Areas We Cover
Categories
Los Angeles
-
Los Angeles Theater Review A BROOKLYN LOVE STORY (Theatre 68 in Hollywood)
A BROOKLYN LOVE STORY – FUHGEDDABOUDIT! Originally produced as Emergency Used Candles for NYC’s Emerging Artists Theatre One Woman Standing Festival and then followed by a run at the famed Cherry Lane Theatre Off-Broadway, the newly titled A Brooklyn Love Story is making its L. A. premiere at Theatre 68. For those of you who…
-
LA, NYC, and Tour Theater Review: ANDRÉ & DORINE (Los Angeles Theatre Center)
LIFE AS WE KNOW IT Mask work reduces the craft of acting to the essential elements of pose and gesture. That’s all you get when there are no words or facial expressions. Watching a piece as declarative, accessible, and affecting as Kulunka Teatro’s André & Dorine, one wonders why we allow words to clutter our…
-
Los Angeles Theater Review: NO LOVE (Eclectic Company Theatre in Valley Village)
WITH A LITTLE LOVE, THIS COULD BE GREAT The perfect show is like the happy marriage: you can go decades without seeing one. If the script is good, the lead actor is usually somebody’s cousin, or the director doesn’t understand the material; a great production almost never has a great script. And so on. Eclectic…
-
Los Angeles Theater Review: ELEPHANT ROOM (Kirk Douglas Theatre in Culver City)
MAGIC TRICKS OR TRAGIC MIX? Every once in a while a show comes along that defies classification. Elephant Room, making its West Coast Premiere at the Kirk Douglas Theatre is one such show. It’s sort of a comedy, it’s sort of a magic show, it’s sort of a bloated SNL skit, it’s sort of an…
-
Los Angeles Theater Review: FISHING (The Archway Theatre)
FISHING FOR LAUGHS If you are now or were at some point a wannabe entertainment professional, chances are you’re no stranger to slinging hash in a greasy spoon to make ends meet. Playwright David J. Duman spent his formative years dishing up organic eats to some of San Francisco’s “most particular, demanding, and ridiculous diners.” …
-
Los Angeles Theater Review: TO QUIET THE QUIET (Elephant Stages in Hollywood)
THE ACTORS SHINE IN A CLOUDY PLAY Playwright Christy Hall comments about her play To Quiet the Quiet, “I am most interested in the complexities of the human condition,” and in her work she truly draws fine character studies. But there is some difficulty in the plot development. In an effort not to give away too…
-
Los Angeles Theater Review: HOW OBAMA GOT HIS GROOVE BACK (Fremont Centre Theatre in South Pasadena)
A NATIONAL LAMPOON While the 2012 presidential election has provided entertainment enough, from Donald Trump’s political posturing to the Sarah Palin bus tour, there’s always room for a little light-hearted comedy. City in a Swamp Productions doesn’t take itself too seriously, but is clearly following every step of the election, even to including a reference…
-
Los Angeles Theater Review: ALL THE KING’S MEN (El Portal Theatre in North Hollywood)
IT’S THE PERFECT YEAR FOR THIS POWERFUL STORY, BUT FOR THIS PRODUCTION..? It must be an election year, as artistic directors all around the nation are presenting Adrian Hall’s meaty 1987 adaptation of Robert Penn Warren’s Pulitzer-Prize winning classic, All The King’s Men. It is a tale of two journeys: Willie Stark, a gubernatorial candidate…
-
Los Angeles Theater Review: THE BLUE IRIS (Fountain Theatre)
A LITTLE BLUE More than a few friends recently mentioned that there are many “great” things on the boob tube. Since I don’t watch TV, it came as a surprise because I assumed it was mostly pablum. I was equally disturbed by this information not because I hold TV as mindless and addictive, but because…
-
Los Angeles Theater Review: UNDER THE DESERT (The Lounge Theatre in Hollywood)
A MOUTHFUL OF SAND Kiff Scholl’s production of Raymond King Shurtz’s new play, Under the Desert, is a show that’s impossible to discuss without equivocation. It’s not terrible, and there are good things in it, but I’m not happy I saw it. When one sets a two-character play in a greasy spoon in the desert,…
-
San Diego Theater Review: SEE HOW THEY RUN (Lambs Players in Coronado)
SEE HOW THIS WARTIME FARCE HOLDS UP The marquee outside of Lamb’s Players declares See How They Run to be “one of the funniest shows ever.” While never achieving a promise as great as that, Lamb’s has resurrected a sixty-year-old gem with good effect and more than enough laughs. As staged farces go, this one…
-
Theater Review: THE GRÖNHOLM METHOD (Falcon Theatre)
CORPORATE FOUR-PLAY As the audience files into the Falcon Theater for The Grönholm Method, the sleek, stark and sterile meeting room of Fortune 500 company Burnham + Burnham is in full view, courtesy of Brian Webb’s beautifully realized set design. You’re not sure why, but its crisp corporate cleanliness—complete with designer water bottles, sparkling crystal…
-
Los Angeles Theater Review: SWEET THURSDAY (Pacific Resident Theatre in Venice)
SOUR SATURDAY A troubled production is a sad spectacle, especially at a venerable theater that does some fine work. PRT’s new staging of the John Steinbeck novel Sweet Thursday tries hard, and that it fails to coalesce does not negate the good stuff that makes up the mess. It does, however, make for a dull…
-
Los Angeles Theater Review: THE CITY (Son of Semele)
SUBLIME CITY Son of Semele has consistently produced spectacular productions with scant resources in their awkward garage-like space nestled between lower Silver Lake and Historic Filipino Town. Forever fearless when it comes to bringing challenging work to a town where theatre is often relegated to an ugly step-sister at the ball, their U.S. premiere of…
-
Los Angeles Theater Review: THE LITTLE DOG LAUGHED (Zephyr Theatre)
THE LITTLE DOG LAUGHED, BUT THE AUDIENCE WASN’T SO LUCKY Douglas Carter Beane’s 2007 Tony-nominated play The Little Dog Laughed is a comedy. Apparently director Jon Cortez did not get that memo. Under his misguided, clueless and inept watch at the Zephyr Theatre, what should be a brisk romp turns into a laborious 2 1/2…
-
Los Angeles Theater Review: RED (Mark Taper Forum)
WHAT WILL YOU SEE IN RED? John Logan’s 2010 Tony-winning Red is a work of art, and the Mark Taper Forum is presenting the 2009 Donmar Warehouse Production, starring the illustrious Alfred Molina as Abstract Expressionist painter Mark Rothko. Attending the play cannot be recommended enough. The script is in many ways a revelation in…
-
Los Angeles Theater Review: BLAME IT ON BECKETT (The Colony Theatre in Burbank)
THE PLAY’S THE THING IN BLAME IT ON BECKETT The Oxford Dictionary defines a dramaturge as “a literary editor on the staff of a theatre who liaises with authors and edits texts”; it is the trials and tribulations of a dramaturge that takes center stage in John Morogiello’s Blame it on Beckett, the second production…
-
Los Angeles Concert Feature: MUSE/IQUE: RICKIE ROCKS (with Rickie Lee Jones at Caltech in Pasadena)
A PERFECTLY ORCHESTRATED EVENING I sincerely hope that you don’t have plans yet for Saturday, August 18. Conductor Rachael Worby will lead a celebration of the American Songbook in an alfresco concert on the Caltech grounds in Pasadena. To call this evening “unique” is an understatement, as it features Rickie Lee Jones accompanied by full…
-
Los Angeles Theater Review: THE MANOR (Greystone Mansion in Beverly Hills)
MIND YOUR MANOR Site-specific theater productions’”that is, theatre which is performed in unconventional spaces compatible to the script’”remain mystifyingly uncommon. For example, why do outdoor versions of A Midsummer Night’s Dream have us sitting on a lawn or in some bleachers, when it could be thrilling to follow actors around in a forested location? Is…
-
Theater Review: MARY POPPINS (National Tour at the Ahmanson Theatre in Los Angeles)
PRACTICAL PERFECTION There is a good-natured pragmatism at work in the stage musical version of the film classic Mary Poppins, now back in Los Angeles at the Ahmanson through September 2. It knows what we want it to be, and in almost every case, it gives it to us happily; with meticulous care and affection’”and…



















