Areas We Cover
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Los Angeles
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Los Angeles Theater Review: WAR HORSE (Ahmanson Theatre)
WHO’LL SAVE THE PLOW HORSE? War Horse is almost critic-proof. It has been garnering all sorts of Best Play awards, but, in truth, there are all sorts of new, unrecognized categories for which War Horse can compete and still come out a winner. Let’s mention a few, why don’t we? The Most Imaginative Use of…
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Los Angeles Theater Review: A MISSIONARY POSITION (REDCAT in Los Angeles)
LEARNING OF A DEATH PENALTY FOR ONE’S EXISTENCE Uganda has an alarming history when it comes to human rights violations, but recent developments against gay people are horrifying. In 2005, Ugandan police arrested a lesbian couple in their home, strip-searched and fondled them, and then released them without filing charges. In 2008, the couple won…
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Los Angeles Theater Review and Commentary: JITNEY (Pasadena Playhouse)
THE SIZZLE’S A FIZZLE It is an uncontestable fact that every play August Wilson wrote justifies being looked at again and again. It has been fascinating to see how the moral, political and emotional life of African-Americans has been given the sweep of history by concentrating on the ten decades of a tumultuous century and…
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Los Angeles Theater Review: FLUFFY BUNNIES IN A FIELD OF DAISIES (The Arena Stage in Hollywood)
FLUFF IS NOT ENOUGH Fluffy Bunnies in a Field of Daisies is precisely the type of title that peaks curiosity leading one to think that with such a clever and catchy name it has to be good. Not so fast. Celebrating its 10-year anniversary production, the show presented by Drew Brody / The Infinite Monkey…
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Los Angeles Theater Review: FELLOWSHIP! (Steve Allen Theater in Hollywood)
RING IT ON! I hadn’t read J.R.R. Tolkien’s The Fellowship of the Ring since junior high, and the movie, which is the first installment of Peter Jackson’s gorgeous film trilogy The Lord of the Rings, left me bewildered at best. To say then that I was dubious attending a musical parody of the popular book and…
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Los Angeles Theater Review: THE BLACK GLASS (Hollywood Fringe Festival)
WHAT WE HAVE HERE IS A FAILURE TO COMMUNICATE Somewhere around half-way through Guy Zimmerman’s The Black Glass, a “Hollywood Fringe Festival premiere,” my mind began to wander. Every opportunity for me to jump on board with this dense, impenetrable, and esoteric mess had been squandered by abstruse writing, obscured plot, elusive character development, and…
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Theater Review: MILLION DOLLAR QUARTET (National Tour)
ROCK ‘N’ ROLL (HIS)TORY People all over the world never seem to tire of Elvis Presley, even if that means watching mediocre impersonators like the “Thai Elvis” at Palm’s Thai restaurant in Hollywood. For an incredibly convincing impression of Elvis, including a one-of-a-kind ensemble performance, simply walk down Hollywood Boulevard to the Pantages Theatre and…
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Los Angeles Theater Review: LOST MOON RADIO EPISODE 12: NIGHT (Hollywood Fringe Festival)
THE FRIEND IN THE DARK Did you ever drive alone across a big, flat stretch of country at night? You and your headlights and the asphalt spinning beneath like a long speckled treadmill – in a certain state of mind it’s easy to see the world as an Earth-sized ball rolling under your wheels. Maybe…
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Los Angeles Theater Review: LOLPERA (Hudson Theatre/Hollywood Fringe Festival)
FINDING CHEEZBURGER AT THE THEATER In a not-too-distant dystopian future in which lolcats are humans’ only form of communication, the epic LOLPERA – a lolcat pop opera – links our memes into a new religion for the Internet age. Ellen Warkentine and Andrew Pedroza’s inspired new work manages to provoke, disturb, and endlessly entertain. The LOLs echo…
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Los Angeles Theater Review: THE NEW ELECTRIC BALLROOM (Rogue Machine Theatre)
THE GIFT OF SPEECH There is no possibility of love or happiness in Enda Walsh’s play The New Electric Ballroom, produced by Rogue Machine, winner of 2010 and 2011 Ovation and L.A. Drama Critics Circle awards. Walsh won a Tony for the book of Once just days before this show opened, and he is widely…
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Los Angeles Theater Review: THE SAVANNAH DISPUTATION (The Colony Theatre in Burbank)
A MISSIONARY’S POSITION At rise: A critic is writing when the doorbell rings. The critic opens the door and reveals Savannah, a perky, Southern, cheerleader-type with pamphlets in her hand. Critic: Yes? Savannah: Hey, y’all! I’m here to spread the news about The Savannah Disputation at the Colony Theatre. It’s kind of like a cross…
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Los Angeles Theater Review: THE LIGHTS ARE OFF (Underground Theatre/Hollywood Fringe Festival)
A WELCOME MATT In Matt Soson’s new dark comedy The Lights Are Off, a college dorm room becomes a hotbed of sex, violence, drug dealing, and explorations of identity. The play centers on roommates grappling with competing moral codes. Bad boy Burnt, played by a gripping Mikey Hawley, battles with his uptight Christian roommate Randy,…
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Los Angeles Theater Review: LANGUAGE ROOMS (Los Angeles Theatre Center)
ATTEND THIS PLAY Go see Language Rooms now. I bought a ticket with no intention of a review, but Yussef El Guindi is far and away one of the most exciting new playwrights I have heard in years. The story takes place in an unnamed interrogation facility at an undisclosed location, and translator and interrogator…
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Los Angeles Theater Review: SHENANDOAH (Alex Theatre and Sherr Forum)
A MUSICAL DIVIDED CAN STILL STAND How I adore Musical Theatre Guild, which is presenting a full-out, highly professional concert staging of the 1975 musical Shenandoah. MTG offers the chance to see rarely-produced musicals with such expertise that the viewer will forget there are even scripts in hand. Accompanied by marvelous musicians, the fully-costumed, lit,…
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Los Angeles Theater Review: POOL (NO WATER) (Monkey Wrench Collective in Hollywood)
CAST DIVES IN HEAD FIRST TO MAKE pool (no water) FLOAT If you’ve been wondering whatever happened to all those experimental communal collective consciousness theater pieces that made New York’s famed La MaMa legendary back in the early 70’s, wonder no more. The art form is alive and well and swimming into The Complex’s Flight…
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Los Angeles Theater Review and Commentary: NO WAY AROUND BUT THROUGH (Falcon Theatre in Burbank)
NO WAY The current production of No Way Around But Through, a world premiere play by Scott Caan, contains many ingredients that explain why L.A. has little to no reputation as a fountainhead of great theater. It is more of a tutorial about the perpetuation of mediocrity than a reviewable event. Certainly, the play is problematic,…
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Los Angeles Theater and Tour Review: THE ADDAMS FAMILY (Pantages Theatre)
REAPPLYING MAKE-UP ON THE SAME CORPSE Your enjoyment of The Addams Family, now on its National Tour, will depend largely on your expectations. If you are a discerning musical theater aficionado who craves a well-crafted story and amazing songs, this will be a head-scratching affair, one which creates more questions than answers. Those who are…
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Los Angeles Theater Review: TAKE ME OUT (Sky Lounge in North Hollywood)
BLACK BOX BASEBALL Rise Above Theatre Movement has proved once again that it is not afraid of performing difficult material. In the young theatre company’s first show, The Last Days of Judas Iscariot, many of the actors were challenged by the play’s unconventional religious content and its lead actor bared his body on stage. In…
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Los Angeles Theater Review: LOS OTROS (World Premiere at the Mark Taper Forum)
¿POR QUÉ? I have been trying to figure out sixty ways from Sunday’s opening of Los Otros just exactly how to approach a critique. The new one-act musical by composer Michael John LaChiusa (The Wild Party) and librettist/lyricist Ellen Fitzhugh (Grind) is essentially two sung-through monologues. For about 45 baffling minutes, The Woman (Michele Pawk),…
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Los Angeles Theater Review: VERY STILL & HARD TO SEE (Lex Theatre in Hollywood)
VERY IMPERVIOUS AND HARD TO GET, OR WHAT THE HELL..? I’m debating whether or not to tell you to go to Hell. Should you choose to go, playwright Steve Yockey will take you there in the world premiere of Very Still and Hard to See, a cluster of sporadically startling but ultimately opaque short stories…



















