Areas We Cover
Categories
D.C.
(Maryland / Virginia)
-
Theater Review: SUMMER, 1976 (Studio Theatre in D.C.)
A POIGNANT LOOK AT FEMALE FRIENDSHIP What are the makings of female friendships? What holds them together and what causes them to shift off course? These are just two of the philosophical questions raised by David Auburn’s latest masterpiece and recent Broadway hit Summer, 1976, currently at Studio Theater. Known best for his heady play…
-
Theater Review: A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (Signature Theatre in Arlington, VA)
THE GOOD-NATURED BUFFOONERY IN FORUM IS THE TONIC FOR WHAT AILS YOU A Funny Thing Happened on the Way to the Forum, currently at Signature Theater, is knee-slapping farcical fun à la vaudeville and the Marx Brothers mixed with ancient Roman escapades, all set to the music and lyrics of Stephen Sondheim. Sound like a…
-
Theater Review: DATA (Arena Stage in D.C.)
SURE, LET SILCON VALLEY DO ITS JOB WITH THE GOVERNMENT. WHAT COULD GO WRONG? Along with The Other Americans, Arena Stage is offering yet another world premiere. A highly relevant corporate thriller that makes the Enron financial scandal look tame, DATA plunges viewers into the ethically complex world of Silicon Valley at a time when our…
-
Theater Review: THE OTHER AMERICANS (World Premiere by John Leguizamo at Arena Stage in D.C.)
SEEN THROUGH A LATINO CONTEXT, THE OTHER AMERICANS IS A UNIVERSAL GLIMPSE INTO FAMLY TRAUMA The world premiere of John Leguizamo’s newest endeavor, The Other Americans, directed by Ruben Santiago-Hudson, packs a hard punch in the gut while exploring familial dysfunction and immigrant survival. John Leguizamo (Nelson) and Luna Lauren Velez (Patti) Leguizamo stars as…
-
Concert Review: T BONE BURNETT LIVE IN CONCERT (Tour at The Barns at Wolf Trap)
A BARE-BONE GIG Last night, October 28, a packed house at The Barns at Wolf Trap enjoyed a mellow and introspective concert as T Bone Burnett performed his latest album The Other Side, his first solo release in nearly 20 years. (Another show was added tonight, but that is sold-out.) Describing the evening as a…
-
Concert Review: AN INTIMATE EVENING WITH NORM LEWIS (The Barns at Wolf Trap in VA)
NORM SETS THE STANDARD An Intimate Evening with Norm Lewis at The Barns last night was a magical journey through his musical theater career, brimming with charm, humor, and breathtaking vocals (there is one more performance tonight). The evening began with a dynamic rendition of “Don’t Rain on My Parade” followed by the gentle, hopeful…
-
Theater Review: THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (Broadway Center Stage / Kennedy Center / DC)
S-T-U-P-E-N-D-O-U-S AND S-I-D-E-S-P-L-I-T-T-I-N-G The 25th Annual Putnam County Spelling Bee is a delightful and unconventional musical comedy that debuted in 2005. With music and lyrics by William Finn and a book by Rachel Sheinkin, the show is set at a fictional spelling bee in Putnam Valley Middle School. It follows an eclectic group of middle…
-
Theater Review: BABBITT (Shakespeare Theatre Company, D.C.)
BEMUSING, DISAPPOINTING, SUPERFICIAL, AND FULL OF CONTRADICTIONS After all the hype about Matthew Broderick starring in the title role of Babbitt, presented by Shakespeare Theatre Company at Harman Hall, the production — which had its world premiere at La Jolla Playhouse last November — is a disappointment. Yet, the fault doesn’t lie solely with Broderick’s acting….
-
Theater Review: THE COMEDY OF ERRORS (Shakespeare Theatre Company in Washington D.C.)
DOUBLE YOUR PLEASURE, DOUBLE YOUR FUN The Comedy of Errors is one of William Shakespeare’s earliest and most farcical comedies, centered around themes of mistaken identity and slapstick humor. The play tells the story of two sets of identical twins who were separated at birth, leading to a series of misunderstandings, wrongful accusations, and chaotic…
-
Theater Review: EXCEPTION TO THE RULE (Studio Theatre, DC)
AN EXCERCISE IN PURPOSEFUL FUTILITY Welcome to the world of underserved K-12 education where punitive actions abound with no end in sight. In Exception to the Rule, playwright Dave Harris (Tambo & Bones) brings us into an existential, self-imposed detention room, where its victims’ enforcer never shows up. It’s an adolescent Waiting for Godot, where…
-
Theater Review: JAJA’S AFRICAN HAIR BRAIDING (Arena Stage at the Mead Center for American Theater in D.C.)
WEAVING TOGETHER THE IMMIGRANT EXPERIENCE JaJa’s African Hair Braiding – beginning a regional tour after Broadway success and Arena Stage’s season starter – is a peek into the immigrant experience in America, served up with laughter and fears of deportation. Written by Ghanaian American Jocelyn Bioh and directed by Whitney White, the play is both…
-
Theater Review: Oh My Heart, Oh My Home (Studio Theatre, DC)
UNIVERSAL, YES, BUT ALSO ESOTERIC Who’s to say what constitutes a monumental event – something as vast as a meteor shower versus the provincial act of trying to go home again? This is the unspoken question posed by British Playwright Casey Jay Andrews in her intimate tale Oh My Heart, Oh My Home currently playing…
-
Theater Review: SOFT POWER (Signature Theater, Arlington, VA)
A FABULOUS FEVER DREAM Soft Power at Signature Theatre is a meta-theatrical production that begins with a semi-autobiographical portrayal of David Henry Hwang, who, following a near-fatal incident, envisions a future where China has risen to become the world’s dominant superpower. The narrative then transitions into a futuristic “Chinese musical,” offering a perspective on how…
-
Theater Review: MJ (National Tour at The National Theatre, D.C.)
A TRIP THROUGH MICHAEL JACKSON’S TRIPPY LIFE For those who never had the chance to see Michael Jackson perform live, MJ — the current smash-hit Broadway jukebox musical now on tour at The National Theater — thrillingly brings his spirit and talent back to life. Jamaal Fields-Green as ‘MJ’ and the cast of the MJ First…
-
Theater Review: MAMMA MIA! (25th Anniversary Tour at The Kennedy Center Opera House)
THE CAMPY ABBA FEST IS BACK Still an over-the-top, campy, family-friendly entertainment, the 25th Anniversary North American tour of Mamma Mia!, currently at The Kennedy Center Opera House, is the feel-good, powerhouse musical romantic comedy that will thrill ABBA fans. Jalynn Steele (Tanya), Christine Sherrill (Donna), Carly Sakolove (Rosie) For those unfamiliar with the plot,…
-
Theater Review: NINE (Broadway Center Stage at The John F. Kennedy Center for the Performing Arts)
NINE IS A TEN AT THE KEN CEN Following Broadway Center Stage‘s delightful production of Bye Bye Birdie, here comes a musical on the opposite spectrum in every way. Presented by The John F. Kennedy Center for the Performing Arts, Nine, the musical adaptation of Federico Fellini’s 1963 film 8 ½ now playing at the Eisenhower, is…
-
Concert Review: DARYL HALL & ELVIS COSTELLO AND THE IMPOSTERS (Wolf Trap)
NOSTALGIA AND COMMUNITY SPIRIT: DARRYL HALL AND ELVIS COSTELLO CONCLUDE THEIR SUMMER TOUR: IT’S A WRAP AT THE TRAP Rock Legends Elvis Costello and Daryl Hall began their 2024 Co-Headliner Summer Tour on June 2, ending it last Thursday night at Wolf Trap to a full house and lawn full of fans. This special evening…
-
Opera Review: LA BOHÈME (Wolf Trap Opera Company at Wolf Trap National Park for the Performing Arts in Virginia)
AH, BOHÈME! Last Friday, Wolf Trap Opera Company, the summer residency program for emerging opera professionals hosted at Wolf Trap National Park for the Performing Arts, offered a lovely production of Giacomo Puccini’s 1896 opera La Bohème, which poignantly depicts the struggles and joys of young bohemians trying to pursue their dreams while facing harsh…
-
Theater Review: THE COLORED MUSEUM (Studio Theatre, D.C.)
A FANTASIZED LOOK INTO BLACKNESS IN AMERICA The Colored Museum by George C. Wolfe, currently at The Studio Theatre, is a wild, satirical glance into African-American experiences, dating back to slaves in Africa to the present (which was 1986 when Wolfe penned it). The experiences are how Blacks are portrayed to a white public, as…
-
Theater Review: FUNNY GIRL (National Tour at Kennedy Center)
KATERINA MCCRIMMON IS INDEED THE GREATEST STAR Funny Girl is a beloved musical that first premiered on Broadway in 1964, with music by Jule Styne, lyrics by Bob Merrill, and a book by Isobel Lennart. The original production starred Barbra Streisand as Fanny Brice, a role that catapulted her to stardom and earned her critical…



















