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Los Angeles
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Review: HOLLYWOOD BOWL JAZZ FESTIVAL 2024
JAZZ ‘N’ STUFF Summer and the heat has arrived at the Hollywood Bowl along with the annual Hollywood Bowl Jazz Festival which took place on Saturday June 15, the date for this review, and Sunday June 16, 2024. Co-curated by Kamasi Washington and Herbie Hancock, this is the third year under the new moniker after…
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Opera Review: RUSALKA (Pacific Opera Project at Descanso Gardens in La Cañada Flintridge)
NYMPH LOADS Pacific Opera Project (POP) is staging the Los Angeles premiere of Antonín Dvořák’s Rusalka at the picturesque Descanso Gardens. This 1901 opera, one of the most renowned in the Czech repertoire, tells the haunting story of a water nymph who falls in love with a human prince. The libretto, penned by Jaroslav Kvapil,…
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Theater Review: THE ANTI YOGI (part of the Hollywood Fringe)
Mayuri Bhandari, an unenthusiastic gorgeous yoga instructor, has something to get off her chest. She’s miffed at how Western folks have commercialized the practice and teaching of yoga, turning an ancient, sacred practice into a commodity. In The Anti Yogi, which I caught at a packed encore performance at The Zephyr Theatre on July 10,…
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Theater Review: UNBROKEN BLOSSOMS (East West Players)
A TIME-TRAVELING UNBROKEN BLOSSOMS REVEALS BIGOTRY AND MISOGYNY Before seeing the world premiere of Unbroken Blossoms by Philip W. Chung at East West Players, I had never heard of the 1919 American silent film Broken Blossoms, directed by D. W. Griffith starring Lillian Gish and Richard Barthelmess, in which a frail waif is abused by her…
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Theater Review: DESIGN FOR LIVING (Odyssey Theatre)
MEET NOËL COWARD’S THROUPLE OF ARTISTS IN THE 1930s Design For Living is one of Noël Coward’s less performed plays but it fair crackles with bons mots — you know you’re in good hands when delightfully old-fashioned words like “horrid,” “bloody,” “cheap,” and “vulgar” are tossed around with, well, gay abandon. Odyssey Theatre Ensemble is…
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Highly Recommended Reading: THE PEOPLE vs. LENNY BRUCE (Garry Marshall Theatre in Burbank)
The People vs. Lenny Bruce, presented by Cause Célèbre Productions and Henderson Productions, is the third segment of All The Court’s A Stage, a series of plays that are based on seven of Martin Garbus‘s cases. With a dramatic adaptation by Susan Charlotte from the 1964 obscenity case, and directed by Antony Marsellis, it will make its Los Angeles…
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Theater Review: EXPATRIATED (The Broadwater Second Stage as Part of the Hollywood Fringe Festival)
A NICE EXPAT ON THE HEAD Now, here’s a fascinating show. Two former lawyers (the best kind I say) and whip-smart writers, Dominique Roberts and Candace Leung, wrote and starred in Expatriated at the Hollywood Fringe Festival. In a dizzying series of vignettes, we meet a white lawyer sent to Hong Kong and a Hong…
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Theater Review: THERE’S SOMETHING SERIOUSLY WRONG WITH CYRUS: HOW I WENT FROM A HOT MESS TO A HOT BITCH (Zephyr Theatre as part of the Hollywood Fringe Festival)
THERE MAY BE SOMETHING WRONG WITH CYRUS, BUT NOT SO MUCH HIS SHOW Meet Cyrus Deboo. An adult actor who, against all the odds and ends of a traditional Persian upbringing, blossomed into an out gay man in a loving relationship, and with the eventual acceptance from his dad. In There’s Something Seriously Wrong with…
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Theater Review: CHESS (Jaxx Theatricals)
ALL THE RIGHT MOVES I’m rather certain that most folks in the U.S.A. have no idea that Chicago is one of the best theater towns in the world. The reason for this is storefront theaters, which have given birth to amazing companies such as Steppenwolf. Los Angeles used to have these but, especially with Equity…
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Theater Review: THE ADDAMS FAMILY (Long Beach Playhouse)
IT’S SILLY BUT NOT KOOKY (SNAP, SNAP) Every generation, there is an iconic TV family that defines the era. From the perfect clan of The Donna Reed Show to the trashy hellscape of Keeping Up with the Kardashians, American audiences have always been enamored by family drama. After all, is anything more universal than having…
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Music Review: PICTURES AT AN EXHIBITION: THE PAINTINGS OF BOB PEAK (Walt Disney Concert Hall)
PICTURE THIS: ASTOUNDING NEW MUSIC On Friday, June 14, music producer Robert Townson fulfilled a 25-year dream, premiering in partnership with Abu Dhabi Festival a new symphony, Pictures at an Exhibition: The Paintings of Bob Peak, at Walt Disney Concert Hall with the Los Angeles Film Orchestra and conductor Leonard Slatkin. It was a sprawling evening…
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Theater Review: PSYCHO BEACH PARTY (The Matrix Theatre)
CAMPING ON THE BEACH Psycho Beach Party, a totally campy creation written by Charles Busch, is not your typical 50s and 60s beach blanket movie with Frankie and Annette innocently dancing and singing in the sand. With several cross-dressing cast members, mischief, madness, and the passionate pursuit of the perfect wave — or man —…
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Dance Review: ANNA KARENINA (Joffrey Ballet at the Dorothy Chandler in L.A.)
Like so many other little girls growing up in Los Angeles in the 1950s, my mother enrolled me in ballet lessons hoping her dream of me becoming a prima ballerina would be achieved. Of course, that was never going to happen, but it did teach me the difference between my right and left foot when…
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Theater Review: REEFER MADNESS (The Whitley in Hollywood)
AN EVENT TO MAKE YOU HIGH No doubt spurred by William Randolph Hearst’s yellow-journalism against pot (he invested in wood-pulp newsprint because he didn’t want paper made from hemp), a church group in 1936 sponsored a film aimed at warning young people about the dangers of marijuana. One of the worst films ever made, Reefer…
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Theater Review: FEMMINA SUPER (Broadwater Main Stage at the Hollywood Fringe Festival)
SUPER FEMMINA SUPER To say that I was fascinated with Femmina Super is an understatement. The show is subtitled, “A New Opera,” which normally has me running in the other direction, as newer operas tend to be atonal and opaque and pretentious. Writer-composer-performer Bethany Hill offers just the opposite. I fear that subtitle may scare…
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Theater Opening: MEMNON (Getty Villa in Malibu)
This fall, the Getty Villa Museum and the Classical Theatre of Harlem will present the world premiere of Memnon for the 18th annual Villa Outdoor Classical Theater production. Memnon is directed by Carl Cofield, associate artistic director of the Classical Theatre of Harlem, and is written by Will Power. The Memnon cast includes Eric Berryman in the title…
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Theater Review: TINY FATHER (Geffen Playhouse)
GOOD LESSONS COME IN SMALL PACKAGES Sometimes life throws you for a loop when fun times take a turn in unexpected ways, changing your whole life in an instant. Such is the story at the center of the 90-minute two-hander tiny father, written by Mike Lew (Tiger Style!), and directed by Moritz von Stuelpnagel at…
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Theater Review: SUCK MY TONGUE (Catharsis Theatre Collective at the Hollywood Fringe Festival)
A PREMISE THAT DOESN’T SUCK I have dealt with PR firms for 15 years now, both in (mostly) and out of the arts world. Some may say that public relations is a strategic communication practice that builds mutually beneficial relationships between businesses or individuals and their audience. Sounds good, but advisors, pollsters and media consultants,…
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Highly Recommended Theater: BBC – BIG BLACK COCKROACH (REDCAT)
What Happens When a Right-Wing White Woman Wakes up Trapped in the Body of a Black Man? LA’s beloved and acclaimed writer and theatre performer Paul Outlaw presents his latest work BBC (Big Black Cockroach) at REDCAT in downtown Los Angeles. This outrageous and provocative world premiere begins tomorrow June 20 and runs through June 22,…
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Opera Review: THE COMET/POPPEA (MOCA and The Industry at the Geffen Contemporary Museum at MOCA)
BOTH YOUR HEAD AND THE STAGE WILL BE SPINNING When The Industry’s new opera, The Comet / Poppea, a smash-up between Claudio Monteverdi and Giovanni Busenello’s 1643 L’incoronazione di Poppea and George Lewis and Douglas Kearney’s The Comet began, I developed a sinking feeling. Both operas are performed simultaneously, but I was seated on the side…



















