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Nick McCall
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Opera Review: HILDEGARD (World Premiere, LA Opera and Beth Morrison Projects at The Wallis)
BEST BE ON YOUR HILDEGARD WATCHING THIS THING When approaching a work based on history, it’s expected that there will be some degree of fictionalization. Even though it won’t be completely true, the broad strokes will be, and you’ll leave having learned a tiny bit of something new. However, Hildegard, the dull new opera by…
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Dance Review: DEATH AND THE MAIDEN WITH BURLESQUE: VARIATION IX (American Contemporary Ballet)
CORPS MEETS CORPSE: ACB DANCES LIFE TO DEATH (AND BACK AGAIN) Loss and longing pervade the revival of American Contemporary Ballet‘s surprisingly optimistic Death and the Maiden, now running at Bank of America Plaza through November 1, paired with a brand-new installment in the company’s Burlesque series, all accompanied by live music. Death and the…
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Concert Review: THOMAS KOTCHOFF: BETWEEN SYSTEMS (Piano Spheres at 2220 Arts + Archives)
SONIC AND CHER Have you ever wondered what a Cher and György Ligeti mashup would sound like? Me, neither, but that’s how last week’s Piano Spheres concert at 2220 Arts + Archives began, which also doubled as the release party for Thomas Kotcheff’s new album, Between Systems, an exploration of interpreting existing works without relying…
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Theater Review: ONE MAN, TWO GUVNORS (A Noise Within)
ONE MAN, TWO HOURS TOO LONG Ask yourself how much you liked The Play That Goes Wrong series. That’s a pretty good indicator as to your enjoyment of Richard Bean’s 2011 play, One Man, Two Guvnors, now running at A Noise Within. If you liked it, stop reading and go. You’ll have a great time….
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Theater Review: BRILLIANT TRACES (Hudson Theatre)
TRACES OF POSSIBILITY Premiering Off-Broadway in 1989, Cindy Lou Johnson’s Brilliant Traces is one of those plays that can be either mesmerizing or exasperating and tiresome. Lacking a firm idea of what it wants to be, Soul Gym Productions’ new mounting at the Hudson for a brief three-day run, fell firmly in the latter. In the middle of…
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Theater Review: AM I ROXIE? (Geffen Playhouse)
Am I Roxie? Am I a Play? Am I at the Wrong Theater? Geffen’s Latest Solo Act Feels More Fringe Than Mainstage Within five minutes of “this fiercely funny one-woman tour-de-force” (so says the publicity), actress Roxana Ortega is already fighting back tears about losing her mother due to Alzheimer’s. Thus begins her sappy and…
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Theater Review: JUST ANOTHER DAY (Dan Lauria and Patty McCormack at Odyssey Theatre Ensemble)
IT MAY BE JUST ANOTHER DAY, BUT THIS ISN’T JUST ANOTHER PLAY If I were to start by telling you what author Dan Lauria’s sly new play is about, a great number of you might stop reading in disgust, thinking, “I’ve lived through that; I don’t need to see a play about it.” However, Just…
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Theater Review: THE OPPOSITE OF LOVE (Hudson Backstage)
SEXLESS IN THE CITY Have you ever been with a guy who won’t shut up and just enjoy the blow job? That’s what it’s like to sit through Ashley Griffin’s new two-person play, The Opposite of Love, which premiered last year off-Broadway, and is now having its first West Coast performances at the Hudson Backstage…
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Opera Review: H.M.S. PINAFORE (Pacific Opera Project at Heritage Square)
THE PICNIC COMES BEFORE PINAFORE, LITERALLY AND FIGURATIVELY. WELL, SHIP HAPPENS. It’s best to approach Pacific Opera Project’s new production of W. S. Gilbert (libretto) and Arthur Sullivan’s (music) 1878 opera, H.M.S. Pinafore: the same way that many people approach going to the Hollywood Bowl — as a reason to eat, socialize, and take selfies….
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Dance Review: THE EUTERPIDES & SERENADE (American Contemporary Ballet at Television City)
BEAUTY IN STEP: GRACE, MELODIES, AND ACB’S ELEGANT NEW WORKS Few phrases in the world of classical music fill me with as much excitement and dread as “world premiere.” This applies even with companies I like. However, I am happy to say that American Contemporary Ballet’s new work, The Euterpides, with music by Alma Deutscher,…
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Concert Review: VOCAL DIMENSIONS (LA Phil’s Green Umbrella New Music Series)
I admire the LA Phil’s Green Umbrella series. I really, really do. It’s adventurous and exciting in ways that regular programs rarely achieve. However, there are nights where it’s punishing and it hates me. The April 29 program, Vocal Dimensions, was one of those. At the end, in spite of the two brief bright spots,…
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Theater Review: HELLAS (The School of Night at the Broadwater)
A HELLUVA HELLAS Ancient drama gets short shrift here in Los Angeles. Sure, we get the stories, but the shows are usually adaptations, hardly ever a straight translation, and when we do, they’re performed in today’s style. In 2018, The School of Night did something radical: they performed Seneca’s Hercules Insane as written and with…
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Theater Review: ARISTOTLE/ALEXANDER (Company of Angels)
Teenagers these days are out of control. They eat like pigs, they are disrespectful of adults, they interrupt and contradict their parents, and they terrorize their teachers. — Aristotle When you have endless arts options to choose from every day, you eventually develop simple, blunt, sometimes arbitrary, rules to help decide what to see. One…
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Theater Review: THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE (Wisteria Theater in North Hollywood)
BEE MINUS Now playing at Wisteria Theater in North Hollywood is one of the few wonderful musicals from this century so far, The 25th Annual Putnam County Spelling Bee, by William Finn (music and lyrics) and Rachel Sheinkin (book). Now 20 years old, this delightful musical follows a group of middle schoolers as they struggle…
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Opera Review: THE CAMP (JACCC Aratani Theatre in L.A.)
A PROMISING AND AMBITIOUS THE CAMP Los Angeles has had a flurry of new operas within the past few years. Among the most promising and ambitious I’ve seen is The Camp, by Lionelle Hamanaka (libretto) and Daniel Kessner (music), which just had a two-weekend run at the Japanese American Cultural & Community Center Aratani Theatre….
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Theater Review: 44: THE OBAMA MUSICAL (Kirk Douglas Theatre in Culver City)
A SKETCHY, SPREAD OUT SEND-UP SAGS WITH SLUGGISH SATIRE I like to go into shows completely blind. Sometimes that backfires, but usually not before the show even starts. On Thursday, I walked into the opening-night performance of 44: The Obama Musical—a show framed as Joe Biden’s hazy recollection of Barack Obama’s rise to the presidency….
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Opera Review: ADORATION (LA Opera at REDCAT)
IT’S TOUGH TO ADORE ADORATION; BUT WAS IT MEANT TO BE? I always look forward to new operas presented by Los Angeles Opera and Beth Morrison Projects. They are back with another one: Adoration, with music by Mary Kouyoumdjian and libretto by Royce Vavrek, based on the eponymous 2008 Canadian film by Atom Egoyan. It…
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Concert Review: SHOENBERG’S “PIERROT LUNAIRE” (Camerata Pacifica)
Camerata Pacifica began its February program at the Huntington Library with Lara Morciano’s Embedding Tangles, with flutist Sébastian Jacot, who premiered the piece in 2014. I don’t often get to hear works for solo flute, so this sounded promising. Alas, my initial excitement was instantly killed when we got attacked by a torrent of notes…
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Opera Review: EL RELICARIO DE LOS ANIMALES (1979) (Long Beach Opera at Heritage Square Museum)
THE WHINE OF THE ANIMALS Long Beach Opera continued its season-long devotion to the work of Pauline Oliveros with El Relicario De Los Animales (The Shrine of the Animals), from 1979, with two performances last weekend at Heritage Square Museum, an open-air gem with eight Victorian-era buildings. Sara Andon and Sidney Hopson But before the…
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Music Review: ELEMENTS AND ENERGY (John Adams and the LA Phil New Music Group at Disney Hall)
Last season, the LA Phil premiered the first five of 16 etudes commissioned by Creative Chair John Adams, with the goal to have a piece for each instrument of the orchestra to show off as a soloist. On January 28, we got to hear three more premieres from the series. First was Quantum Ptarmigan, by…
Theater Review: MOULIN ROUGE (2025 Touring Production)
by Jason Mannino | December 11, 2025
in Palm Springs
(Coachella Valley), Theater, ToursTheater Review: 89 CARSON JUNCTION ROAD (Compulsion Dance & Theater at Diversionary Theatre)
by Milo Shapiro | December 11, 2025
in San Diego, TheaterOpera Review: THE MONKEY KING (World Premiere by San Francisco Opera)
by Chuck Louden | December 10, 2025
in San Francisco
(Bay Area), TheaterDance Review: CHRISTOPHER WHEELDON’S NUTCRACKER (The Joffrey Ballet at Lyric Opera House)
by Croydon Fernandes | December 10, 2025
in Chicago, DanceTheater Review: PETER PAN (Panto in the Presidio)
by Chuck Louden | December 10, 2025
in San Francisco
(Bay Area), TheaterTheater Review: INTO THE WOODS (SF Playhouse)
by Chuck Louden | December 10, 2025
in San Francisco
(Bay Area), TheaterTheater Review: DOG SEES GOD (The Bent)
by Stan Jenson | December 10, 2025
in Palm Springs
(Coachella Valley), Theater



















