Areas We Cover
Categories
Los Angeles
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Los Angeles Theater Review: TRIBES (Center Theatre Group at Mark Taper Forum)
FINDING YOUR TRIBE Theatre of Identity, aka Social Issues Theatre, is a fascinating phenomenon: this genre promotes a particular people’s cultural identity and invites members of that culture and other cultures to experience that culture’s joys, problems, history, traditions, and point of view. Plays like Torch Song Trilogy, The Boys Next Door, and Yellow Face…
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Los Angeles Theater Review: URBAN DEATH (Zombie Joe’s Underground in North Hollywood)
L. A. THEATER RISES FROM THE DEAD With an assemblage of the bravest actors in Los Angeles, Zombie Joe returns with an all-new Urban Death, the naturalistic horror show in the style of Le Théâtre du Grand-Guignol. In just under an hour, this ghoulishly delightful series of vignettes serves up unfathomable repulsions, profound evils, distressed…
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Los Angeles Theater Review: SONGS OF BILITIS (Rogue Artists Ensemble at the Bootleg)
FAKE BOOK COMES TO TRUE LIFE Published in Paris in 1894, The Songs of Bilitis is a book of poems and epitaphs describing the life and loves of an ancient lesbian heroine named Bilitis. With emotional flourish, author Pierre Louí¿s biographically describes her simple country upbringing, pinnacles of romantic love and sexual gratification, and eventual…
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Los Angeles Theater Review: MOMMUNE (Chalk Repertory Theatre)
WHAT DO YOU DO WITH A BAD MOM? Chalk Repertory Theatre continues presenting non-traditional, site-specific theatre with the world premiere of Dorothy Fortenberry’s newest work, Mommune. “Mommune” is the name of a childcare center, and the two-hour real-time melodrama about motherhood – featuring an all-woman ensemble – takes place at an actual day care center,…
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Theater Review: THE TROUBLE WITH WORDS (Coeurage Theatre Company at Lost Studio)
THE TROUBLE WITH THE TROUBLE WITH WORDS In 2011, I stumbled upon a refreshing new composer at the Hollywood Fringe Festival. The extraordinarily encouraging work in Gregory Nabours’ song cycle, The Trouble with Words, was thrilling. Comparable to the work of Duncan Sheik (Spring Awakening), the music, whether bouncy or haunting, incorporated innovative harmonies with…
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Los Angeles Opera Review: THE FLYING DUTCHMAN (LA Opera at Dorothy Chandler Pavilion)
SALVATION IN A STORM Who is the titular Flying Dutchman? Is he a mythological figure, a type of the wandering Jew bound to traverse the earth in travail until his day of salvation comes? Is he in some way the composer, an outsider and a genius yearning for acceptance and recognition? Or he is simply…
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Theater Review: WOLVES (Celebration Theatre)
HOWLER Steve Yockey’s new play isn’t new, and it isn’t a play. The first contention first: Part of a new promotional concept of “rolling world premieres” designed specifically to hype theaters and the scripts they mount, Wolves already played in Atlanta, New Orleans, and Tempe last year. This isn’t a tour; it’s four different productions…
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Los Angeles Theater/Dance Review: KEN ROHT’S MISS JULIE(N) (MorYork Gallery in Highland Park)
GAY ABSTRACTION For years, Ken Roht has proved himself to be one of the most inventive theater practitioners in Los Angeles. His avant-garde works include the renowned 99 Cent Only shows, which contain extravagant costumes by Ann Closs-Farley and sets wholly manufactured with items acquired at the 99 Cent Only Store. The original, entertaining and…
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Los Angeles/Tour Theater Review: MIKE TYSON: UNDISPUTED TRUTH (Pantages and National Tour)
SMILE, AND SMILE, AND BE A VILLAIN Since civilization stopped executing them outright, the notorious have always had the fallback of a second act as freakshow attractions. From 1883 well into the first decade of the Twentieth Century, Americans and Europeans paid to see Buffalo Bill’s Wild West show, featuring old Indian fighters and actual…
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Los Angeles Theater Review: WHEN YOU’RE IN LOVE, THE WHOLE WORLD IS JEWISH (Greenway Court)
WHAT WERE JEW THINKING? Baby boomers should recall the time when a great comedy album could be played with regularity. Some of my favorites were Bill Cosby Is a Very Funny Fellow…Right! (1963), which contained his iconic “Noah” sketches; George Carlin’s Class Clown (1972) with its infamous track entitled “Seven Words You Can Never Say…
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Los Angeles Theater Review: THE LAST DAYS OF JUDAS ISCARIOT (Victory Theatre in Burbank)
THE PLAY ABOUT A TRIAL ULTIMATELY BECOMES A TRIAL TO WATCH Stephen Adley Guirgis’ The Last Days of Judas Iscariot is a courtroom drama set in Purgatory where the guilty or not guilty verdict literally means heaven or hell for the one standing trial. The one being judged in this case is former apostle and…
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Los Angeles Theater Review: VERONICA’S ROOM (Underground Theater)
A RESTRICTED BUT RIVETING ROOM Novelist Ira Levin may be best-known for Rosemary’s Baby and Stepford Wives, both made even more popular by their film adaptations, but as a playwright, Levin wrote the fifth longest-running play in Broadway history, Deathtrap (1978), made less popular by its film adaptation. Five years prior to Deathtrap, Veronica’s Room (originally subtitled…
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Los Angeles Theater Review: CAVALIA’S ODYSSEO (The White Big Top in Burbank)
BEHOLD THE BREATHTAKING BEAUTY OF CAVALIA’S ODYSSEO In 2003, Normand Latourelle, one of the co-founders of Cirque du Soleil, was ready to up the entertainment ante when he introduced his equine extravaganza Cavalia to the world. The show was a smash right out of the gate and has been galloping around the globe ever since….
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Los Angeles Theater Review: JANE AUSTEN UNSCRIPTED (Impro Theatre at the Carrie Hamilton)
GO GET LOST IN AUSTEN I drove to Jane Austen UnScripted directly from a production of Oklahoma! as grand and empty as the wind sweepin’ down the plains. With a quarter of the cast of that Rogers and Hammerstein show, and a tithe of the expense, seven Impro Theatre actor/writers showed more integrity to the spirit…
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Los Angeles Theater Review: COMPLETE (Wilder Theatrics at the Matrix Theatre)
A COMPLETE WASTE OF WORDS If you hold a doctorate in linguistics then you might (and that’s a very questionable “might”) find some interesting banter in Complete, the alleged comedy written by Andrea Kuchlewska currently making its West Coast premiere at the Matrix Theatre. If, on the other hand, the scientific study of syntax and…
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Los Angeles Theater Review: OKLAHOMA! (Musical Theatre West)
THE CORN IS HIGH INDEED Messrs. Rodgers and Hammerstein reinvented American Musical Theater for the ages when they created Oklahoma! in 1943, incorporating song and dance to tell their story rather than detract from it. The musical avoids creaking with age because Hammerstein’s book shuns overt sentimentality, and the lyrics are chock-full of poetic imagery…
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Los Angeles Theater Review: THE GRAPES OF WRATH (A Noise Within)
RIPPED TO RAGS IN A BEAUTIFUL WAY John Steinbeck’s Pulitzer Prize and National Book award-winning novel The Grapes of Wrath operates as both a harrowing portrait of the American struggle for life, liberty, and happiness, and an impassioned rally cry for the downtrodden; it is a fitting title (suggested by the writer’s wife) considering it…
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Los Angeles Theater Review: SEXSTING (Skylight)
CYBER SEEDINESS, FBI BUREAUCRACY, AND TABOO MONSTROSITY COME TO VIVID LIFE IN SEXSTING Written in collaboration with Internet crime attorney Susan Raffanti, Doris Baizley’s boundary-blurring examination of entrapment ethics depicts the undercover Internet chat room exchanges of an FBI investigator. Working under reactionary bureaucratic top-down pressure, the agent’s modus operandi is the explicit entrapment of…
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Los Angeles Theater Review: THE WOMEN OF WOODY (Oh My Ribs!)
WOODY LIGHT One iconic comic writer; eight monologues cut from the screen time of seven of his most memorable female characters; a six-person, all male cast: Those are the ingredients of Roy Cruz’s latest monologue-homage-comedy show, The Women of Woody, presented by Oh My Ribs! last weekend. Cruz’s last project in this vein was the…
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Los Angeles Theater Review: PARADISE – A DIVINE BLUEGRASS MUSICAL COMEDY (Ruskin)
ON THE WAY TO PARADISE [EDITOR’S NOTE: Since this 2013 review, Paradise has been re-tooled. Please see our new review of the 2018 production.] There is a telling item buried among the bric-a-brac of Stephanie Kerley Schwartz’s detailed country set of an economically depressed, coal-mining, hillbilly burg named Paradise: A tin sign shows a forest…



















