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Film
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FROM SCRIPT TO SCREEN: WHY EVERY GREAT AD STARTS LIKE A MOVIE
There’s a reason we remember our favorite movies—those opening shots that pull us in, the rising tension, the satisfying final frame. Great storytelling doesn’t just belong to Hollywood anymore. In fact, the most memorable marketing videos today borrow heavily from film. Whether it’s a sleek tech ad or a heartfelt nonprofit campaign, the strongest ones…
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Film Review: LES MUSICIENS [THE MUSICIANS] (Directed by Grégory Magne)
A QUARTET WORTH TUNING INTO Les Musiciens (The Musicians) is a comedy that is not afraid to be intelligent. It’s a welcome cinematic entry for discerning moviegoers who care about more than superheroes and vampires. The engaging and well-paced plot is about the creation of an impossible concert by a quartet of musicians who’ve never…
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Film Review: THE PHOENICIAN SCHEME (Directed by Wes Anderson)
ANDERSON’S REPUBLIC OF OBJECTS Something has shifted in Wes Anderson’s dollhouse universe. The Phoenician Scheme arrives with all the expected geometric precision, but underneath the familiar symmetries lurks an unfamiliar bite. Arms dealer Anatole “Zsa-Zsa” Korda (Benicio del Toro) has survived six assassination attempts by the time we meet him in 1950. He’s a jaded…
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Book Review: WHATEVER HAPPENED TO ORSON WELLES? (Joseph McBride)
ALL’S WELLES THAT ENDS WELLES Another book about Orson Welles? Why? With very good reason as it happens. Unlike most previous biographies, Whatever Happened to Orson Welles? by Joseph McBride focuses on the last fifteen years of the great director’s life, from his return to Hollywood in 1970 after a long exile in Europe, until…
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28 YEARS LATER SHOWCASES ONCE AGAIN THAT SPEEDY ZOMBIES ARE THE SCARIEST
Whether you call them zombies, infected, the risen, or walkers, reanimated humans driven by an unnatural urge to eat the living continue to be a popular fixture across entertainment media. On June 19, one of the most revered zombie outings returned with its third installment. 28 Years Later landed with strong audience and critical reviews,…
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THE REVIVAL OF CLASSIC FILMS: WHY TIMELESS STORIES STILL CAPTIVATE AUDIENCES
Classic films have an enduring charm that continues to captivate both nostalgic viewers and new generations of movie lovers. Often made decades ago, they still evoke strong emotions and remain deeply relevant in today’s world. But what is it that makes these timeless stories so captivating? The answer lies in their universal appeal, cultural significance,…
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Film Review: I WAS BORN THIS WAY (directed by Daniel Junge and Sam Pollard; World Premiere at Tribeca Film Festival)
THE GOSPEL ACCORDING TO CARL BEAN Directors Daniel Junge and Sam Pollard have given the world a much needed uplift in the guise of their fascinating new documentary on the life of Archbishop Carl Bean named, I Was Born This Way. But why is the title reminiscent of Lady Gaga’s mega-hit, “Born This Way?” Because…
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ALL IN ON DRAMA: THE MOST ICONIC GAMBLING SCENES IN MOVIE HISTORY
Some movie scenes don’t just entertain—they grip you by the collar and don’t let go. That’s exactly what happens when great films bring gambling to the screen. There’s something about watching a character risk it all, sweat dripping, chips stacked high, bluff barely holding—these moments create instant cinematic legends. Gambling in film is never just…
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Film Review: DIAMONDS / DIAMANTI (directed by Ferzan Özpetek)
COSTUMES, CONFIDENCES AND THE CANOVA SISTERS SPARKLE LIKE DIAMONDS Director Ferzan Özpetek’s latest dramedy, Diamonds, is about to open at the Walter Reade Theater at Lincoln Center, and I had the pleasure of getting an early view. I knew it centered on a costume atelier reminiscent of the legendary Umberto Tirelli’s, and I immediately thought…
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Film Review: E.1027: EILEEN GRAY AND THE HOUSE BY THE SEA (directed by Beatrice Minger and Christoph Schaub)
A HOUSE DIVIDED E.1027: Eileen Gray and the House by the Sea is what I would call—in a good way—an eccentric film. It’s a curiously interpretive pastiche of multiple elements: docu-fiction, bio-pic, archival footage, imagined scenes with actor recreations, narrative voiceovers, stylized scenes dramatically lit on a stage, readings from diaries and letters, along with…
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Film Review: DROP DEAD CITY (directed by Michael Rohatyn and Peter Yost)
WHEN THE CITY THAT NEVER SLEEPS GOT A WAKE-UP CALL Drop Dead City is that rare beast: a documentary that turns a major city’s fiscal crisis into an edge-of-your-seat thriller. There’s a strong parallel to what’s happening in our economic and political times today, nationally and locally. It could’ve just been a wonky educational film but…
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BRITISH EROTIC MOVIES OF THE PAST DECADE – A RUNDOWN
Over the past decade, the British film industry has not shied away from exploring the complexities of sexuality, desire, and the human psyche through cinema. Erotic films from the UK have carved out a distinctive niche, often blending sensuality with psychological depth, emotional nuance, and cultural commentary. Below is a rundown of five standout erotic…
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LEGENDS IN LIGHTS: HOW BIOPICS REFRAME SPORTS ICONS
There’s something magnetic about watching a great athlete come to life on screen. Maybe it’s the roar of the crowd recreated with surround sound. Maybe it’s seeing the weight of pressure behind the highlight reels. Or maybe it’s just that sports, with all their heartbreak and triumph, make perfect drama. It’s no wonder so many…
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Concert / Film Review: THE PHILIP GLASS ENSEMBLE: NAQOYQATSI (Town Hall in New York)
WHEN WILL WE EVER LEARN? UNTIL WE DO, THERE’S ALWAYS THE MUSIC On Saturday, April 19, Town Hall presented Naqoyqatsi (2002), the third and final film in Godfrey Reggio‘s Qatsi Trilogy, and it was a triumph with a felt, deserved, long standing ovation at its conclusion. Edited by Jon Kane, with music composed by Philip…
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Film, Concert and Tour Review: RIGHT IN THE EYE (Alcoléa)
MOONSHOTS AND MUSICAL SAWS: MÉLIÈS GETS A MAKEOVER Georges Méliès wasn’t exactly Spielberg. He was cinema’s first mad scientist—half director, half magician, all-around agent of chaos. In the early 1900s, he wasn’t so much directing films as he was recording fever dreams: rocket ships crashing into eyeball moons, skeletons dancing Irish jigs, ghost houses with…
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Film Review: TIME TRAVEL IS DANGEROUS (directed by Chris Reading; British Sci-Fi Comedy Opens in the US on November 11, 2025))
TIME AND TIME AGAIN, THIS FILM IS WILD, WITTY, AND WICKEDLY FUNNY Here’s a British delight that serves up a deliciously daffy mix of cunning comedy and science fiction—let’s call it “Sly-Fi,” a perfectly fitting term for this kooky genre blend. The triumphant mockumentary, Time Travel Is Dangerous, dares to be loopy and over the…
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Film Review: LIVING LARGE (directed by Kristina Dufková)
THIS FILM IS LIVING LARGE WITH HUGE AMOUNTES OF PLEASURE AND CREATIVITY As sweet and as rich as the high-calorie concoctions the lovable lead character covets and consumes, the stop-motion animated film Living Large is a treat, but the sympathetic portrait of this sad sack doesn’t become saccharine. Twelve-year-old Ben, a burdened, bullied, body-shamed boy…
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Film Review: KENSUKE’S KINGDOM (directed by Neil Boyle and Kirk Hendry)
A KINGDOM OF RICHES If you think that a survivor story on film about a boy and his dog battling the odds and a myriad of dangers will only keep you interested and involved if it looks rugged and realistic, is fueled by a rarely stopping barrage of heart-stopping chills and thrills, tragedy and terror,…
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Film Review HOME COURT (directed by Erica Tanamachi; NYC Premiere at the International Children’s Film Festival)
HOME COURT: HOOPS, HURDLES AND HEART The probable target audience for Home Court consists of those who find joy in playing basketball themselves or those who happily watch from the stands or on television. (Right now, college and professional games dominate TV schedules—it’s called March Madness.) But what if you’re not particularly thrilled by the…
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Film Review: BEING MARIA (directed by Jessica Palud)
I was a teen in the ’70s and I can assure you that everybody in Europe over 13 who wasn’t living under a rock knew something about the Butter Scene in Last Tango in Paris, the 1972 film directed by Bernardo Bertolucci and starring Marlon Brando and Maria Schneider. You could not escape the despicable…


















