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Film

  • WHY NEW ZEALAND IS HOLLYWOOD’S FAVORITE BACKLOT — AND STILL ITS BEST-KEPT SECRET

    A geyser erupting in a forested area under a cloudy sky.

    New Zealand is often described as Hollywood’s open-air studio. From the rolling hills of Hobbiton to the dramatic fjords of Milford Sound, the country’s theatrical landscapes have anchored some of the world’s most iconic film productions. Yet despite its cinematic prominence, New Zealand remains less top-of-mind than more established filming centers. Exactly the paradox that makes it…

  • UNDRESS HER: AI’S ROLE IN REIMAGINING CELEBRITY CULTURE

    A woman in a black outfit posing near a white wall.

    Can you imagine what Marilyn Monroe would look like today using modern AI stylization? Or how iconic moments from red carpets might appear through a digital lens? The phrase “Undress Her” has taken on new meaning not in the tabloids, but in the world of artificial intelligence. From curiosity to controversy, this new wave of…

  • FROM SCRIPT TO SCREEN: WHY EVERY GREAT AD STARTS LIKE A MOVIE

    People filming with a camera outdoors.

    There’s a reason we remember our favorite movies—those opening shots that pull us in, the rising tension, the satisfying final frame. Great storytelling doesn’t just belong to Hollywood anymore. In fact, the most memorable marketing videos today borrow heavily from film. Whether it’s a sleek tech ad or a heartfelt nonprofit campaign, the strongest ones…

  • LITERATURE THAT HAS BEEN SUCCESSFULLY TRANSLATED TO THE SILVER SCREEN

    A stack of books with one open on top.

    It is not an easy endeavor to translate books into movies, though one that has been done for decades by filmmakers. Books made into movies are just so full of great stories, characters of such depth, and worlds so richly detailed to be explored that they are ideal material to be given life on the…

  • Film Review: LES MUSICIENS [THE MUSICIANS] (Directed by Grégory Magne)

    Poster of the film 'Les Musiciens' with two main characters and floating sheet music.

    A QUARTET WORTH TUNING INTO Les Musiciens (The Musicians) is a comedy that is not afraid to be intelligent. It’s a welcome cinematic entry for discerning moviegoers who care about more than superheroes and vampires. The engaging and well-paced plot is about the creation of an impossible concert by a quartet of musicians who’ve never…

  • AI AND THE FUTURE OF FILMMAKING: WHAT CINEMA STUDENTS NEED TO KNOW

    Artificial Intelligence is changing all spheres of modern life, and the movie industry is no exception. AI affects the process of written movies, pre-production, post-production, and marketing. Students learning film and cinema find this development an exciting prospect and a complex challenge. Adopting such a change does not just mean knowing what the new tools…

  • INSIDE THE OBSESSION: WHY TRUE CRIME KEEPS YOU WATCHING

    Men in vintage attire stand beside a classic car, one holding a cane.

    There is a unique intensity that true crime documentaries create — an almost magnetic pull that keeps you watching longer than planned. The moment a crime is introduced, your mind starts racing with questions. Who did it? Why? Will justice be served? Each detail builds the suspense, and before you know it, you’re emotionally invested…

  • Film Review: THE PHOENICIAN SCHEME (Directed by Wes Anderson)

    Man relaxing in bathtub with photos on tiled wall.

    ANDERSON’S REPUBLIC OF OBJECTS Something has shifted in Wes Anderson’s dollhouse universe. The Phoenician Scheme arrives with all the expected geometric precision, but underneath the familiar symmetries lurks an unfamiliar bite. Arms dealer Anatole “Zsa-Zsa” Korda (Benicio del Toro) has survived six assassination attempts by the time we meet him in 1950. He’s a jaded…

  • Book Review: WHATEVER HAPPENED TO ORSON WELLES? (Joseph McBride)

    Black and white portrait of a man with a beard and intense gaze.

    ALL’S WELLES THAT ENDS WELLES Another book about Orson Welles? Why? With very good reason as it happens. Unlike most previous biographies, Whatever Happened to Orson Welles? by Joseph McBride focuses on the last fifteen years of the great director’s life, from his return to Hollywood in 1970 after a long exile in Europe, until…

  • THE REVIVAL OF CLASSIC FILMS: WHY TIMELESS STORIES STILL CAPTIVATE AUDIENCES

    A large audience seated in rows inside an auditorium, attentively listening.

    Classic films have an enduring charm that continues to captivate both nostalgic viewers and new generations of movie lovers. Often made decades ago, they still evoke strong emotions and remain deeply relevant in today’s world. But what is it that makes these timeless stories so captivating? The answer lies in their universal appeal, cultural significance,…

  • Film Review: I WAS BORN THIS WAY (directed by Daniel Junge and Sam Pollard; World Premiere at Tribeca Film Festival)

    Colorful mural of a joyful man with a rainbow and sun, captioned 'I was born this way.'

    THE GOSPEL ACCORDING TO CARL BEAN Directors Daniel Junge and Sam Pollard have given the world a much needed uplift in the guise of their fascinating new documentary on the life of Archbishop Carl Bean named, I Was Born This Way. But why is the title reminiscent of Lady Gaga’s mega-hit, “Born This Way?” Because…

  • Film Review: DIAMONDS / DIAMANTI (directed by Ferzan Özpetek)

    A dramatic red gown cascades down stairs with four seated women around it.

    COSTUMES, CONFIDENCES AND THE CANOVA SISTERS SPARKLE LIKE DIAMONDS Director Ferzan Özpetek’s latest dramedy, Diamonds, is about to open at the Walter Reade Theater at Lincoln Center, and I had the pleasure of getting an early view. I knew it centered on a costume atelier reminiscent of the legendary Umberto Tirelli’s, and I immediately thought…

  • Film Review: E.1027: EILEEN GRAY AND THE HOUSE BY THE SEA (directed by Beatrice Minger and Christoph Schaub)

    A woman stands in front of a modern white building under a clear blue sky.

    A HOUSE DIVIDED E.1027: Eileen Gray and the House by the Sea is what I would call—in a good way—an eccentric film. It’s a curiously interpretive pastiche of multiple elements: docu-fiction, bio-pic, archival footage, imagined scenes with actor recreations, narrative voiceovers, stylized scenes dramatically lit on a stage, readings from diaries and letters, along with…

  • Film Review: DROP DEAD CITY (directed by Michael Rohatyn and Peter Yost)

    Collage of quirky characters from Drop Dead City movie poster.

    WHEN THE CITY THAT NEVER SLEEPS GOT A WAKE-UP CALL Drop Dead City is that rare beast: a documentary that turns a major city’s fiscal crisis into an edge-of-your-seat thriller. There’s a strong parallel to what’s happening in our economic and political times today, nationally and locally. It could’ve just been a wonky educational film but…

  • BRITISH EROTIC MOVIES OF THE PAST DECADE – A RUNDOWN

    Colorful letters spelling 'MOVIES' on a black background with scattered letters around.

    Over the past decade, the British film industry has not shied away from exploring the complexities of sexuality, desire, and the human psyche through cinema. Erotic films from the UK have carved out a distinctive niche, often blending sensuality with psychological depth, emotional nuance, and cultural commentary. Below is a rundown of five standout erotic…

  • LEGENDS IN LIGHTS: HOW BIOPICS REFRAME SPORTS ICONS

    Vintage film projector casting light and smoke in a dark room.

    There’s something magnetic about watching a great athlete come to life on screen. Maybe it’s the roar of the crowd recreated with surround sound. Maybe it’s seeing the weight of pressure behind the highlight reels. Or maybe it’s just that sports, with all their heartbreak and triumph, make perfect drama. It’s no wonder so many…

  • Concert / Film Review: THE PHILIP GLASS ENSEMBLE: NAQOYQATSI (Town Hall in New York)

    The Philip Glass Ensemble performing live at The Town Hall.

    WHEN WILL WE EVER LEARN? UNTIL WE DO, THERE’S ALWAYS THE MUSIC On Saturday, April 19, Town Hall presented Naqoyqatsi (2002), the third and final film in Godfrey Reggio‘s Qatsi Trilogy, and it was a triumph with a felt, deserved, long standing ovation at its conclusion. Edited by Jon Kane, with music composed by Philip…

  • FROM COUCH TO CULT STATUS: THE STONER AS CINEMA’S ANTI-HERO

    Two cartoon hippies smoking and enjoying themselves.

    You know the type. Slouched on a couch, hoodie half-zipped, snack crumbs everywhere—and somehow, still the most grounded person in the room. The stoner character has been a pop culture fixture for decades, drifting through comedies and cult classics with a glazed smile and oddly profound one-liners. But lately, that image has evolved into something…

  • Film, Concert and Tour Review: RIGHT IN THE EYE (Alcoléa)

    Vintage-style poster for a live concert by Georges Méliès films with Alcoléa & Cie.

    MOONSHOTS AND MUSICAL SAWS: MÉLIÈS GETS A MAKEOVER Georges Méliès wasn’t exactly Spielberg. He was cinema’s first mad scientist—half director, half magician, all-around agent of chaos. In the early 1900s, he wasn’t so much directing films as he was recording fever dreams: rocket ships crashing into eyeball moons, skeletons dancing Irish jigs, ghost houses with…

  • Film Review: TIME TRAVEL IS DANGEROUS (directed by Chris Reading; British Sci-Fi Comedy Opens in the US on November 11, 2025))

    Movie poster warning that time travel is dangerous with a release date.

    TIME AND TIME AGAIN, THIS FILM IS WILD, WITTY, AND WICKEDLY FUNNY Here’s a British delight that serves up a deliciously daffy mix of cunning comedy and science fiction—let’s call it “Sly-Fi,” a perfectly fitting term for this kooky genre blend. The triumphant mockumentary, Time Travel Is Dangerous, dares to be loopy and over the…

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