Areas We Cover
Categories
Los Angeles
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Interview: ERIC LANGE (starring in the world premiere of Donald Margulies’ THE COUNTRY HOUSE)
AN ACTOR WITH A NORMAL HEART I met Eric Lange in 1996 when I was producing The Normal Heart. I’ll never forget that charming, at-ease magnetism he had walking into the audition room, and I knew at once he had to be in the play. Unfortunately, his two roles encompassed about 15 minutes of stage…
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Los Angeles Theater Review: GRUESOME PLAYGROUND INJURIES (Rogue Machine Theatre)
MERRY-GO-ROUND PLAYWRITING More of a writing exercise than a fleshed-out drama, Rajiv Joseph’s Gruesome Playground Injuries begins with an intriguing premise, but sputters to a halt when we realize that this much-hyped “Pulitzer-finalist” has written himself into a corner. Flip-flopping throughout a 30-year time span, the play is constructed as a series of meetings between…
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Los Angeles Theater Review: LES MISÉRABLES (La Mirada Theatre for the Performing Arts)
DON’T MIZ IT Unlike most of the characters in the blockbuster sung-through musical Les Misérables, the show itself will never die. Consistently presented either on Broadway, national tours, and/or globally since the English-language version opened on the West End in 1985, audiences can’t get enough of Victor Hugo’s story about ex-con and do-gooder Jean Valjean…
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Theater Review: TARTUFFE (South Coast Rep in Costa Mesa)
A BLASPHEMOUS BLAST After Dominique Serrand‘s jaw-droppingly juicy and insanely inventive production of Molière’s Tartuffe, a South Coast Rep patron was heard to say, “Well, I don’t know if I can honestly recommend it.” Then she looked around cautiously and leaned towards her companion with, “It’s unlike any Tartuffe I’ve ever seen.” Then a whisper. “It’s…
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Regional Theater Review: THE STINKY CHEESE MAN AND OTHER FAIRLY STUPID TALES (South Coast Rep)
FRACTURED FAIRY TALES Director Jessica Kubzansky’s imagination is firing on all cylinders, turning frivolity into delight with South Coast Rep’s The Stinky Cheese Man and Other Fairly Stupid Tales, a Theatre for Young Audiences production. Playwright John Glore closely follows Jon Scieszka and Lane Smith’s best-selling 1992 children’s book of the same name, turning 13 beloved fairy…
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San Diego Theater Review: MY SON THE WAITER, A JEWISH TRAGEDY (Lyceum in San Diego)
TRAGIC FOR HIM BUT GOOD FUN FOR US Hot on the heels of the run of Old Jews Telling Jokes, the Lyceum brings us a very different and more personal look at Jewish humor. Instead of a non-stop set of jokes, comedian and actor Brad Zimmerman’s one-man show is a well-rounded piece. Part observational humor,…
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Los Angeles Opera Review: THAíS (LA Opera)
ALL THAT GLITTERS IS NOT GOLD Headlining Plácido Domingo and Georgian soprano Nino Machaidze, the extravagance of LA Opera’s production of Massenet’s 1894 opera, Thaïs, is a veritable banquet of visual delights (this version was first seen in Seville in 2012, and also starred both Domingo and Machaidze). Thaïs tells the story of the celebrated…
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Los Angeles Dance Preview: JESSICA LANG DANCE (Wallis Annenberg Center for the Performing Arts)
MORE LANG FOR YOUR BUCK While Jessica Lang has made a name for herself in the dance world as an independent choreographer, dance patrons in Los Angeles may find this dancemaker difficult to place. Because the majority of troupes that visit here offer programs by the company’s namesake (Paul Taylor, Lar Lubovitch, Bill T. Jones),…
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San Francisco and San Diego Theater Preview: THE ORPHAN OF ZHAO (U.S. Premiere at A.C.T. and La Jolla Playhouse)
è¶™ æ° å¤ å…’ COMES TO A.C.T. AND LA JOLLA PLAYHOUSE Who amongst us can deny that at one time or another we have been wronged or injured by someone else? But how many feel that retaliation by exacting punishment is the only option? Since the dawn of man, revenge has been a double-edged sword: The…
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Los Angeles Theater Review: DEATH OF THE AUTHOR (Geffen Playhouse)
DEARTH OF DRAMA Steven Drukman’s Death of the Author takes its name, premise, and some of the devices in its dialogue from a Roland Barthes essay on postmodernism. It’s wonderful to see Drukman adapt Gore Vidal’s riposte to William Buckley about crypto-Nazis and fold it into a pun on Marxist literary theory. But there’s nothing…
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San Diego Theater Preview: FADED GLORY (North Coast Repertory Theatre in Solana Beach)
AMERICAN HERO OR AMERICAN ZERO? While researching a speech on the origins of “The Star-Spangled Banner,” I came across a name that I remembered from a visit to Gettysburg National Military Park’”Major General Daniel E. Sickles, Union Third Army Corps commander. One of the most controversial figures in American history, Sickles has an almost universally…
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Los Angeles Opera Preview: COSíŒ FAN TUTTE (Los Angeles Philharmonic at Walt Disney Concert Hall)
A PRODUCTION FOR TUTTE TO COSíŒ UP TO For those who think that the “semi-staging” for Così fan tutte, which opens on Friday at Disney Hall, is simply a world-class orchestra accompanying opera singers holding a libretto in their hands, you are in for a surprise. Fully staged, fully memorized, and beautifully designed, the operas…
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San Diego Theater Interview and Preview: NO PLACE LIKE HOME (Circle Circle dot dot in Ocean Beach)
COME HOME TO THE THEATER Statistics vary, but there were approximately 700,000 homeless Americans in 2013. While the government reports that figures are less drastic since the 2007 economic downturn, it remains one of the most prevalent social issues of our time. We may witness homelessness, but for many it is difficult to truly empathize…
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Los Angeles Music Preview: THE MUSIC GUILD’S 70TH SEASON (Brentwood, North Hollywood and Long Beach)
IF YOU GUILD IT, THEY WILL COME There is an outstanding music outfit which offers a series of chamber music concerts, introducing world renowned artists to Los Angeles audiences. Having seen some of its recent presentations of repertoire played at its premier level by sparkling chamber musicians, including the Borromeo and Avalon String Quartets (review),…
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National Tour Review: THE BOOK OF MORMON (Segerstrom Hall in Costa Mesa)
THERE’S NOTHING LIKE SITTING DOWN WITH A GREAT BOOK As someone who has not been living beneath a rock the past three years, I’d heard about The Book of Mormon. I laughed at the soundtrack, read a few things about it, knew about all the accolades and reviews and heard glowing assessments from people who’d…
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Los Angeles Theater Review: DIFFERENT WORDS FOR THE SAME THING (Kirk Douglas Theatre in Culver City)
a poem about a play This critic, this poet this pinch faced sailor Blueblack eyes like wet rocks icy sharp nose like a dagger screams I AM A PLAGIARIST this poem MY poem paraphrased from actual script of different words for the same thing The same thing by Kimber Lee The same thing Playing at…
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Los Angeles Theater Review: 110 IN THE SHADE (Actors Co-op Theatre Company in Hollywood)
A BLAZING-HOT PRODUCTION As Los Angeles heats up to sizzling temperatures this week, there is a cool, refreshing theatrical breeze blowing down the pike. It may be wise to avoid the 110-in-the-shade weather outside, but the musical 110 in the Shade at Actors Co-op in Hollywood is not to be missed. With a libretto by…
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Los Angeles Theater Review: FAT PIG (Hudson)
A PIG WITH WINGS Variety critic Daniel Kimmel identified a thread running through Neil LaBute’s work: “He is a misanthrope who assumes that only callous people who use and abuse others can survive.” Fat Pig, now receiving a satisfying production at the Hudson under Alexis Jacknow’s fine direction, is so true to what people really…
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Los Angeles Opera Preview: THAíS (LA Opera)
DAZZLING DOMINGO IN MASSENET’S MASTERPIECE What do world-renowned singers do once they have reached the age of retirement? On the strength of their name, they fill cabarets and concert houses across the land with nostalgia-filled patrons who seek a glimpse of their heroes live. Recent years have seen both opera and Broadway stars in just…
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Los Angeles Theater Review: AN EVENING OF CLASSIC LILY TOMLIN (Valley Performing Arts Center, CSUN)
HAS THE BLOOM WORN OFF THE LILY, OR IS IT ME? Dear Lily: I’ve adored you ever since you burst into my consciousness – and the nation’s – way back in 1969 on Laugh-In. Who could forget your Ernestine, the irascible telephone operator? Your Edith Ann, the precocious and deep-voiced 6-year-old? Your weirdly insightful homeless…

















