Areas We Cover
Categories
D.C.
(Maryland / Virginia)
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Concert Review: T BONE BURNETT LIVE IN CONCERT (Tour at The Barns at Wolf Trap)
A BARE-BONE GIG Last night, October 28, a packed house at The Barns at Wolf Trap enjoyed a mellow and introspective concert as T Bone Burnett performed his latest album The Other Side, his first solo release in nearly 20 years. (Another show was added tonight, but that is sold-out.) Describing the evening as a…
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Concert Review: AN INTIMATE EVENING WITH NORM LEWIS (The Barns at Wolf Trap in VA)
NORM SETS THE STANDARD An Intimate Evening with Norm Lewis at The Barns last night was a magical journey through his musical theater career, brimming with charm, humor, and breathtaking vocals (there is one more performance tonight). The evening began with a dynamic rendition of “Don’t Rain on My Parade” followed by the gentle, hopeful…
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Theater Review: THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (Broadway Center Stage / Kennedy Center / DC)
S-T-U-P-E-N-D-O-U-S AND S-I-D-E-S-P-L-I-T-T-I-N-G The 25th Annual Putnam County Spelling Bee is a delightful and unconventional musical comedy that debuted in 2005. With music and lyrics by William Finn and a book by Rachel Sheinkin, the show is set at a fictional spelling bee in Putnam Valley Middle School. It follows an eclectic group of middle…
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Theater Review: BABBITT (Shakespeare Theatre Company, D.C.)
BEMUSING, DISAPPOINTING, SUPERFICIAL, AND FULL OF CONTRADICTIONS After all the hype about Matthew Broderick starring in the title role of Babbitt, presented by Shakespeare Theatre Company at Harman Hall, the production — which had its world premiere at La Jolla Playhouse last November — is a disappointment. Yet, the fault doesn’t lie solely with Broderick’s acting….
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Theater Review: THE COMEDY OF ERRORS (Shakespeare Theatre Company in Washington D.C.)
DOUBLE YOUR PLEASURE, DOUBLE YOUR FUN The Comedy of Errors is one of William Shakespeare’s earliest and most farcical comedies, centered around themes of mistaken identity and slapstick humor. The play tells the story of two sets of identical twins who were separated at birth, leading to a series of misunderstandings, wrongful accusations, and chaotic…
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Theater Review: EXCEPTION TO THE RULE (Studio Theatre, DC)
AN EXCERCISE IN PURPOSEFUL FUTILITY Welcome to the world of underserved K-12 education where punitive actions abound with no end in sight. In Exception to the Rule, playwright Dave Harris (Tambo & Bones) brings us into an existential, self-imposed detention room, where its victims’ enforcer never shows up. It’s an adolescent Waiting for Godot, where…
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Theater Review: JAJA’S AFRICAN HAIR BRAIDING (Arena Stage at the Mead Center for American Theater in D.C.)
WEAVING TOGETHER THE IMMIGRANT EXPERIENCE JaJa’s African Hair Braiding – beginning a regional tour after Broadway success and Arena Stage’s season starter – is a peek into the immigrant experience in America, served up with laughter and fears of deportation. Written by Ghanaian American Jocelyn Bioh and directed by Whitney White, the play is both…
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Theater Review: Oh My Heart, Oh My Home (Studio Theatre, DC)
UNIVERSAL, YES, BUT ALSO ESOTERIC Who’s to say what constitutes a monumental event – something as vast as a meteor shower versus the provincial act of trying to go home again? This is the unspoken question posed by British Playwright Casey Jay Andrews in her intimate tale Oh My Heart, Oh My Home currently playing…
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Theater Review: SOFT POWER (Signature Theater, Arlington, VA)
A FABULOUS FEVER DREAM Soft Power at Signature Theatre is a meta-theatrical production that begins with a semi-autobiographical portrayal of David Henry Hwang, who, following a near-fatal incident, envisions a future where China has risen to become the world’s dominant superpower. The narrative then transitions into a futuristic “Chinese musical,” offering a perspective on how…
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Theater Review: MJ (National Tour at The National Theatre, D.C.)
A TRIP THROUGH MICHAEL JACKSON’S TRIPPY LIFE For those who never had the chance to see Michael Jackson perform live, MJ — the current smash-hit Broadway jukebox musical now on tour at The National Theater — thrillingly brings his spirit and talent back to life. Jamaal Fields-Green as ‘MJ’ and the cast of the MJ First…
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Theater Review: MAMMA MIA! (25th Anniversary Tour at The Kennedy Center Opera House)
THE CAMPY ABBA FEST IS BACK Still an over-the-top, campy, family-friendly entertainment, the 25th Anniversary North American tour of Mamma Mia!, currently at The Kennedy Center Opera House, is the feel-good, powerhouse musical romantic comedy that will thrill ABBA fans. Jalynn Steele (Tanya), Christine Sherrill (Donna), Carly Sakolove (Rosie) For those unfamiliar with the plot,…
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Theater Review: NINE (Broadway Center Stage at The John F. Kennedy Center for the Performing Arts)
NINE IS A TEN AT THE KEN CEN Following Broadway Center Stage‘s delightful production of Bye Bye Birdie, here comes a musical on the opposite spectrum in every way. Presented by The John F. Kennedy Center for the Performing Arts, Nine, the musical adaptation of Federico Fellini’s 1963 film 8 ½ now playing at the Eisenhower, is…
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Concert Review: DARYL HALL & ELVIS COSTELLO AND THE IMPOSTERS (Wolf Trap)
NOSTALGIA AND COMMUNITY SPIRIT: DARRYL HALL AND ELVIS COSTELLO CONCLUDE THEIR SUMMER TOUR: IT’S A WRAP AT THE TRAP Rock Legends Elvis Costello and Daryl Hall began their 2024 Co-Headliner Summer Tour on June 2, ending it last Thursday night at Wolf Trap to a full house and lawn full of fans. This special evening…
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Opera Review: LA BOHÈME (Wolf Trap Opera Company at Wolf Trap National Park for the Performing Arts in Virginia)
AH, BOHÈME! Last Friday, Wolf Trap Opera Company, the summer residency program for emerging opera professionals hosted at Wolf Trap National Park for the Performing Arts, offered a lovely production of Giacomo Puccini’s 1896 opera La Bohème, which poignantly depicts the struggles and joys of young bohemians trying to pursue their dreams while facing harsh…
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Theater Review: THE COLORED MUSEUM (Studio Theatre, D.C.)
A FANTASIZED LOOK INTO BLACKNESS IN AMERICA The Colored Museum by George C. Wolfe, currently at The Studio Theatre, is a wild, satirical glance into African-American experiences, dating back to slaves in Africa to the present (which was 1986 when Wolfe penned it). The experiences are how Blacks are portrayed to a white public, as…
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Theater Review: FUNNY GIRL (National Tour at Kennedy Center)
KATERINA MCCRIMMON IS INDEED THE GREATEST STAR Funny Girl is a beloved musical that first premiered on Broadway in 1964, with music by Jule Styne, lyrics by Bob Merrill, and a book by Isobel Lennart. The original production starred Barbra Streisand as Fanny Brice, a role that catapulted her to stardom and earned her critical…
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Concert Review: BROADWAY IN THE PARK [2024] (Signature Theatre & Wolf Trap with Laura Benanti & Jordan Fisher)
DAZZLED BY THE STARS UNDER THE STARS Last night, Signature Theatre and the Wolf Trap Center for the Arts (the only national park dedicated to presenting the performing arts) collaborated again to present the fourth annual Broadway in the Park, which showcased some of the best singing talent of the DC area and two Broadway…
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Theater Review: THE KITE RUNNER (National Tour at The Kennedy Center in D.C.)
THE KITE RUNNER FLIES HIGH AT THE KENNEDY CENTER Because the best-selling novel The Kite Runner, written by Khaled Hosseini, is so significant and well-revered, as is the 2007 movie screenplay by David Benioff, my expectations were high at last night’s opening to see the stage version, currently on a national tour at The Kennedy Center’s…
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Theater Review: BYE BYE BIRDIE (Broadway Center Stage at the Eisenhower Theater, Kennedy Center)
THE MINDLESS SILLINESS WE DIDN’T KNOW WE NEEDED Broadway Center Stage’s production of Bye Bye Birdie, the 1960 musical comedy smash currently at The Kennedy Center, is delightfully corny, schmaltzy, and yes, hysterically funny. Broadway superstars Christian Borle as the goofy, lovable Albert Peterson (originally played by the now 98-year-old Dick Van Dyke) and Krysta…
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Theater Review: HAIR (Signature Theatre in Washington D.C.)
HAIR EXPLODES WITH ECSTACY AT SIGNATURE The 1967 “American Tribal Love-Rock Musical” Hair, currently at The Signature Theatre through July 7 and directed by Matthew Gardiner, is an explosion of emotion, iconic music, dance, and nostalgia. Amanda Lee (Dionne), Jordan Dobson (Claude) and the cast (Daniel Radar) The timing of the show is impeccable. Over…



















