Areas We Cover
Categories
Los Angeles
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Opera Review: COSI FAN TUTTE (Los Angeles Opera)
THE JAZZ AGE MEETS OPERA IN LA OPERA’S SEXY COSI Mozart’s Così fan tutte started with royal scandal. In 1789, Emperor Joseph II commissioned the opera after a partner-swapping scandal shook Vienna’s high society. He knew just who could turn this juicy drama into reality. Lorenzo Da Ponte wrote an entirely new libretto—not, as many…
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Theater Review: SUCH SMALL HANDS (Chance Theater)
A WHISPER THAT ECHOES There are plays that knock you over with intensity. And there are those that seep in, settle under your skin, and stay there long after the lights come up. Adam Szymkowicz‘s Such Small Hands falls firmly in the latter category. This quiet but devastating meditation on memory, mortality, and devotion opened…
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Theater Interview: MICHAEL MATTHEWS (Currently Directing ‘Cabaret’ for 5-Star Theatricals)
COME TO MICHAEL MATTHEW’S CABARET With the amount of political turmoil and rising antisemitism in the world right now, it seems the perfect time to present an updated staging of the popular musical Cabaret set in Berlin at the start of the Nazi reign of terror. With book by Joe Masteroff, music by John Kander,…
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Theater Review: FROU-FROU: A MENAGERIE OF SORTS (Boston Court in Pasadena)
A MENAGERIE GONE MAD–IN THE BEST WAY Boston Court has never been a company to play it safe, and John Anthony Loffredo‘s world premiere of Frou-Frou: A Menagerie of Sorts is no exception. Inspired by The Glass Menagerie, it starts with Tennessee Williams’ delicate world of longing and repression—then gleefully smashes it to bits, rebuilding…
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Theater Review: BAT BOY: THE MUSICAL (Open Fist)
OPEN FIST’S BAT BOY SINKS ITS TEETH IN — AND DOESN’T LET GO Bat Boy: The Musical has returned to Los Angeles with a vengeance. This outrageous comedy/horror Off-Broadway musical, which originated right here in L.A. at The Actors Gang in 1997, is a campy, off the wall delight. And in the claws, er, hands of…
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Theater Review: 44: THE OBAMA MUSICAL (Kirk Douglas Theatre in Culver City)
A SKETCHY, SPREAD OUT SEND-UP SAGS WITH SLUGGISH SATIRE I like to go into shows completely blind. Sometimes that backfires, but usually not before the show even starts. On Thursday, I walked into the opening-night performance of 44: The Obama Musical—a show framed as Joe Biden’s hazy recollection of Barack Obama’s rise to the presidency….
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Theater Review: WEST SIDE STORY (The Nocturne Theatre)
The Nocturne Theatre’s West Side Story proves that “professional community theatre” can still hit you in the gut like a Broadway-caliber production. With a book by Arthur Laurents, music by Leonard Bernstein, and lyrics by Stephen Sondheim, this reimagined staging of the 1957 classic was innovation on steroids, making full use of its in-the-round setup,…
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Concert Review: MAHLER’S SEVENTH SYMPHONY (Gustavo Dudamel with the LA Phil)
SEVENTH HEAVEN Nothing prepares you for the sheer spectacle of Mahler’s Seventh Symphony live. A staggering number of musicians packed the Walt Disney Concert Hall stage Saturday afternoon March 1—extra brass, two harps, tuba, and an enormous array of percussion, including cowbells which rang from the rafters—Mahler’s version of “more is more.” And at the…
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Highly Recommended Theater: ONE FOR MY BABY (All Roads Theatre Company at El Portal Theatre)
Harold Arlen’s Timeless Songs Take Center Stage in a New Book Musical at El Portal North Hollywood is set to get a sparkling shot of classic American songwriting, big-band swing music from the swing era, and old-style showmanship. One for My Baby, a world-premiere book musical built around Harold Arlen songs, plays the El Portal…
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Theater Review: I LOVE YOU BECAUSE (Chromolume Theatre at the Zephyr Theatre)
I COULD’VE LOVED YOU BECAUSE Chromolume Theatre’s production of I Love You Because at the Zephyr Theatre tries to charm, but struggles under the weight of a broad acting style and a perplexingly monotonous book. A modern musical twist on Pride and Prejudice set in New York City, this 2006 show boasts delightfully bouncy 1980s-style…
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Concert Review: VIKINGUR ÓLAFSSON AND YUJA WANG (Recital at Disney Hall)
THE DYNAMIC DUO Víkingur Ólafsson and Yuja Wang’s Disney Hall duo recital on February 26 wasn’t just a concert—it was a spectacle of sheer pianistic brilliance, a conversation between two of the most electrifying musicians of our time. This highly anticipated concert, part of their collaborative tour, showcased a program that spanned a diverse range…
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Theater Review: ALABASTER (Fountain Theatre)
RUMINATING ON RUMINANTS As a way to heal from recent tragedies, Alice (Erin Pineda), a big-city photographer, visits June (Virginia Newcomb), a reclusive artist on a small farm in Alabaster, Alabama. June has answered Alice’s call for externally scarred women willing to be photographed for an upcoming project (not a coffee table book, she insists)….
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Theater Review: TARANTINO LIVE: PULP ROCK (CineVita)
THE SHOW WITH A BEAT TO A PULP You walk in, and boom! You’re hit with this electric vibe, like stepping into a Tarantino flick—one minute, you’re feeling cool, the next minute, you’re questioning if you’ve just stepped into a fever dream. It’s sleek, it’s gritty, and it’s dripping with style. The show you’re gonna…
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Theater Review: TWELFTH NIGHT (Antaeus Theatre in Glendale)
WHAT PRODUCTION, FRIENDS, IS THIS? After a ship wreck, Viola and her twin, Sebastian, land on different shores, each fearing the other has perished (consider them separated at surf). And by the time they are reunited, love, pranks and much romantic confusion will have played out in Shakespeare’s fleet comedy about passions, mistaken identities and…
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Theater Review: AVENUE Q (Wisteria Theatre, North Hollywood)
FURFECT Peter Pan never grew up. Likewise Alice in Wonderland, the Hardy Boys, Freddy the Pig, Nancy Drew, or Huck Finn. It’s a pity that people do: Why must grown-ups leave behind innocence and imagination after we mistakenly blunder into adulthood? You can take it with you—when it’s Avenue Q. This 2003 musical is, of…
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Theater Review: JERSEY BOYS (Musical Theatre West)
GET READY TO ENBOY YOURSELF Jersey Boys has been around long enough that you might assume it’s just another jukebox musical, cranking out hits for an easy nostalgia trip. But that’s never been the case. Since its Broadway debut in 2005, the show has stood out by weaving a real, sometimes messy, behind-the-music story into…
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Theater Review: DESPERATE MEASURES (International City Theatre in Long Beach)
A SHAKESPEAREAN WESTERN MUSICAL? DON’T WORRY, IT MEASURES UP The wild west sizzles with song and chaos in Desperate Measures, the rootin’-tootin’ Wild West musical shinin’ bright at International City Theatre in Long Beach. Peter Kellogg (book and lyrics) and David Friedman (music) convert a Shakespearean problem play into a hootenanny of moral quandaries, mistaken…
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Theater Review: OKLAHOMA! (Valley Opera and Performing Arts at El Portal in North Hollywood)
WHAT A RELIEF: OKLAHOMA! IS OK WITH VOPA The real stars of Oklahoma!, presented for two weekends only by Valley Opera and Performing Arts (VOPA) at the El Portal Theatre, are—no surprise—Richard Rodgers and Oscar Hammerstein. Hammerstein’s 1943 book remains solidly funny and sweet, avoiding the pitfalls of age with its lack of overt sentimentality,…
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Concert Review: LONDON SYMPHONY ORCHESTRA (Yunchan Lim, piano; Antonio Pappano, conductor; Philharmonic Society of Orange County)
A NIGHT OF THUNDER AND ELEGANCE Presented by Philharmonic Society of Orange County, the London Symphony Orchestra, among the most disciplined and savagely expressive classical orchestras in the world, arrived in Costa Mesa at Segerstrom Concert Hall on Feb. 19, 2024, with Antonio Pappano conducting and a young firebrand at the keyboard. Yunchan Lim, the…
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Opera Review: ADORATION (LA Opera at REDCAT)
IT’S TOUGH TO ADORE ADORATION; BUT WAS IT MEANT TO BE? I always look forward to new operas presented by Los Angeles Opera and Beth Morrison Projects. They are back with another one: Adoration, with music by Mary Kouyoumdjian and libretto by Royce Vavrek, based on the eponymous 2008 Canadian film by Atom Egoyan. It…



















