved musical Catch Me If You Can, directed by Molly Smith. It will run March 4 – April 17, 2022, in the iconic in-the-round Fichandler Stage; . Smith and Jocelyn Clarke, dramaturg, examined five different versions of the high-flying musical roller coaster to create a new book that…
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Music Concerts: THE PHILLIPS COLLECTION (2021/22 Concert Season in Washington, D.C.)
The Phillips Collection has returned to live concerts, but for the first time in the history of music at the Phillips, all concerts will be livestreamed, bringing the storied intimacy of performances from the Music Room to wherever you are. This season is characteristically eclectic, welcoming a broad range of musical styles, DC-debut performances, and…
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Theater Opening: CELIA AND FIDEL (Arena Stage at the Mead Center for American Theater in Washington, D.C.)
Arena Stage at the Mead Center for American Theater is opening Eduardo Machado’s Celia and Fidel on October 8, 2021. It’s 1980 and Cuba is dealing with a failing economy. As Fidel Castro ponders on how to move his country forward, his political partner, Celia Sánchez, is never far from his side. Imbued with magical…
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Theater: STUDIO THEATRE IN D.C. (Reopening Season 2021-22)
D.C.’s Studio Theatre will begin its five-play 2021-2022 season in December with Flight, an epic story about two orphaned brothers, refugees who embark on a cross-continental odyssey from their native Syria, hoping to reach safety in the UK. Flight is an immersive installation created by Scottish innovators Vox Motus and designed by Jamie Harrison (Harry Potter…
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Virtual Theater Review: 2.5 MINUTE RIDE (Studio Theatre, D.C.)
KRON-OLOGY Who knew a trip to Auschwitz could be so much fun? Almost as fun as taking a roller coaster ride at Cedar Point amusement park in Sandusky, Ohio. These two locations have been tethered together by playwright Lisa Kron into a memoir about her ailing father and the family visits to both of these…
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Theater/Film Review: COCK (Studio Theatre in D.C.)
I FOUND THE PERFECT COCK. NOW SEE IF YOU CAN TAKE IT. D.C.’s Studio Theatre production of Cock is a most successful outing in the world of pandemic theater — that which is filmed as a theater piece but without an audience, and with actors at a physical distance. While COVID-19 has halted live theater…
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Theater Review: HI, ARE YOU SINGLE? (Woolly Mammoth, IAMA)
JUDGING RYAN Ryan J. Haddad opens his autobiographical solo play Hi, Are You Single? with a funny, sexy, and sweetly awkward phone masturbation scene. His search for sex and intimacy as a queer man with cerebral palsy is by turns seductive and acerbic. And he is not coy about wanting to get laid. Haddad pushes…
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Regional Theater Review: DISTRICT MERCHANTS (Folger Theatre in Washington D.C.)
“IT SHALL GO HARD BUT I WILL BETTER THE INSTRUCTION” Deep into the world premiere of Aaron Posner’s variation on The Merchant of Venice last Saturday, Shylock pointed at me from the stage and demanded my name. I said, “Rohrer.” Shylock spent 30 seconds heaping calumny upon the name of Rohrer: “Dirty Rohrer, stupid Rohrer,…
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Regional Opera Review: A STREETCAR NAMED DESIRE (Virginia Opera)
NEW ORLEANS IN VIRGINIA Like many operas in the last 100 years, Andre Previn’s A Streetcar Named Desire – recently produced by Virginia Opera – is through-composed with very little straight dialogue, declamatory vocals, and text set to music so that the words and sense are both clear (this is also known as Literaturoper). Before Debussy’s Pellas et Melisande…
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Regional Theater Review: MR. BURNS, A POST-ELECTRIC PLAY (Woolly Mammoth in D.C.)
I WILL SURVIVE In the opening act of Mr. Burns, A Post-Electric Play, a group of campers sits by the warm glow of a trashcan fire and tries to retell a favorite episode of The Simpsons. Matt (the ever-energetic Steve Rosen) recalls and reperforms “Cape Feare” with entertaining accuracy. Maria (Jenna Sokolowski) and Jenny (Kimberly…
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