Areas We Cover
Categories
Los Angeles
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Regional Theater Preview: NICE WORK IF YOU CAN GET IT (National Tour at Segerstrom Center for the Arts)
LAST CHANCE TO GET THIS WORK Get ready for this 1920s-era feel-good musical, complete with extravagant dance numbers, glittering costumes and an unlikely love story between a wealthy playboy and a rough and tumble lady bootlegger. This lighthearted crowd pleaser is set against the backdrop of classic Gershwin hits like “Let’s Call the Whole Thing Off,”…
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Los Angeles Theater Review: FINDING NICK (Zephyr Theater in Hollywood)
FINDING JUST A BIT In his solo show, playwright Nicholas Guest describes his life and travels around the world. He’s accompanied by Hillary Smith on the cello and by Tony Carafone on the guitar (in the play, not his travels) – and they turn out to be a helpful pair, too, because Guest intersperses his…
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Los Angeles Theater Preview: HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (Musical Theatre West)
MUSICAL THEATRE WEST KNOWS HOW TO SUCCEED Reams can and have been written about the glories of How to Succeed in Business Without Really Trying. With music and lyrics by Frank Loesser, and book by Abe Burrows, Jack Weinstock & Willie Gilbert, the 1961 musical satire that landed virtually unanimous raves would go on to…
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Los Angeles / Regional Theater Review: LOCH NESS, A NEW MUSICAL (Chance Theater in Anaheim)
NEW MUSICAL IN RIGHT DIRECTION, BUT NEEDS TO UNLOCH MORE Fostered completely under the roof of the Chance from conception to premiere, Loch Ness is a new musical developed specifically for the space and cast at the Anaheim theater, a rare trajectory observed in the theater world these days. With lyrics/book by A.D. Penedo and…
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Regional Dance Preview: THE SLEEPING BEAUTY (American Ballet Theatre at Segerstrom Hall)
REAWAKENING A TIMELESS BEAUTY Costa Mesa’s Segerstrom Center for the Arts once again proves itself as one of the country’s most exciting dance centers by presenting Alexei Ratmansky’s all-new full-length production of American Ballet Theatre’s The Sleeping Beauty, the classic 1890 ballet originally choreographed by Marius Petipa at the Mariinsky Theatre in St. Petersburg. ABT’s…
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Los Angeles / Chicago Theater Review: CINEASTAS (Grupo Marea at REDCAT in L.A. & MCA in Chicago)
SHOW BIZ KIDS Cineastas at least doubles the self-reflexion of your average REDCAT show. In this new Argentinian play, written and directed by Mariano Pensotti, you watch no fewer than four writer/directors make existential movies, putting themselves into their art and their art into themselves. Hell, that’s more mirrors than a Fellini dolly shot. Maybe…
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Theater Review: SONS OF THE PROPHET (The Blank Theatre in Hollywood)
ALL IS REALLY WELL In playwright Stephen Karam’s touching and funny drama, characters are frequently spotted quoting the great Lebanese poet-philosopher Khalil Gabran. “All is well,” they say, often in the midst of the most odious adversity. Of course, all is not well at all: Indeed, all is rather, as the Yiddish expression goes, full…
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Los Angeles Theater Review: THE NIGHT ALIVE (Geffen Playhouse)
LOVE THAT GOES BUMP IN THE NIGHT Conor McPherson’s plays are so rooted in the characters that plot is really revelation. With unforced warmth, he captures loneliness in the act of self-effacement, and love as the best way to prove we’re really here. Geffen Playhouse’s offering The Night Alive is no nocturne’”much in the vein of McPherson’s…
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Los Angeles Theater Review: THE PITCHFORK DISNEY (Coeurage Theatre Company)
A RIDE YOU WON’T FIND IN ANAHEIM Any neighborhood with the elevated name of Silver Lake should have freshwater dolphins and interesting old hotels and a disfigured serial killer who stalks the shrubbery on the anniversary of his parasailing accident. Instead recently on a steep pavement I witnessed this conversation between an attractive pedestrian and…
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Los Angeles Theater Preview: HELLMAN V. MCCARTHY (Theatre 40 in Beverly Hills)
A FAMOUS LITERARY FEUD MAKES GREAT DRAMA In a 1980 television interview with Dick Cavett, novelist and literary critic Mary McCarthy made an especially biting comment about her longtime adversary and fellow writer, playwright and memoirist Lillian Hellman, saying that “every word she writes is a lie, including ‘and’ and ‘the.’” Unfortunately, Hellman was watching…
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Los Angeles Music Preview: ALL-SCHUBERT PROGRAM (Le Salon de Musiques at the Dorothy Chandler Pavilion)
NOTHING FISHY ABOUT THIS PROGRAM Former music critic and Chicago Symphony Orchestra program annotator Phillip Huscher wrote that Anselm Hí¼ttenbrenner, one of Franz Schubert’s regular drinking partners, loved to tell the story of the night he invited the composer over to share some bottles of Szekszárd, a Hungarian red wine he had received as a…
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Los Angeles Theater Review: THE MISSING PAGES OF LEWIS CARROLL (The Theatre @ Boston Court)
UP THE RABBIT HOLE There’s been a good deal of speculation over the last hundred-and-something years regarding the sexuality of Charles Dodgson, an Oxford professor of mathematics more famous for his writings under the pen name Lewis Carroll. Severally, storytellers Dennis Potter and Robert Wilson have investigated the subject; so have many market-minded biographers. That Dodgson…
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Regional Theatre Review: TRISTAN & YSEULT (Kneehigh Theatre Company at South Coast Rep)
THEATRICAL TRICKERY TRUMPS A TRAGIC TALE Cheeky, goofy and sassy, Tristan & Yseult at South Coast Rep affectionately mocks and contemporizes a classic love tragedy and literary legend while respecting English performing arts tradition, from music-hall and panto to Peter Sellers and Ealing Studios. This irrepressible import from Kneehigh, that brassy Cornish theater company which…
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Los Angeles Music Preview: BACH’S ST. MATTHEW PASSION (Los Angeles Master Chorale at Disney Hall)
EVERYONE’S INTERESTED IN THE LATEST PASSION The majority of Bach’s choral music dates from 1723 onward during his long tenure as Cantor of the St. Thomas Church in Leipzig. It was during that lengthy period, which lasted until his death, that he composed more than 230 cantatas (many lost to posterity) and five “passions,” of…
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Los Angeles Music Preview: BRUCKNER NINTH WITH BLOMSTEDT (LA Phil at Disney Hall)
AN EXPERIENCE NOT TO BE MISSED On a website which attempts to list every Anton Bruckner orchestral recording offered to the public (www.abruckner.com), the discography collector and annotator John F. Berky states that the Austrian composer “expanded the concept of the symphonic form in ways that have never been witnessed before or since. When listening…
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Los Angeles Theater Review: REBORNING (Fountain)
UNTO US A CHILD IS MADE This fascinating drama by playwright Zayd Dohrn is set in the bizarre subculture of women who buy dolls that eerily resemble actual babies. Can this possibly be enough material here for a play? There are many reasons for buying super-realistic baby dolls, one supposes – you could collect them, or…
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Regional Music Preview: SZYMANOWSKI QUARTET WITH JOSEPH KALICHSTEIN, PIANO (Samueli Theater in Costa Mesa)
EXCITING QUARTET COMES TO SEGERSTROM I’ve been on a chamber music kick for about four years now. From intimate salons in living rooms to concert halls, I’m discovering composers I’ve never heard of who have’â€for reasons beyond their amazing work’â€frustratingly not become ensconced in the repertoire. I’ve also been introduced to pieces by well-known composers…
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Los Angeles Theater Review: MUTANT OLIVE (Lounge Theatre in Hollywood)
MUTANT — AS IN FREAK OF NATURE After watching the roaring, sputtering, and cursing along with regretful descriptions of drug use and parental abuse back in the “bad old days,” I had to ask myself, “Wha’ kind of crazy fucking show is this?” I’m not really one to use such language, but writer-performer Mitch Hara’s…
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Los Angeles Theater Review: ANNA CHRISTIE (Odyssey Theatre Ensemble)
SAILING THROUGH FOG The title of Eugene O’Neill’s 1921 drama Anna Christie is the nom de guerre chosen by a hard-knock 18-year-old who decides that if she’s going to get pawed, she’ll damn well get paid for it. She hates men, God damn them, especially sailors, starting with the absentee father who entrusted her upbringing…
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San Diego Theater Review: AVENUE Q (Coronado Playhouse in Coronado)
IT DOESN’T SUCK TO BE AVENUE Q AT CORONADO In the right setting, irreverence is so jovial. Perhaps our era of thought-police and political correctness has made it delicious to pervert that which seems simple and pure solely for the sake of entertainment, but musicals such as The Producers and The Book of Mormon are…



















