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Nick McCall
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Theater Review: FOURSOME (IAMA & Celebration at Atwater Village Theatre)
FOR SOME, MAYBE — FOR OTHERS, A CHORE An exhausting exercise in enforced fun and emotional emptiness (Seated) Felix (Jimin Moon), Noah (Matthew Scott Montgomery, (on floor) Kobe (Calvin Seabrooks, and Tahj (Adrián Javier) are two couples You know that one friend who exhausts everyone in the room? That annoying one in your wider friend…
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Theater Review: INCITATION TO THE DANCE (Theatre West)
A STRANGER IN THE HOUSE A smart, suggestive script meets a production that can’t quite generate the heat it promises. No, it’s not a typo. With a title guaranteed to make you double-take, Michael Van Duzer’s unabashedly gay new play, Incitation to the Dance, opened last Friday at Theatre West. David Mingrino, Casey Alcoser, Michael…
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Music Review: WILD UP: THE GREAT LEARNING (The Broad)
EXPERIMENTAL SOUND MEETS MUSEUM SPACE — WITH MIXED RESULTS A well-intentioned immersion in Cardew’s radical score undone by acoustics, logistics, and audience reality On Saturday February 7, Wild Up performed The Great Learning, Paragraphs 2 and 7 by radical English composer Cornelius Cardew inside The Broad, in conjunction with the exhibition Robert Therrien: This is…
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Theater Review: PUNISH ME: A PSYCHOLOGICAL THRILLER (Hudson Backstage Theatre)
A SELF-INFLICTED WOUND POSING AS THEATER. SAFE WORD: CURTAIN An erotic psychological thriller script without the erotic, psychology, thrill, or script Dear Gay Theater-makers, I am writing today to encourage you to see the terrible new play Punish Me, by triple-threat writer-producer-actor Michael Dukakis, currently renting space at the Hudson Backstage Theatre. Do I recommend…
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Theater Review: SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (La Mirada Theatre)
SWEENEY TODD SLICES DEEP — EVEN WITH A FEW MISSTEPS Jason Alexander’s ambitious concept does not blunt the impact of a blisteringly performed revival McCoy Rigby Entertainment has been doing solid work for decades, but they have outdone themselves with their new production of Sweeney Todd: The Demon Barber of Fleet Street, now playing in…
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Opera Review: ALICE RYLEY & BIG DEATHS (Source/Filter Music Collective at Heritage Square)
OPERA AMONG THE GHOSTS From playful parlor deaths to a chilling one-act about crime, punishment, and memory, Source/Filter Music Collective made Heritage Square sing. On November 8, Source/Filter Music Collective returned to Heritage Square Museum with the west coast premiere of Michael Ching’s 2015 true-crime opera Alice Ryley, about the first woman executed in Georgia….
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Opera Review: HILDEGARD (World Premiere, LA Opera and Beth Morrison Projects at The Wallis)
BEST BE ON YOUR HILDEGARD WATCHING THIS THING When approaching a work based on history, it’s expected that there will be some degree of fictionalization. Even though it won’t be completely true, the broad strokes will be, and you’ll leave having learned a tiny bit of something new. However, Hildegard, the dull new opera by…
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Dance Review: DEATH AND THE MAIDEN WITH BURLESQUE: VARIATION IX (American Contemporary Ballet)
CORPS MEETS CORPSE: ACB DANCES LIFE TO DEATH (AND BACK AGAIN) Loss and longing pervade the revival of American Contemporary Ballet‘s surprisingly optimistic Death and the Maiden, now running at Bank of America Plaza through November 1, paired with a brand-new installment in the company’s Burlesque series, all accompanied by live music. Death and the…
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Concert Review: THOMAS KOTCHOFF: BETWEEN SYSTEMS (Piano Spheres at 2220 Arts + Archives)
SONIC AND CHER Have you ever wondered what a Cher and György Ligeti mashup would sound like? Me, neither, but that’s how last week’s Piano Spheres concert at 2220 Arts + Archives began, which also doubled as the release party for Thomas Kotcheff’s new album, Between Systems, an exploration of interpreting existing works without relying…
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Theater Review: ONE MAN, TWO GUVNORS (A Noise Within)
ONE MAN, TWO HOURS TOO LONG Ask yourself how much you liked The Play That Goes Wrong series. That’s a pretty good indicator as to your enjoyment of Richard Bean’s 2011 play, One Man, Two Guvnors, now running at A Noise Within. If you liked it, stop reading and go. You’ll have a great time….
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Theater Review: BRILLIANT TRACES (Hudson Theatre)
TRACES OF POSSIBILITY Premiering Off-Broadway in 1989, Cindy Lou Johnson’s Brilliant Traces is one of those plays that can be either mesmerizing or exasperating and tiresome. Lacking a firm idea of what it wants to be, Soul Gym Productions’ new mounting at the Hudson for a brief three-day run, fell firmly in the latter. In the middle of…
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Theater Review: AM I ROXIE? (Geffen Playhouse)
Am I Roxie? Am I a Play? Am I at the Wrong Theater? Geffen’s Latest Solo Act Feels More Fringe Than Mainstage Within five minutes of “this fiercely funny one-woman tour-de-force” (so says the publicity), actress Roxana Ortega is already fighting back tears about losing her mother due to Alzheimer’s. Thus begins her sappy and…
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Theater Review: JUST ANOTHER DAY (Dan Lauria and Patty McCormack at Odyssey Theatre Ensemble)
IT MAY BE JUST ANOTHER DAY, BUT THIS ISN’T JUST ANOTHER PLAY If I were to start by telling you what author Dan Lauria’s sly new play is about, a great number of you might stop reading in disgust, thinking, “I’ve lived through that; I don’t need to see a play about it.” However, Just…
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Theater Review: THE OPPOSITE OF LOVE (Hudson Backstage)
SEXLESS IN THE CITY Have you ever been with a guy who won’t shut up and just enjoy the blow job? That’s what it’s like to sit through Ashley Griffin’s new two-person play, The Opposite of Love, which premiered last year off-Broadway, and is now having its first West Coast performances at the Hudson Backstage…
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Opera Review: H.M.S. PINAFORE (Pacific Opera Project at Heritage Square)
THE PICNIC COMES BEFORE PINAFORE, LITERALLY AND FIGURATIVELY. WELL, SHIP HAPPENS. It’s best to approach Pacific Opera Project’s new production of W. S. Gilbert (libretto) and Arthur Sullivan’s (music) 1878 opera, H.M.S. Pinafore: the same way that many people approach going to the Hollywood Bowl — as a reason to eat, socialize, and take selfies….
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Dance Review: THE EUTERPIDES & SERENADE (American Contemporary Ballet at Television City)
BEAUTY IN STEP: GRACE, MELODIES, AND ACB’S ELEGANT NEW WORKS Few phrases in the world of classical music fill me with as much excitement and dread as “world premiere.” This applies even with companies I like. However, I am happy to say that American Contemporary Ballet’s new work, The Euterpides, with music by Alma Deutscher,…
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Concert Review: VOCAL DIMENSIONS (LA Phil’s Green Umbrella New Music Series)
I admire the LA Phil’s Green Umbrella series. I really, really do. It’s adventurous and exciting in ways that regular programs rarely achieve. However, there are nights where it’s punishing and it hates me. The April 29 program, Vocal Dimensions, was one of those. At the end, in spite of the two brief bright spots,…
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Theater Review: HELLAS (The School of Night at the Broadwater)
A HELLUVA HELLAS Ancient drama gets short shrift here in Los Angeles. Sure, we get the stories, but the shows are usually adaptations, hardly ever a straight translation, and when we do, they’re performed in today’s style. In 2018, The School of Night did something radical: they performed Seneca’s Hercules Insane as written and with…
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Theater Review: ARISTOTLE/ALEXANDER (Company of Angels)
Teenagers these days are out of control. They eat like pigs, they are disrespectful of adults, they interrupt and contradict their parents, and they terrorize their teachers. — Aristotle When you have endless arts options to choose from every day, you eventually develop simple, blunt, sometimes arbitrary, rules to help decide what to see. One…
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Theater Review: THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (Wisteria Theater in North Hollywood)
BEE MINUS Now playing at Wisteria Theater in North Hollywood is one of the few wonderful musicals from this century so far, The 25th Annual Putnam County Spelling Bee, by William Finn (music and lyrics) and Rachel Sheinkin (book). Now 20 years old, this delightful musical follows a group of middle schoolers as they struggle…
Off-Broadway Review: MARCEL ON THE TRAIN (Classic Stage Company)
by Paulanne Simmons | March 10, 2026
in New York, TheaterOff-Broadway Review: SPARE PARTS (Theater Row)
by Gregory Fletcher | March 9, 2026
in New York, TheaterTheater Review: THE BRIEF WONDROUS LIFE OF OSCAR WAO (Goodman Theatre)
by Croydon Fernandes | March 8, 2026
in Chicago, TheaterCabaret Review: BILLY JOEL SONGBOOK (Tony DeSare at Birdland Theater)
by Rob Lester | March 7, 2026
in Cabaret, New YorkOff-Broadway Review: OUR HOUSE (TOSOS at A.R.T./New York Theatres)
by Gregory Fletcher | March 7, 2026
in New York, TheaterOff-Broadway Review: BURNOUT PARADISE (Astor Place Theatre)
by Paola Bellu | March 5, 2026
in New York, TheaterTRANSFORM YOUR DAILY CONTENT WITH A SMART AI IMAGE EDITOR
by Lamont Washington | March 5, 2026
in Extras, TechnologyWHY THE THRILLER MOVIE GENRE KEEPS AUDIENCES HOOKED ACROSS CULTURES
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in Extras, TV



















