Areas We Cover
Categories
Los Angeles
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Los Angeles Theater Review: A CAT NAMED MERCY (Casa 0101 Theater)
KILLER PUSSY Suicide! Euthanasia! Incest! Health Care! Racism! Old age! Corporate America! Spirits! The afterlife! Prison! Duplicity! Playwright Josefina López (Real Women Have Curves) is tackling so many issues in her new play A Cat Named Mercy that it suffocates what could have been a most compelling story. As if living with her death-wishing, diabetic,…
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Los Angeles Music Review: IL MANTOVANO HEBREO (Profeti Della Quinta at the Wilshire Boulevard Temple)
COLORATURA ME MINE If ever there was a case for live music, a renaissance vocal ensemble is a compelling one. There is something so pure about five voices interacting in perfect harmony, especially in an exquisitely beautiful room. Such was the case last Thursday at the Da Camera Society’s Mid-Wilshire Festival; as part of its…
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Los Angeles Music Review: MOZART, BEETHOVEN & HAYDN (Los Angeles Chamber Orchestra)
HALLS OFFERS SOOTHING RELIEF A concert of good old-fashioned Classical music can be such a joy. If presented with respect, classical music’s stigma can easily disappear. In a concert of chestnut favorites (Mozart, Haydn, and Beethoven), the L.A. Chamber Orchestra accomplished this precisely at UCLA last Sunday. The ballet music from Mozart’s Idomeneo combined with…
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Los Angeles Music Review: A MORE CONVENIENT SEASON (REDCAT)
NEW WORK GOES FROM PALPABLE FEAR TO A LOT OF NOISE Performed at REDCAT by what seemed like every student at CalArts, composer Yotam Haber’s A More Convenient Season had all the makings of an enormous work, not just a piece of concert music. The 75 minute three-movement multimedia quasi-opera oratorio intends to, in Haber’s…
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Dance Review: GISELLE (Royal New Zealand Ballet)
GISELLE’S GAZELLES First staged in 1841, Giselle is one of the oldest surviving ballets still in the international repertory, especially because the lead role is a showcase for the world’s leading prima ballerinas. Since its inception, the Romantic story ballet had several revisions, but most companies follow Marius Petipa’s fin de siècle version. The North…
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Los Angeles Theater Review: LET’S MISBEHAVE (International City Theatre in Long Beach)
MAKE IT ANOTHER OLD-FASHIONED PLEASE It’s something of a shocker, really. I had a great time watching Let’s Misbehave, a jukebox musical slim on both premise and reality. It’s actually more of a cabaret in which three super-talented and likeable performers knock off 34 Cole Porter ditties with style and elegance, and that’s the part…
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San Diego Theater Review: THE FOREIGNER (Lamb’s)
THE FOREIGNER HAS GOOD REASON TO STAY PUT Some theatre is staged to raise our awareness. Some theatre is designed to tell a story that will move us emotionally. Some theatre is intended to share a different viewpoint. All of this is good. On the other end of the scale, some theatre exists for nothing…
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Los Angeles Music Preview: A NORDIC PROGRAM WITH BOREYKO & HAHN (LA Phil at Disney Hall)
A SCRUMPTIOUS SCANDINAVIAN FEAST Russian conductor Andrey Boreyko arrives at Disney Hall this weekend for a contemplative and vivid Nordic program with the Los Angeles Philharmonic. The returning conductor will be united with the phenomenal Hilary Hahn, who consistently offers a captivating combination of classiness, élan, ferocity, concentration and shading. She will be playing Danish…
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Los Angeles / Regional Music Preview: TORADZE PLAYS SHOSTAKOVICH (Segerstrom Concert Hall)
A SHOSTAKOVICH FESTIVAL Through February 8, 2014, a dizzying array of events celebrating Russian composer Dmitri Shostakovich is being presented by Pacific Symphony and Chapman University. Starting tonight, Russian powerhouse pianist Alexander Toradze, recognized as a masterful virtuoso with deep lyricism and intense emotion, joins Pacific Symphony to introduce a journey into the music of…
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Los Angeles Theater Review: PASSION PLAY (Odyssey)
AN OCEAN OF TIME If you ever climb to the top of the Granite Park Chalet trail in Montana, you will find at the end of the hugely winding, desperately steep pathway a log book containing entries by fellow hikers. One of the entries reads something like, “I have come up here every year for…
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Los Angeles Theater Review: SE LLAMA CRISTINA (The Theatre @ Boston Court in Pasadena)
NO COMPRENDO CRISTINA I’m throwing in the towel, giving up the ghost, packin’ up my mules and headin’ West. Lord knows I tried. I watched attentively, I took notes, I came home and read the script on my iPad. I printed it out, read it again with pen in hand, filling the margins with asterisks…
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San Diego Theater Review: MAPLE AND VINE (Cygnet)
A TWISTED TRIP DOWN MEMORY LANE Imagine yourself transported back to 1955: Forming values in the image of Father Knows Best; solving family problems as cleanly as Ozzie and Harriet; and living in the perfect suburban community with like-minded neighbors. When compared to our complicated, isolating, 21st-century push-button lives, we may feel a nostalgic longing to…
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Los Angeles Music Review: BACH: B MINOR MASS (Los Angeles Master Chorale at Disney Hall)
B MINOR MASSIVE Bach’s Mass in B Minor is big. Really big. Compiled from new and recycled compositions over the first half of the 18th Century (completed in 1749) the piece consists of 27 movements in 5 parts. The full mass was not performed as a whole until nearly a century after Bach’s death. The…
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Los Angeles Opera Review: QUEENIE PIE (Long Beach Opera in San Pedro)
QUEENIE WHY? When George C. Wolfe first tried adapting Duke Ellington’s unfinished work Queenie Pie in 1986 it was subtitled “A Jazz Operetta in the Key of Make Believe.” Ellington called it a “street opera,” and Long Beach Opera is producing it as his “only opera,” but the musical oddity that opened on Sunday is…
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Los Angeles Theater Review: A WORD FROM OUR SPONSORS (Son of Semele in Silverlake)
SKETCHY THEATER Velvet Pile’s comedic look at identity and commercial branding, A Word from Our Sponsors, is running as part of the Son of Semele Company Creation Festival. Comprised of comedic duo Alexis Notabartolo and Amanada Barnes, Velvet Pile uses comedy to explore arbitrarily existent social constructions such as gender roles and standards of beauty….
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Opera Review: THE MERRY WIDOW (Independent Opera Company in Los Angeles)
ONE STEP FORWARD, TWO STEPS BACK To open their second season, the Independent Opera Company (IOC) is performing Franz Lehar’s 1905 operetta The Merry Widow. It appears to be a scaling back after the company’s fairly ambitious production of Verdi’s Macbeth, which closed out their first season. In contrast to Macbeth, The Merry Widow is…
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Los Angeles Dance Review: FAR (Wayne McGregor | Random Dance at Royce Hall)
FAR OUT The Los Angeles premiere of British choreographer Wayne McGregor’s FAR opened at Royce Hall last night, and you are advised to cancel all plans and catch the last performance tonight. The one-hour work eventually overstays its welcome, but up until then it is charismatic, engrossing, mysterious, spellbinding, and truly one of the most…
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Los Angeles Theater Review: A WORD OR TWO (Ahmanson Theatre)
WHEN A WORD OR TWO WILL NOT DO A Word or Two is an apt title for Christopher Plummer’s solo show about Christopher Plummer and Christopher Plummer’s love of language. He wants to celebrate language in all of its “infinite variety, majesty, and beauty.” His love of language gave him an escape early in life,…
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Los Angeles Theater Review: S.M.S.I.W.O.O.F. (Poor Dog Group at Son of Semele)
WHAT A DOG Poor Dog Group’s S.M.S.I.W.O.O.F. (SaveMySoul In a WorldOfOddFoices) or 8 bottles of vodka is a dance-centric, multimedia performance based on text messages sent between the members of the ensemble. Given the abstract nature of this performance art, it is rarely possible for the viewer to know the creator’s explicit meaning. It is…
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Los Angeles Theater Review: ELECTRA (Archway)
STATIC ELECTRA Your college classics teacher be damned: For all the talk about the Greek literary themes of hubris and arête, the Greek tragedies are just gussied up soap operas, with atrocity, lust, and rage being served up in heaping, blood-soaked portions. The fusty professors can ruminate all they want; these plays are about violent…


















