Areas We Cover
Categories
Los Angeles
-
Los Angeles Theater Review: MUTUALLY ASSURED DESTRUCTION (Odyssey Theatre in West L.A.)
A VERY COLD WAR BETWEEN THE SEXES I was a huge fan of Peter Lefcourt’s 1999-2001 Showtime series Beggars & Choosers. It was something of a bomb financially but a great favorite of those who work in the entertainment industry, who delighted in its dark yet fizzy take on the business of television — the…
-
Los Angeles Theater Review: Macbeth (The Anteaus Company in North Hollywood)
ANTAEUS’ MACBETH ISN’T DREADFUL, BUT IT DIDN’T FILL ME WITH DREAD The Antaeus Company is not known for shying away from difficult material, especially when it comes to classical theatre, and their talented troupe typically breathes new life into old works with aplomb. Yet, their new double-cast production of Shakespeare’s Macbeth seemed somewhat flat, at…
-
Los Angeles Theater Review: ALL YOUR HARD WORK (Lillian Theatre in Hollywood)
ALL YOUR HARD WORK NEEDS MORE HARD WORK It’s safe to say that no writer sets out to pen an unexceptional play, but despite all of his hard work, the end result falls short. Such is the case with Miles Brandman’s All Your Hard Work, presented by the Brimmer Street Theatre Company and making its…
-
Los Angeles Theater Review: MENTAL CREATURES (Lounge Theatre 2 in Hollywood)
ALL FOR ONE Commonalities of the human experience take center stage in Mental Creatures: An Original Play With Music currently making its world premiere at the Lounge Theatre 2 in Hollywood. Written and performed by Jay Jacobson, the solo venture strives to show the sameness in all of us. Just in case the audience might…
-
Los Angeles Theater Review: AS YOU LIKE IT (The Shakespeare Center of Los Angeles)
“TONGUES IN TREES, BOOKS IN THE RUNNING BROOKS” In order to make me laugh, a Shakespeare comedy must be well-cast. This man’s musings on the darker territories of the heart have never been exceeded in 400 years; nobody has come up with a better picture of human frailty than Macbeth and Lear, and if you…
-
Los Angeles Theater Review: ON GOLDEN POND (The Glendale Centre Theatre)
AIMLESSLY ADRIFT ON GOLDEN POND After seeing the stage version of On Golden Pond, now playing at The Glendale Centre Theatre, it’s impossible not to think how much more rewarding it would have been to stay home, curl up on the couch with a big bowl of popcorn, and watch the 1981 film version starring…
-
Los Angeles Theater Review: PAGEANT OF THE MASTERS: THE GENIUS (Irvine Bowl in Laguna Beach)
“BEAUTY IS A FORM OF GENIUS–IS HIGHER, INDEED, THAN GENIUS, AS IT NEEDS NO EXPLANATION.” Oscar Wilde Years ago, on a neighborhood stroll with my entourage of giggly young Girl Scouts, I caught my first glimpse of the Pageant of the Masters. Lured by faint orchestral strains, we happened upon the fence that bordered the…
-
San Diego Theater Review: HARMONY, KANSAS (Diversionary Theatre)
GOLD DISCOVERED IN THE PLAINS I rolled my eyes when I heard about the plot of Harmony, Kansas, a musical having its world premiere at Divisionary Theatre in San Diego. Heath is a gay Kansan farmer who lives with his cultured boyfriend Julian in a rural community, but Julian longs for more than just an…
-
Los Angeles Theater Review: LA CAGE AUX FOLLES (Pantages Theater in Hollywood)
COME FOR GEORGE HAMILTON, STAY FOR CHRISTOPHER SIEBER The national tour of La Cage aux Folles leaves its audience basking in the warm afterglow of a delightful musical comedy. As an enthused audience member behind me exclaimed at intermission, “I want to live inside this show!” – and no wonder. The Broadway revival of this…
-
Theater Review: THE EXORCIST (Geffen Playhouse)
NO EVIL. NO GOOD. There are few who do not know the story. The devil possesses Regan, the innocent 12-year-old daughter of movie star Chris MacNeil, who is working on a film in Georgetown. A bevy of fascinating characters, most of whom are experiencing a crisis of faith (religious or otherwise), become tested to their…
-
Los Angeles Theater Review: THE IRISH CURSE (Odyssey Theatre in West L.A.)
I AM NOT MY COCK When a new Godzilla movie came out in 1998 the marketing pundits urged, “Size does matter.” But when it comes to a woman’s sexual satisfaction with her partner’s penis size, apparently size doesn’t matter, at least, not to most women. Yet, many men seem to be obsessed with the size…
-
Los Angeles Theater “Reviews”: PLAYS IN THE PARK (Santa Monica Playhouse) and GRACE NOTES & ANVILS (Odyssey Theatre)
TWO CRITICS; TWO STAGED READINGS; BASICALLY ONE OPINION From Jason Rohrer: Plays in the Park, Brian Conners’ collection of one-acts (only one of which is set in a park), intends to showcase its writer (who also directs) in the glow of its rotating cast of Actors’ Studio headliners. Mark Rydell, Ed Asner and Esai Morales…
-
Regional Theater Review: INHERIT THE WIND (The Old Globe in San Diego)
CREATIONISM VS. EVOLUTION; RELEVANCE VS. TIMELESSNESS Dubbed “The Trial of the Century” (with rhetorical apologies to O.J.), the actual 1925 trial that inspired Inherit the Wind marks a milestone in the American legal system: The first time science vs. religion found its way to the public courthouse. The Scopes trial (named after defendant John Scopes,…
-
San Diego Theater Feature: THE OLD GLOBE 2012 SHAKESPEARE FESTIVAL (Lowell Davies Festival Theatre)
ALL THE WORLD’S A GLOBE After previewing in the month of June, The Old Globe officially opens the 2012 Shakespeare Festival this week. Adrian Noble returns for his third season as the internationally renowned festival’s Artistic Director, taking the helm on both Inherit the Wind and As You Like It, while British director Lindsay Posner…
-
Los Angeles Theater Review: MONTY PYTHON’S SPAMALOT (Carpenter Performing Arts Center in Long Beach)
GRIN AND SMILE AND LAUGH-ALOT Full disclosure: I am a big fan of Monty Python and have seen five productions of Monty Python’s Spamalot. On Broadway, in Vegas, two touring companies in Los Angeles and now Musical Theatre West’s production currently running at The Carpenter Performing Arts Center in Long Beach. High art it is…
-
Los Angeles Theater Review: THAT GOOD NIGHT (The Road Theatre in North Hollywood)
THIS ALMOST GREAT NIGHT Andrew Dolan, a working actor perhaps better known as a writer, had his second completed play produced first, in a Los Angeles world premiere: last season’s knockout EST production of his very smart race-and-academic politics piece, The Many Mistresses of Martin Luther King. That play exemplifies all that is most promising…
-
Los Angeles Theater Review: WAR HORSE (Ahmanson Theatre)
WHO’LL SAVE THE PLOW HORSE? War Horse is almost critic-proof. It has been garnering all sorts of Best Play awards, but, in truth, there are all sorts of new, unrecognized categories for which War Horse can compete and still come out a winner. Let’s mention a few, why don’t we? The Most Imaginative Use of…
-
Los Angeles Theater Review: A MISSIONARY POSITION (REDCAT in Los Angeles)
LEARNING OF A DEATH PENALTY FOR ONE’S EXISTENCE Uganda has an alarming history when it comes to human rights violations, but recent developments against gay people are horrifying. In 2005, Ugandan police arrested a lesbian couple in their home, strip-searched and fondled them, and then released them without filing charges. In 2008, the couple won…
-
Los Angeles Theater Review and Commentary: JITNEY (Pasadena Playhouse)
THE SIZZLE’S A FIZZLE It is an uncontestable fact that every play August Wilson wrote justifies being looked at again and again. It has been fascinating to see how the moral, political and emotional life of African-Americans has been given the sweep of history by concentrating on the ten decades of a tumultuous century and…
-
Los Angeles Theater Review: FLUFFY BUNNIES IN A FIELD OF DAISIES (The Arena Stage in Hollywood)
FLUFF IS NOT ENOUGH Fluffy Bunnies in a Field of Daisies is precisely the type of title that peaks curiosity leading one to think that with such a clever and catchy name it has to be good. Not so fast. Celebrating its 10-year anniversary production, the show presented by Drew Brody / The Infinite Monkey…



















