Areas We Cover
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Los Angeles
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Art Exhibit Review: PIERRE HUYGHE (Los Angeles County Museum of Art)
PIERRE IN WONDERLAND At the entrance to Pierre Huyghe’s retrospective at LACMA, a tuxedoed gentleman requested my name and then announced me to the exhibit as if I was entering a grand ball (Name Announcer, 2011). I was then greeted by a low-lit maze of angled and mostly stark white walls which led me down…
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Los Angeles Theater Preview: LOVE, NOí‹L: THE LETTERS AND SONGS OF NOí‹L COWARD (The Wallis)
YOU’RE GOING TO LOVE, NOí‹L Noël Coward would have loved that his name appears twice in Love, Noël: The Letters and Songs of Noël Coward, which, having completely sold out its run at the swanky Wallis Annenberg Center in Beverly Hills, has just been extended. The entertainment interweaves his songs with personal letters sent between…
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National Tour Review: BLITHE SPIRIT (Ahmanson)
BIRD THOU SURE AIN’T NOW Hail to thee, blithe Spirit! Bird thou never wert, That from Heaven, or near it, Pourest thy full heart In profuse strains of unpremeditated art. – P.B. Shelley, “To a Skylark” If time had not shown that Noël Coward’s 1941 comedy Blithe Spirit is a funny play, one would not find…
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Cabaret Preview: A BROADWAY CHRISTMAS (Upright Cabaret at Catalina Bar & Grill in Hollywood)
A HOT CHRISTMAS Under boughs of holly and multi-media of silver and gold, stars and snowflakes will glitter as Upright Cabaret combines the Best of Broadway with the Carols of Christmas for the ninth annual A Broadway Christmas, which plays this Wednesday & Thursday, Dec. 17 & 18, at 8:30. Along with the extraordinary vocal talent…
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Los Angeles Theater Review: NORTHANGER ABBEY (Broad Stages in Santa Monica)
JANE AND HER PUPPETS The works of Jane Austen are delightful – and so are puppets. So, when you hear that this adaptation of Austen’s classic satire of gothic literature, Northanger Abbey, is actually performed by two actors, wielding seven puppets – well, what is not to like? If the notion of combining Jane Austen…
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Los Angeles Theater Preview: TREY PARKER’S CANNIBAL! THE MUSICAL (Coeurage Theatre Benefit)
COEURAGE, I COULD EAT YOU UP It is rare when a theater company lives up to its mission statement. Normally, the vision is so hifalutin as to be obscure. Luckily, Los Angeles has Coeurage Theatre Company, whose simple declaration blossomed into some of the best theater I have seen here. Formed in 2009 by Cal…
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Event Tour Preview: SHEN YUN 2015 (Hollywood, Northridge, Costa Mesa, Thousand Oaks, Long Beach)
SHEN YUN RETURNS TO SO CAL Inspired by the spirit of an ancient culture, Shen Yun Performing Arts brings to life classical Chinese dance and music in a gloriously colorful show. With an elite company of dancers, singers, and musicians, the New York-based Shen Yun returns to Southern California in January and February 2015. https://www.youtube.com/watch?v=_UtxvkD3Krg…
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Los Angeles Theater Review: FLARE PATH (Theatre 40)
FLARE DONE WITH FLAIR Unlike Sherwood’s Idiot’s Delight (1936), Terence Rattigan’s Flare Path (1941) is not an anti-war play. Both take place in a hotel and have a rich variety of characters, but while Sherwood’s Pulitzer-winner is a clear commentary on mankind’s fear, idealism, self-indulgence, and foolishness, Flare Path is a slice-of-life period piece whose…
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Film Preview: THE CONTENDERS (MoMA’s Film Series at the Hammer Museum)
DON’T SAY, “I COULDA BEEN AT THE CONTENDERS” For the past seven years, the Film Department of New York’s Museum of Modern Art has scrutinized releases, searching for the select few films from the previous 12 months which qualify for the end-of-the-year screening series known as The Contenders. Whether mainstream movies, independents, foreign-language films, documentaries, or…
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Los Angeles/Regional Theater Preview: SHE LOVES ME (The Chance Theater in Anaheim)
EVERYBODY LOVES SHE LOVES ME I’ll be the first to admit that it may be impossible to create a bad production of the 1963 jewel-box musical She Loves Me. This perfect show, based on the 1937 play Parfumerie by Miklos Laszlo, is so resplendent, so charming, and so well-constructed that a 2011 gathering of literati…
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Los Angeles Theater Review: INTO THE WOODS (Oregon Shakespeare Festival at the Wallis)
THIS WOODS DELIVERS THE GOODS Somewhere between “Once Upon a Time” and “Happily Ever After” there is a very adult world of tests, losses, disappointments, and grief. Despite this, we assert our agency; or as the baker’s wife sings in Into the Woods, “If you know what you want, then you go and you find…
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Los Angeles Theater Preview: TWILIGHT ZONE UNSCRIPTED: HOLIDAY VERSION (Impro Theatre)
CROSS OVER INTO IMPRO’S TWILIGHT ZONE After last year’s crop of run-of-the-mill Christmas plays, I swore off any theater that even alludes to the holidays. Now, I must eat my words. Opening tonight and running through Dec. 21, those daringly innovative long-form improvisers, Impro Theatre, bring Twilight Zone UnScripted: Holiday Version to The Carrie Hamilton Theatre….
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Los Angeles Theater Review: LUNA GALE (Kirk Douglas Theatre in Culver City)
A REALLY GOOD LIFETIME MOVIE ON STAGE Chicago Theater comes to L.A. lock, stock and barrel with the Goodman production of Rebecca Gilman’s Luna Gale. A winning cast’”led by the remarkable Mary Beth Fisher’”and Robert Falls’ taut direction validate how Chicago artists can turn a problematic (though certainly engaging) script into a likeable and at…
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Los Angeles Music Preview: STAGE AND CINEMA’S TOP HOLIDAY CHORALE CONCERT PICKS, 2014
TESTED AND APPROVED Whether amateur or professional, containing sacred pieces or hummable traditionals, a cappella or accompanied by orchestra or just piano, the list of worthy chorale holiday concerts in the Los Angeles area numbers more than 40 this year. Allow me to whittle down your choice of choral affairs by offering the Stage and…
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Los Angeles Theater Review: WHAT THE BUTLER SAW (Mark Taper Forum)
WHAT DIDN’T HE Joe Orton was a loudly subversive English playwright who, before his murder in 1967, helped rip out the loud, inefficient plumbing of kitchen sink social drama and replace it with something really dangerous: comedy. In a series of black farces, Orton substituted the Socialist Rape Victim for John Osborne’s Angry Young Man….
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Los Angeles Music Preview: EXPRESSIONIST & IMPRESSIONIST (Le Salon de Musiques)
COME BE IMPRESSED BY WHAT’S EXPRESSED For the third concert of Le Salon de Musiques’ fifth season, Masters Rediscovered, French-American Pianist/Melodist and Artistic Director François Chouchan has selected the works of four composers, three of whom are mostly unknown but not because they lack genius. Chouchan’s carefully selected programs have proved time and again that…
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Los Angeles Theater Preview: STEEL PIER (Musical Theatre West in Long Beach)
KANDER & EBB’S DANCE MARATHON MUSICAL FINALLY ARRIVES IN LOS ANGELES I can understand why you hear about a “Staged Reading” and want to bolt in the opposite direction. Don’t let that title fool you. Indeed, in the last year, some of the best nights in the theater can be found at these events. Especially…
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Los Angeles Music Review: RICHARD VALITUTTO | NAKHT (Piano Spheres at REDCAT)
A NOCTURNE BY ANY OTHER NAME To those of you who don’t know (or think that everything hip is only happening now), Piano Spheres has for nearly twenty years been one of the country’s few serious and consistent concert series focusing on new piano repertoire. Its Satellite Series offers recitals by four emerging L.A. pianists,…
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L. A. Music Preview: RENAISSANCE: REAWAKENED (Los Angeles Master Chorale)
AWAKENED AND REFRESHED Music was an essential part of civic, religious, and courtly life in the Renaissance. The rich interchange of ideas in Europe, as well as political, economic, and religious events in the period 1400–1600 led to major changes in styles of composing, methods of disseminating music, new musical genres, and the development of…
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Los Angeles Theater Review: A SILVER LINING (a Working Theater at Art Share L.A.)
SILVER DOESN’T EVEN GET A BRONZE It took fifteen actors, two writers, two directors, and three designers to create a Working Theater’s one-hour interactive theatrical experience, a Silver Lining (Matt Soson is co-director, co-writer, actor, and composer, so I assume it’s his baby somehow). With mannered acting, poor narrative-free writing, cheap-looking design elements, and bemusing…


















