Los Angeles

WHAT A DRAG There are so many ways to glitter and be gay in modern American Musical Theater. The recent revival of La Cage Aux Folles depicts the unexpected bourgeois normality in a near-marriage of boa-wrapped impersonators at a gender-breaking Riviera nightclub. Kinky Boots, currently on Broadway, celebrates vogue-crazed drag queens with foot fetishes who…

COME FOR THE SONGS; STAY FOR THE SPIRIT. It’s fitting that Samuel Barber’s “Sure on this Shining Night” opens American Songs & Spirituals, Los Angeles Master Chorale’s final program of its 49th season: Residing within the text from an untitled poem by James Agee are the lines which augur the spectator’s experience after witnessing this…

NOT SO DULCE It’s a shame that so much love, talent and money was bestowed upon the new opera, Dulce Rosa, which is the inaugural project of LA Opera’s Off Grand series, a program which offers new operatic works in venues other than the Dorothy Chandler Pavilion. Opening at the Broad Stage in Santa Monica…

A FRATERNITY OF MASTER THESPIANS At its core, Jeff Stetson’s Fraternity is about the two options that face black men in today’s society (or, at least, the society of Birmingham in 1987, when the play was written): Either become part of the white establishment or cling passionately and tenaciously to the tenets of the early…

ALL THE WRONG MOVES The musical Chess highlights the tongue-twisting, swift, and pithy lyrics by Tim Rice and the soaring, dazzling music by Benny Andersson and Björn Ulvaeus of ABBA fame. In previous Stage and Cinema reviews of productions at MTG  and the Met Theatre, its history has been well-documented: The super-partnership of Rice-Andersson-Ulvaeus in 1979;…

ALIVE WITH AMBIGUITY If you require a neat and tidy ending, a feeling of clarity, and a sense of completion to insure your theatrical enjoyment, then Dying City – making its Los Angeles premiere at the Rogue Machine Theatre —is not for you. If on the other hand you appreciate that a life examined offers…

BEDEVILED An off-stage character is tortured by a Salem court in Arthur Miller’s The Crucible, a play which dramatizes the Salem witch trials of 1692. As heavy stones are placed upon his chest, the innocent man’s reported final words are “More weight.” This is exactly what Antaeus Company’s production needs in order to be more…

THE NORTH PLAN STARTS ON COURSE THEN GOES SOUTH A ruthless splinter group has seized power in Washington and a low level bureaucrat who has escaped with the new regime’s “hit list” is on the lam and heading for a backwoods Missouri town in Jason Wells’ political satire. The North Plan, now playing at The…

THE ROYALE PACKS A PUNCH SLAP There are many things to recommend about The Royale, currently making its World Premiere at the Kirk Douglas Theatre. The staging is brilliant, the fight choreography mesmerizing, the lighting stunning, the music and sound enthralling, and many of the performances are excellent. So what then prevents this drama from…

DON’T CALL ME MAD Edgar Allen Poe’s short story “The Tell-Tale Heart” and the life of artist Vincent Van Gogh provide rich, if unlikely material for opera. Although there is little romance to speak of in either subject, there is plenty of conflict. It is the conflict of madness, of inner turmoil told in the…

NOW THIS YOU GOTTA SEE Of the 32 shows I attended in Chicago recently, the most charming experiences were with four musical revivals, three from Broadway’s heyday — the 1930s through the 1960s — and one from somewhere near the onset of its slow and painful decline — the 1970s to the present (Sondheim doesn’t…

AS IF CELLIST ALISA WEILERSTEIN PERFORMING SHOSTAKOVICH WASN’T ENOUGH: Los Angeles Chamber Orchestra (LACO) will conclude its 44th season this weekend with the appropriately titled program, Concerto Finale. This season has showcased both LACO’s eclectic repertoire and the orchestra’s proficiency which more than substantiated PRI’s proclamation that LACO is “America’s finest chamber orchestra.” From a…

A  PLAY WHICH  FALLS ON ITS FAITH Faith is one of the most prevalent themes in David Rambo’s God’s Man in Texas, and very likely where you place your faith or where you spend your Sunday mornings will inform your opinions of this production. On the one hand it is a dramatized sermon. On the other, as…

YOU MIGHT ENJOY THE  ACTING, BUT WILL YOU BELIEVE IN MAGIC? It’s not easy to believe in magic watching Phylicia Rashad’s direction of Joe Turner’s Come and Gone. While Rashad has a knack for the naturalistic style of theatre, evidenced in her astounding production of A Raisin in the Sun, she seems to have missed the…

A CAT IN THE RIGHT DIRECTION Cat on a Hot Tin Roof is a tricky play even before it leaves the page. Nearly sixty years after its first performance, Williams’ brilliant poetic language and the story’s pervasive darkness can easily steer it into the realm of melodrama. “Oft-revived,” it is both commercially and artistically primed…