Sarah A Spitz

LIFE ON REWIND In a co-production with HorseChart Theatre, Rogue Machine Theatre continues its astounding season with John Kolvenbach‘s gem of a play, Reel to Reel, a heart-warming, but definitely not sappy, time-jumping story of a 55-year marriage between the determined Maggie Spoon (Alley Mills Bean), a sound and performance artist, and her more reticent…

SOBER TRUTHS AND SLIPPERY MEMORIES IN A COMIC, CHAOTIC QUEST FOR CLARITY Alcoholism and Alzheimer’s. What a combo. Sounds serious, right? They both are, of course. But in the hands of playwright Jake Brasch, The Reservoir at Geffen Playhouse pulls off a theatrical magic trick: a powerfully moving and poignantly funny play, melding millennial angst…

SMALL LIVES, BIG TRUTHS  What’s a nice girl to do? Upstairs at The Matrix, Rogue Machine Theatre is putting on another winner of a show, Nice Girl by Melissa Ross. It’s a small drama, just four actors, but a deep study of people whose lives don’t go the way they thought they would. And it’s done beautifully….

THE GOOD AND EVIL IN BOTH WHITE RABBIT RED RABBIT AND AUDIENCE PARTICIPATION The concept sounded so intriguing that I begged to review this experimental theatre piece, White Rabbit, Red Rabbit by Iranian German playwright Nassim Soleimanpour. The hook is that every performance is an “opening night” because every performance features a new actor who…

PILLOW FIGHTS, PLOT TWISTS AND PARENTAL PANIC If you like your family comedies with a hearty dose of mayhem, secrets, slapstick humor, and the occasional gymnastic leap off a sofa, Fostered at Pacific Resident Theatre delivers the goods. Written by Chaya Doswell and directed by Andrew D. Weyman, Fostered is a lively world premiere that plays…

Suburbia is too close to the country to have anything real to do and too close to the city to admit you have nothing real to do. — American essayist Sloane Crosley First, I want to acknowledge the passing of Ron Sossi, Founding Artistic Director of the Odyssey Theatre Ensemble, who made theatre in LA…

70 YEARS ON, AND WE’RE STILL WAITING You will never be happy if you continue to search for what happiness consists of. You will never live if you are looking for the meaning of life. — Albert Camus, playwright and novelist Aasif Mandvi and Rainn Wilson Samuel Beckett’s Waiting for Godot has generated volumes of…

WICKEDLY WITTY WILDE Sometimes you just need to take refuge from the contemporary world with a classic play. And when it’s delivered as delightfully and professionally as Antaeus Theatre Company’s season opener, Oscar Wilde’s The Importance of Being Earnest, rejoice and feel the load lifting off your shoulders, if only for two-plus hours. While the…

GRANDMA’S A BADASS It’s Grandma Maria Porkalob Sr.’s 60th birthday party, she’s living in her son’s mother-in-law basement and he’s just given her a karaoke machine as her birthday present. She’s about to fire it up to tell granddaughter Sara Porkalob her dramatic life story. Upstairs, her birthday is being both celebrated by most of…

THIS SIZE FITS ALL Opening the 2024/25 season of Geffen Playhouse is The Brothers Size, written by the Geffen’s Artistic Director Tarell Alvin McCraney, performed in the smaller of the Playhouse’s two stages, the Audrey Skirball Kenis Theater. Sheaun McKinney, Alani iLongwe This infinitely adaptable black box space is transformed here in the simplest way….