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Los Angeles
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Theater Reviews: LA CAGE AUX FOLLES; JOAN; FIRST DATE; CAROL COOKE DIED FOR MY SINS; BEING PIAF; RENT; A GOING AWAY PARTY PLAY (various theaters throughout L.A.)
WHAT’S YOUR STORY? In the “It’s Not the Story, It’s in How You Tell It” Department, an incredible number of shows I saw in the last month have incredible tales to tell, but falter in their context. Listen, storytelling is in our genes ever since cavemen told their friends how they caught a mammoth. From…
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Theater Review: LA CAGE AUX FOLLES (Pasadena Playhouse)
LA CAGE: STRIPPED OF ITS FEATHERS In Sam Pinkleton‘s well-intentioned but ultimately discordant revival of La Cage aux Folles at the Pasadena Playhouse, that old showbiz maxim about the show must going on feels less like a triumph than a duty. This production of Jerry Herman and Harvey Fierstein’s landmark 1983 musical about love, family,…
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Theater Interview: SANDRA TSING LOH (“I’ll Burn That Bridge When I Come to It” Work-in-Progress at The Odyssey Theatre)
BURNING BRIDGES It takes a brave soul to speak out about getting back at those who got you cancelled, especially when the names that are blamed can theoretically destroy any chance of continuing in your chosen profession. But that is exactly what Sandra Tsing Loh is doing in her latest work-in-progress, I’ll Burn That Bridge…
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Theater Review: ARMS AROUND AMERICA (Dan Froot & Company; World Premiere at The Nimoy Prior to Tour)
VOICES INSTEAD OF BULLETS Although Arms Around America, which opened last night at The Nimoy in Westwood, is about guns and their people (or “ammo-sexuality,” to steal a wonderful phrase from the show), it is also a feast of sounds, a display of musical bravura and an all-around fabulous evening of unconventional live theatre. Serving…
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Theater Review: WAITING FOR GODOT (Geffen Playhouse)
70 YEARS ON, AND WE’RE STILL WAITING You will never be happy if you continue to search for what happiness consists of. You will never live if you are looking for the meaning of life. — Albert Camus, playwright and novelist Aasif Mandvi and Rainn Wilson Samuel Beckett’s Waiting for Godot has generated volumes of…
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Cabaret Review: EMILY GOGLIA PRESENTS THE LIMELIGHT CLUB (The Moon Room on Melrose)
TOO DARN HOT, EMILY! Hello, all you cabaret junkies. Have I got a surprise for you. And in Los Angeles of all places. I happened upon a true cabaret, the kind I go to New York for — ya know, Birdland, Green Room 42, The Duplex — but I found a lovely locale called The Moon…
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Theater Review: PACIFIC OVERTURES (East West Players / Los Angeles)
EAST WEST PLAYERS PULLS OUT ALL THE SHOGUNS FOR A RARELY SEEN SONDHEIM MUSICAL On Sunday, East West Players opened their new production of Pacific Overtures by Stephen Sondheim (music and lyrics) and John Weidman (book). From 1976, this is one of Sondheim’s more overlooked shows. If you’ve never seen this unusual musical, this will…
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Concert Review: VENETIAN SPLENDOR: Vivaldi Four Seasons & Gondola Songs (Avi Avital and SF’s Philharmonia Baroque Orchestra, SoCal Tour: Soka, Granada Theatre, The Soraya)
BRAVO, AVI! As part of a SoCal tour, Israeli Mandolinist Avi Avital and San Francisco’s Philharmonia Baroque Orchestra stopped at at Soka University Concert Hall on Sunday, Nove 10, 2024. The concert’s main feature was Vivaldi’s Four Seasons, with the solo violin part transcribed to Mandolin by Avital himself. The program repeats tomorrow night Nov…
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Theater Review: FIDDLER ON THE ROOF (starring Jason Alexander at La Mirada Theatre for the Performing Arts)
JASON ALEXANDER ISN’T FIDDLING AROUND — HIS POIGNANT PERFORMANCE GROUNDS THIS REVIVAL In Lonny Price’s revival of Fiddler on the Roof, Jason Alexander’s performance as Tevye stands out as the production’s defining accomplishment. Alexander, well known for his comedic prowess on television, surprises here by sinking into the rich, layered pathos of Tevye — a…
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Theater Review: PRIVATE EYES (Theatre Palisades)
PRIVATE EYES IS SO PRIVATE THAT YOU’LL CROSS YOUR EYES TRYING TO FIGURE IT OUT Perhaps Shakespeare was right to say “All the world’s a stage, and all the men and women merely players.” At least that seems to be the case in Steven Dietz’s Private Eyes, a “Comedy of Suspicion” now onstage at Theatre…
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Theater Review: BACK TO THE FUTURE: THE MUSICAL (National Tour)
TIME I’LL NEVER GET BACK Without hyperbole, I can say that Back to the Future is the worst musical I have ever seen. Any time I see a show that truly knocks it out of the park, it fills me with so much joy to be able to review it. Nothing quite compares to the…
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Opera Review: DON BUCEFALO (Pacific Opera Project at The Garibaldina in Los Angeles)
PACIFIC OPERA PROJECT UNEARTHS A TREASURE In the often unexplored corners of the operatic repertoire lie forgotten gems that, when rediscovered, shine brightly. Pacific Opera Project’s revival of Don Bucefalo by Antonio Cagnoni is one such treasure. Premiering in Milan in 1847, Don Bucefalo enjoyed considerable success in its time but has since slipped into…
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Theater Review: DIVA THE PLAY (Zephyr Theatre)
MEMORIES OF CHERISHED TIMES As we age and our memories fade away, certain items from our lifetime can trigger both happy and unpleasant memories, making us feel in the moment without worrying about what we may have already forgotten. Thus, your life can become a joyous celebration of happy times filled with love and great…
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Opera Review: SANCTA SUSANNA: A HORROR OPERA (Source/Filter Music Collective at Heritage Square Museum)
OH, SUSANNA!! For two performances only, October 24 & 25, 2024, two-year old Source/Filter Music Collective took a big step, producing its first fully-staged opera: Paul Hindemith (music) and August Stramm’s (libretto) scandalous 1921 Sancta Susanna. Timed for Halloween and staged inside the Lincoln Avenue Methodist Church at Heritage Square Museum, this production also marked…
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Opera Review: ROMEO & JULIET [ROMÉO ET JULIETTE] (Los Angeles Opera)
The Los Angeles Opera‘s revival of Gounod‘s Roméo et Juliette dazzled in its opening performance last night, thanks to extraordinary vocal performances and masterful conducting. With Amina Edris and Duke Kim delivering passionate portrayals of the star-crossed lovers, and Domingo Hindoyan leading the orchestra in a lush, romantic interpretation of Gounod’s score, the evening was…
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Recommended Theater: LIFE AND TIMES OF MICHAEL K (Handspring Puppet Company and Baxter Theatre at The Wallis)
THE WALLIS HOSTS EXTRAORDINARY THEATER Handspring Puppet Company (War Horse) joins Cape Town’s Baxter Theatre to bring Life & Times of Michael K to the Bram Goldsmith Theater at The Wallis in Beverly Hills November 21 to 24, 2024. I was lucky enough to catch it at St. Anne’s Warehouse in Brooklyn and it’s a must-see to…
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Theater Review: THE ORPHANS’ REVENGE (The Group Rep at Lonny Chapman Theatre in North Hollywood)
TIED TO THE RAILROAD TRACKS OF A SILLY MELODRAMA, OR CUTE CAN ONLY GO SO FAR Popular during the Victorian era in England, a melodrama is a sensationally overly dramatic piece with lots of comedy, especially when the exaggerated characters (the ingénue, handsome leading man, older wiser woman, and dastardly villain) break the fourth wall…
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Concert Review: RUFUS-RETRO-WAINWRIGHT-SPECTIVE (Rufus Wainwright at The Wallis in Beverly Hills)
A RUFUS CONVERT During Rufus Wainwright‘s homey, intimate concert last night at the packed 500-seat theater at The Wallis in Beverly Hills, he chuckled that he didn’t really want to do A Rufus-Retro-Wainwright-Spective again. Constantly appearing in different shows, he noted that the three-night engagement here was “a lot.” And he ain’t kiddin’. Over three nights,…
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Highly Recommended Concert: WE ARE VERY BIZET (The Verdi Chorus Fall 2024 Concert Celebrating Verdi and Bizet)
“VOTRE TOAST” TO THE VERDI CHORUS The Verdi Chorus’s 41st season begins with its Fall 2024 show, We Are Verdi Bizet, led by Anne Marie Ketchum, who is has been, well, very busy as the Artistic Director for 41 consecutive years. The Verdi Chorus is the only choral group in Southern California that focuses primarily…
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Highly Recommended Screening: MUSIC BY JOHN WILLIAMS (West Coast Exclusive at El Capitan Theatre in Hollywood)
GET READY TO BE INSPIRED Music By John Williams, an all-new documentary on the life and career of the legendary composer, will have a limited theatrical release, but beginning Friday, the El Capitan Theatre in Hollywood will be showing a West Coast Exclusive in a limited engagement November 1-7, 2024. From his early days as…
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