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Film
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LEGENDS IN LIGHTS: HOW BIOPICS REFRAME SPORTS ICONS
There’s something magnetic about watching a great athlete come to life on screen. Maybe it’s the roar of the crowd recreated with surround sound. Maybe it’s seeing the weight of pressure behind the highlight reels. Or maybe it’s just that sports, with all their heartbreak and triumph, make perfect drama. It’s no wonder so many…
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Concert / Film Review: THE PHILIP GLASS ENSEMBLE: NAQOYQATSI (Town Hall in New York)
WHEN WILL WE EVER LEARN? UNTIL WE DO, THERE’S ALWAYS THE MUSIC On Saturday, April 19, Town Hall presented Naqoyqatsi (2002), the third and final film in Godfrey Reggio‘s Qatsi Trilogy, and it was a triumph with a felt, deserved, long standing ovation at its conclusion. Edited by Jon Kane, with music composed by Philip…
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Film, Concert and Tour Review: RIGHT IN THE EYE (Alcoléa)
MOONSHOTS AND MUSICAL SAWS: MÉLIÈS GETS A MAKEOVER Georges Méliès wasn’t exactly Spielberg. He was cinema’s first mad scientist—half director, half magician, all-around agent of chaos. In the early 1900s, he wasn’t so much directing films as he was recording fever dreams: rocket ships crashing into eyeball moons, skeletons dancing Irish jigs, ghost houses with…
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Film Review: TIME TRAVEL IS DANGEROUS (directed by Chris Reading; British Sci-Fi Comedy Opens in the US on November 11, 2025))
TIME AND TIME AGAIN, THIS FILM IS WILD, WITTY, AND WICKEDLY FUNNY Here’s a British delight that serves up a deliciously daffy mix of cunning comedy and science fiction—let’s call it “Sly-Fi,” a perfectly fitting term for this kooky genre blend. The triumphant mockumentary, Time Travel Is Dangerous, dares to be loopy and over the…
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Film Review: LIVING LARGE (directed by Kristina Dufková)
THIS FILM IS LIVING LARGE WITH HUGE AMOUNTES OF PLEASURE AND CREATIVITY As sweet and as rich as the high-calorie concoctions the lovable lead character covets and consumes, the stop-motion animated film Living Large is a treat, but the sympathetic portrait of this sad sack doesn’t become saccharine. Twelve-year-old Ben, a burdened, bullied, body-shamed boy…
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Film Review: KENSUKE’S KINGDOM (directed by Neil Boyle and Kirk Hendry)
A KINGDOM OF RICHES If you think that a survivor story on film about a boy and his dog battling the odds and a myriad of dangers will only keep you interested and involved if it looks rugged and realistic, is fueled by a rarely stopping barrage of heart-stopping chills and thrills, tragedy and terror,…
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Film Review HOME COURT (directed by Erica Tanamachi; NYC Premiere at the International Children’s Film Festival)
HOME COURT: HOOPS, HURDLES AND HEART The probable target audience for Home Court consists of those who find joy in playing basketball themselves or those who happily watch from the stands or on television. (Right now, college and professional games dominate TV schedules—it’s called March Madness.) But what if you’re not particularly thrilled by the…
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Film Review: BEING MARIA (directed by Jessica Palud)
I was a teen in the ’70s and I can assure you that everybody in Europe over 13 who wasn’t living under a rock knew something about the Butter Scene in Last Tango in Paris, the 1972 film directed by Bernardo Bertolucci and starring Marlon Brando and Maria Schneider. You could not escape the despicable…
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Film Review: YOUNG HEARTS (written and directed by Anthony Schatterman)
At this point, the success of a gay coming-of-age story can be measured most acutely by its tendency to fall into tropes, or its ability to transcend them. In the canon of gay films, the coming out tale has been told ad nauseam. Some of the most trite, straight-palatable representation has come in this form,…
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Film Review: ART SPIEGELMAN: DISASTER IS MY MUSE (directed by Molly Bernstein and Philip Dolin)
OF MICE AND PENS It’s in the name: comics are supposed to be comical. The funny pages are a place for lasagna-craving kitties, pet pilots and friendly tigers — certainly not the stage on which to unpack heavy emotions or examine brutal histories. Right? Well, Art Spiegelman would beg to differ. And while the name…
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Film Review: MY HUSBAND THE CYBORG (directed by Susanna Cappallero)
YOU WILL BE ASSIMILATED More than 20 years ago, a young teenager from Boca Raton, Florida, became the first person in the United States to receive an implanted microchip made by Applied Digital Solutions, a radio identification (RFID) chip like those long used in pets. The “VeriChip” contained a tiny radio transmitter and bits of…
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Film: HOLIDAY TOUCHDOWN: A CHIEFS LOVE STORY — A FOOTBALL ROMANCE LIKE NO OTHER
Holiday Touchdown: A Chiefs Love Story, which premiered on Hallmark on November 30, blends the warmth of the holiday season with the passionate sports culture of Kansas City. The film celebrates both romance and the deep-rooted connection the city has with the Kansas City Chiefs, offering a unique narrative for Chiefs fans and holiday movie…
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THE GLOBAL FASCINATION WITH HORROR FILMS: A DIVE INTO THE DARK
Horror films captivate audiences worldwide with their ability to elicit chills, thrills, and a unique kind of entertainment that transcends borders. The suspense, adrenaline rush, and macabre fascination with the unknown are all elements that contribute to the universal appeal of horror movies. Let’s explore why these films hold such universal appeal, highlight the top…
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Film Review: ROOM TAKEN (directed by TJ O’Grady-Peyton)
MAKE ROOM FOR ROOM TAKEN New to Ireland, a young Nigerian man named Isaac (endearing Gabriel Adewusi) is down on his luck in present day Dublin. Unable to find steady housing, he ends up at a shelter that cannot help him. After another uncomfortable night on the streets, he has a chance encounter at a…
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Film Review: GRAND THEFT HAMLET (Written and Directed by Pinny Gryllis and Sam Crane)
VIRTUAL VIRTUOSITY: HAMLET FOR THE GAMERS Jokes thrive on bringing together the incongruous, and perhaps that’s why Grand Theft Hamlet is, at its best, fucking hilarious. The premise is simple yet audacious: what if the bizarre, glitchy bodies and hyper-violent, sensory-releasing spectacle of a video game like Grand Theft Auto (GTA) were used to stage…
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Recommended Concert: THE HOLLYWOOD MODERNISTS: The Second Golden Age of Film Scoring (Scott Dunn Orchestra at The Wallis in Beverly Hills)
STEP INTO HOLLYWOOD’S MUSICAL LEGACY Beverly Hills is about to become the epicenter of cinematic symphony. In the 25/26 season, the Scott Dunn Orchestra makes its grand debut at The Wallis in Beverly Hills with The Hollywood Modernists: The Second Golden Age of Film Scoring. (The original date of January 18, 2025, was cancelled due…
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Film Review: EVERY LITTLE THING (directed by Sally Aitken)
AN EVERY LITTLE THING OF BEAUTY The most amazing thing about the recurring slow-motion sequences of hovering hummingbirds in Every Little Thing is the stillness of their tiny heads, even as their wings flap and their little bodies shift in air. As Terry Masear tells us, among other remarkable things, the wings of a hummingbird…
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Film Review: A COMPLETE UNKNOWN (directed by James Mangold)
All I can do is be me, whoever that is. — Bob Dylan A great old adage puts it this way: “All that is truly original appears ugly at first.” That’s been proven true for every new form of art and music, most appropriately during the meteoric rise of singer/songwriter Bob Dylan, whose early career is…
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THE AMBITIONS OF RISING HOLLYWOOD STAR TAYLOUR PAIGE
The next generation of Hollywood stars is set to take over. If you’re curious about which new names are about to blow up, make sure you keep close tabs on Taylour Paige. Acting is far from a new venture for the 34-year-old Paige. She has shown an affinity for acting since her debut in the…
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Film / VOD Review: LADY LIKE (directed by Luke Willis)
LADY CAMDEN’S RACE TO DRAG QUEENDOM One night when Lady Camden was taken to the ballet as a child, she looked down from the nosebleeds and saw the dancers and the set, the magical otherworldliness of it all, and wondered how anything bad could ever happen to anyone who made it in the theater. It…



















