Areas We Cover
Categories
Los Angeles
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Los Angeles Theater Review: BILL & JOAN (Sacred Fools Theater Company)
RIGHT BETWEEN THE EYES It was the shot heard round the countercultural world – the Big Bang of the Beats, as it were. At a party one night in Mexico City in 1951, writer William Burroughs drunkenly talked his wife Joan Vollmer into standing against the wall with a water glass on her head while…
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Los Angeles Theater Review: DEATH TAKES A HOLIDAY (Musical Theatre Guild in Santa Monica)
MTG DEFIBRILLATES DOA MUSICAL Sheaths can be written about how deadly the musical Death Takes a Holiday is, and where the creators went wrong. What’s more important is that director Calvin Remsberg, musical director Jim May, and a wholly flawless cast have pulled a Frankenstein: They electrified dead tissue and created a vivid being. It…
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Los Angeles Theater Review: MIKE DAISEY: AMERICAN UTOPIAS (Royce Hall at UCLA)
DAISEY: I LOVE HIM, I LOVE HIM NOT I’m jealous of Mike Daisey. In American Utopias at Royce Hall, the infamous monologist fulminated and commentated about three interpolated subjects near and dear to my heart: Disney, Activism, and Community Gatherings. The corpulent and energetic Daisey, who sat at a table mopping himself, was by-and-large riveting…
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Los Angeles Theater Review: FIREMEN (Echo Theater Company at Atwater Village Theater)
FIVE-ALARM ACTING SETS THE STAGE ABLAZE IN FIREMEN After sixteen years of a nomadic existence, Echo Theater Company has finally found a permanent home at the Atwater Village Theater. If their world premiere production of Firemen is any indication, they’ll be burning up the boards in these new digs for a long time to come….
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Los Angeles Dance Review: INTERSECTIONS/AJíŠ (Viver Brasil at the Nate Holden Performing Arts Center)
¡VIVA, VIVER! Perhaps the vibrancy of the Afro-Brazilian dance culture lures you in with the strong beats of the drum. Maybe it’s the sensuality and seductiveness of its movement. Whatever the case, Viver Brasil did not fail to deliver on its presentation of Intersections/Ajê at the Nate Holden Performing Arts Center. Rest assured that even…
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Los Angeles / Regional Theater Review: THE LIGHT IN THE PIAZZA (South Coast Repertory in Costa Mesa)
LIGHT SHINES IN SCR’S PIAZZA On general principle, it’d be very easy to dislike The Light in The Piazza. Let’s say you don’t consider stories about rich people in crisis having any relevance to you. Or if you chaff at the notion of those wealthy types traveling to Europe and falling in love with a…
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Los Angeles Theater Review: ABOVE THE FOLD (Pasadena Playhouse)
BELOW THE FOLD Above the Fold, a new play making its debut at the Pasadena Playhouse, has two major flaws that result in an evening of uninspired theater: both a lack of credibility and compelling dramatic action. Written by former The New York Times reporter-turned-playwright Bernard Weinraub, Above the Fold follows a journalist from a…
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Los Angeles / Regional Dance Review: LILIOM (Hamburg Ballett at Segerstrom Hall in Costa Mesa)
IF I LOVED YOU At a time when many ballet companies are commissioning short dance pieces, it’s refreshing that John Neumeier’”since 1973, when he became Artistic Director and chief choreographer of the Hamburg Ballett [sic]’”continues to develop story ballets. His latest sweeping narrative which arrived at Segerstrom Hall last night is Liliom, based on Ferenc…
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Los Angeles Theater Review: BUNNY BUNNY (Falcon Theatre in Burbank)
NO NEED TO HOP ON OVER TO THE FALCON There’s an old European superstition: In order to ward off evil spirits and bad luck the first words you utter on the first day of every month must be ”rabbit, rabbit, rabbit.” As a child frightened of monsters lurking in her bedroom, comedienne and actress Gilda…
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Los Angeles Music Preview: ROMANCE AT THE PHIL (Bringuier, Tilling, Brahms, Berg & Beethoven)
ROMANTIC RENDEZVOUS Lionel Bringuier touches down at Disney Hall with the Los Angeles Philharmonic on Valentine’s Day weekend serving up a buffet of romantic music from Brahms, Berg, and Beethoven. Following his final year as Resident Conductor with the LA Phil, Bringuier returns with the exceptional Swedish soprano Camilla Tilling, whose voice carries the combination…
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Los Angeles Music Review: URBAŠƒSKI CONDUCTS CHOPIN, PROKOFIEV & KILAR (LA Phil at Disney Hall)
A PERFECT BALANCE OF BITE AND BEAUTY Krzystof Urbański’s star shines a bit brighter these days. Not yet 35, he has taken hold as the conductor of the Indianapolis Symphony, and on Jan. 25 he wowed with an LA Phil command performance. The power bursting forth from the philharmonic, along with Urbański’s exuberance and lively…
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Los Angeles Music Review: JOHN WALZ & EDITH ORLOFF (Le Salon de Musiques)
SNAPSHOTS OF PARIS What do composers Léon Boëllmann, Francis Jean Marcel Poulenc, and Bohuslav MartinН have in common? According to François Chouchan and Julius Reder Carlson, the answer is Paris. The programmer/artistic director and resident musicologist of Le Salon de Musiques, the best Chamber Music outfit in Los Angeles, contextualized three sonatas written for cello…
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Los Angeles Theater Review: NIGHT WATCH (Theatre 40 in Beverly Hills)
A SWELL WHODUNNIT CREATES ANOTHER MYSTERY: WHY THIS ACTRESS? Part Rear Window, part Gaslight, Night Watch is currently dialing up the suspense at Theatre 40 in Beverly Hills. Lucille Fletcher’s yarn unfolds around Elaine Wheeler (Jennifer Lee Laks), a rich and troubled woman who sees dead people from her window in the Kips Bay section…
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Los Angeles Theater Review: CHINA: THE WHOLE ENCHILADA (Sacred Fools Theater Company)
SHANGHAIED A musical featuring three performers and 5,000 years of Chinese history in just 90 minutes sure sounded promising, but the production of China: The Whole Enchilada currently serving up won-ton laced humor at the Sacred Fools Theater leaves the theatrical diner longing for a more satisfying meal. Upon viewing, it’s easy to see why…
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Los Angeles Dance Review: PLAY AND PLAY: AN EVENING OF MOVEMENT AND MUSIC (Bill T. Jones / Arnie Zane Dance Company at VPAC)
JONESING FOR SOMETHING MORE It’s been 31 years since the creation of the Bill T. Jones/Arnie Zane Dance Company, but since Zane’s death from AIDS in 1988, Jones’”his work and life partner’”has remained the sole artistic director. A touring 30th anniversary season includes two mixed programs, both of which are under the banner of “Play…
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Los Angeles Theater Review: A CAT NAMED MERCY (Casa 0101 Theater)
KILLER PUSSY Suicide! Euthanasia! Incest! Health Care! Racism! Old age! Corporate America! Spirits! The afterlife! Prison! Duplicity! Playwright Josefina López (Real Women Have Curves) is tackling so many issues in her new play A Cat Named Mercy that it suffocates what could have been a most compelling story. As if living with her death-wishing, diabetic,…
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Los Angeles Music Review: IL MANTOVANO HEBREO (Profeti Della Quinta at the Wilshire Boulevard Temple)
COLORATURA ME MINE If ever there was a case for live music, a renaissance vocal ensemble is a compelling one. There is something so pure about five voices interacting in perfect harmony, especially in an exquisitely beautiful room. Such was the case last Thursday at the Da Camera Society’s Mid-Wilshire Festival; as part of its…
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Los Angeles Music Review: MOZART, BEETHOVEN & HAYDN (Los Angeles Chamber Orchestra)
HALLS OFFERS SOOTHING RELIEF A concert of good old-fashioned Classical music can be such a joy. If presented with respect, classical music’s stigma can easily disappear. In a concert of chestnut favorites (Mozart, Haydn, and Beethoven), the L.A. Chamber Orchestra accomplished this precisely at UCLA last Sunday. The ballet music from Mozart’s Idomeneo combined with…
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Los Angeles Music Review: A MORE CONVENIENT SEASON (REDCAT)
NEW WORK GOES FROM PALPABLE FEAR TO A LOT OF NOISE Performed at REDCAT by what seemed like every student at CalArts, composer Yotam Haber’s A More Convenient Season had all the makings of an enormous work, not just a piece of concert music. The 75 minute three-movement multimedia quasi-opera oratorio intends to, in Haber’s…
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Dance Review: GISELLE (Royal New Zealand Ballet)
GISELLE’S GAZELLES First staged in 1841, Giselle is one of the oldest surviving ballets still in the international repertory, especially because the lead role is a showcase for the world’s leading prima ballerinas. Since its inception, the Romantic story ballet had several revisions, but most companies follow Marius Petipa’s fin de siècle version. The North…

















