Los Angeles

SYNTHETICS AND STRUCTURE Excelling at stage picture, Jaime Robledo sets a lot of toys in motion in Sacred Fools’ latest offering, recently extended into  August. Robledo’s direction of Natsu Onoda Power’s 2011 spectacle Astro Boy and the God of Comics features scrims and screens, puppets, projections, live actors and plain old pen and paper, all interacting…

RHYMES WITH SIEVE In her play Shiv, the third part of an immigrant-experience trilogy first workshopped in 2013, Aditi Brennan Kapil writes of a character (played by Monika Jolly) named after a Hindu god most widely known as an agent of destruction. The girl’s troubled relationship with her poet father, and her subsequent involvement with…

THE DROUGHT ENDS THIS WEEKEND You may know the term “Jukebox Musical” from the ridiculous amount of new Broadway musicals which take previously published songs’”most often popular hits that audiences will recognize’”and squeeze them into a new libretto. The sad truth is that even the dumbest of books is tolerated for rabid fans of the…

THE AMERICANS Tracy Letts wrote a bleak comedy in 2007 that sold a lot of tickets, won a bunch of prizes and ensured his writing career at least a footnote in the big books. August: Osage County is about three generations of a familiarly fucked-up American family – you got your moral weakness, your addiction,…

THE PYROTECHNICS AFTER THE FOURTH OF JULY As if the blazing heat wave last week wasn’t enough of an indication that summer is upon us, the Los Angeles Philharmonic is opening the first week of its classical season at the Hollywood Bowl. It’s still tough to beat the communal experience of sitting under the stars…

THE WORST OF THE BEST Let me say that I have no idea what I just saw. Clearly, some very clever folk have come up with the very clever idea to spoof a Fringe Festival, which Fringe Festivals certainly deserve. Two very silly and rarely believable hosts, played by Jacob Smith and Lauren Flans (the…

IT’S VERY CLEAR, FEINSTEIN IS HERE TO STAY No one can argue that Michael Feinstein has singlehandedly reinvigorated the American Songbook for the 21st century, but this beguiling raconteur is also a consummate showman who is so knowledgeable and adorable that you may just want to pinch his cheeks. This is why he is a…

THE HOLLYWOOD HILLS ARE ALIVE WITH THE SOUND OF MAX AND ELSA Greetings my lovelies! Garrulous Greta here with some glorious news. You may remember not long ago I received a letter from a fan of The Sound of Music (and who isn’t in love with that glorious 1965 film?’”and if you aren’t we don’t…

THESE, OUR PLAYWRIGHTS Kinky Neon Rocker is one of those rally-round-the-flag excuses theater people use to put on shows: A beautiful old curved-wood rocking chair, painted in day-glo motley, features six times in six skits. Although six members of the Alliance of Los Angeles Playwrights (ALAP) wrote a skit each, the writing is fairly consistent,…

MASTERFRINGE THEATRE When Barnaby Hughes reviewed a previous Magnum Opus production of Surf Dogs Unite  for Stage and Cinema, he wrote that the show “will leave you doubled over with laughter.” Even knowing my own writers, I somewhat doubted that clichéd statement. But last night, I saw the players take  an actual awful screenplay about misfit high…

MARRIED TO SONDHEIM When I first saw Marry Me A Little in the mid-1980s, it was a revelation. But not because of the story. This revue uses trunk songs of Stephen Sondheim, songs which–at that time–were relatively unknown (many have since been performed in the show they came from (Saturday Night) or at any given…

WHAT A DOG The term “Dog Days” refers to the hottest period of the year, the sultry part of summer when Sirius, the Dog Star, rises in unison with the sun. It’s a time marked by sluggishness. Opera is going through its own dog days in which the majority of new works I’ve seen are…

HITCHES IN EXECUTION In his latest one-hour act, Simon Coronel divides the world into three categories: people who want to know how a magic trick is done, people who don’t want to know, and people who don’t care. I’m in category two: I want the suspension of my disbelief to be total and continuous. I…

I WOULDN’T MOUSE IT FOR THE WORLD Saturday June 13 is one of those magic days for entertainment choices in Los Angeles. Along with theater, dance, opera, the L.A. Film Festival and the Hollywood Fringe Festival, classic film is represented across town in classic movie palaces. Chaplin’s masterpiece City Lights is showing at the beautiful…