Areas We Cover
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Los Angeles
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Theater Review: IT’S ONLY A PLAY (Torrance Theatre Company)
FRANTIC ANTICS FUEL THE HUMOR Terrence McNally updated his 1986 Off-Broadway comedy It’s Only a Play for Broadway in 2014 featuring an all-star cast including F. Murray Abraham, Matthew Broderick, Stockard Channing, Nathan Lane, and Megan Mullally. It’s a farcical, devilishly witty look behind the scenes at the opening night party of a play whose cast,…
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Music / Film Review: PHOTOPLAY MUSIC: NEW WORKS FOR THE SILENT FILM ERA (HOCKET, Sarah Gibson and Thomas Kotcheff at The Nimoy)
NEW MUSIC FOR SILENT FILMS COULD HAVE BEEN ABOUT BOTH MUSIC AND FILM On May 21, UCLA’s Center for the Art of Performance (CAP UCLA) hosted Piano Spheres and the piano duo HOCKET as they premiered three new scores for a trio of unannounced French silent films at The Nimoy. Sarah Gibson, one half of…
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Exhibit Review: HOLLYWOODLAND: JEWISH FOUNDERS AND THE MAKING OF A MOVIE CAPITAL (Academy Museum of Motion Pictures)
GIVING JEWISH IMMIGRANTS AND FILM FOUNDERS THEIR DUE — PERMANENTLY As its first permanent exhibition, The Academy Museum of Motion Pictures is presenting Hollywoodland: Jewish Founders and the Making of a Movie Capital which tells the origin story of filmmaking in early 20th-century Los Angeles, spotlighting the impact of the predominantly Jewish filmmakers whose establishment…
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Theater Announcement: SUGAR DADDY (Sam Morrison at The Wallis in Beverly Hills and Broadway)
Sugar Daddy, a new production of comedian and actor Sam Morrison’s hilariously funny, unexpectedly moving one-man show, will play the Wallis Annenberg Center for the Performing Arts in Beverly Hills September 20-October 13, 2024 prior to Broadway in 2025. The production will be directed by Tony Award nominee and Drama Desk Award winner Stephen Brackett (Broadway: A Strange Loop). One…
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Theater Review: JELLY’S LAST JAM (Pasadena Playhouse)
MUSIC, MEMORY AND MORTALITY: THE MAGIC OF JELLY’S LAST JAM In the resplendent realm of musical theatre, Jelly’s Last Jam has once again ascended to prominence. Recently produced as a concert version by Encores! in New York, Angelinos get an all-new full-out revival, now gracing the stage of the Pasadena Playhouse, where the show opened…
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Theater Review: THE SANDWICH MINISTRY (Skylight Theatre)
BUILDING BONDS OVER BREAD AND BUTTER In the evocative narrative of Miranda Rose Hall‘s The Sandwich Ministry, — which opened last Saturday at Skylight Theatre — the audience is invited to partake in a touching and contemplative journey through the lives of a trio of women, set within the humble confines of a church’s parish…
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Theater Review: FUNNY GIRL (National Tour at Segerstrom Hall)
THERE’S A STAR IN THIS DUSTY OLD COUCH OF A MUSICAL Funny Girl — the musical narrative of the ugly duckling turned Ziegfeld star turned tragic heroine — takes center stage once more. With beloved songs written by Jule Styne and Bob Merrill, Isobel Lennart‘s 1964 book was updated by Harvey Fierstein for Broadway in…
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Cabaret Review: LUCIE ARNAZ: I GOT THE JOB! SONGS FROM MY MUSICAL PAST (Tour)
WHAT CAN I SAY EXCEPT, “I LOVE LUCIE” It has been said that the greatest art in the world is the art of storytelling and Lucie Arnaz is masterful at it. In her career of forty-five plus years in musical theater, Arnaz has amassed an impressive array of anecdotes and songs which she shared with…
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Music Review: DUDAMEL CONDUCTS HARRY POTTER (John Williams Spotlight, LA Phil)
COMPARED TO FANTASIA, NOT SO FANTASTIQUE Gustavo Dudamel and the Los Angeles Philharmonic concluded its orchestral season and its Spotlight on John Williams series on May 19 with a family-oriented program: Dudamel Conducts Harry Potter. Williams’ music is always an exciting proposition, but the program, the first half of which was dominated by another composer,…
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Theater Review: TOPSY TURVY: A MUSICAL GREEK VAUDEVILLE (World Premiere at The Actors’ Gang)
YOU’RE THE TOPSY TURVY During the forced shutdown of theaters due to the COVID pandemic, The Actors’ Gang in Culver City kept its employees on salary and health insurance, adapted their outreach programs in schools and prisons to a virtual format, and continued workshops with its actors online. The group’s Artistic Director Tim Robbins shared,…
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Theater Review: THE EXPLORER’S CLUB (Theatre 40 in Beverly Hills)
A PLAY NOT WORTH EXPLORING Doggedly determined to fight yesterday’s battles, Nell Benjamin’s farce The Explorers Club manically mocks the heyday of male British explorers. Fuddy-duddy adventure seekers with aboriginal blood on their hands, these intrepid trekkers did a lot more than find the source of the Nile; they blazed a trail for imperialism, colonialism, racism and misogyny….
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Theater Review: UNSAVORY FELLOW (Ruskin Group Theatre)
UNSAVORY IS SAVORY INDEED Those of us who grew up on the Westside of Los Angeles certainly remember hanging out on the Venice and Santa Monica beaches when we were kids. Times then were as innocent as we were, and our parents had no fear that predators were lurking about trying to do us harm….
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Theater Review: THE LAST FIVE YEARS (The Sierra Madre Playhouse)
THE LAST FIVE YEARS AT SIERRA MADRE CAN BE SEEN IN DIFFERENT COMBINATIONS Last weekend, Sierra Madre Playhouse opened what seems like a bewildering number of performance configurations of their new revival production of Jason Robert Brown’s 2001 musical The Last Five Years. The two-hander is double cast and also offers two types of accompaniments:…
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Theater Review: STALIN’S MASTER CLASS (Odyssey Theatre)
A DICTATOR DICTATES MUSIC IN STALIN’S MASTER CLASS In a time when politics collide with state and federal budgets for the arts, Stalin’s Master Class — a wildly comic, music-filled ride by British playwright David Pownall — is all too relevant for today’s audiences. Odyssey Theatre Ensemble founding artistic director Ron Sossi helms with his unique…
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Theater Review: MISALLIANCE (A Noise Within in Pasadena)
UNDERWEAR TYCOONS AND AERIAL INTRUSIONS: THE UNRAVELING COMEDY OF MISALLIANCE So, you stroll into the theater, right? You see this fancy conservatory set up, all English manor-style, and you think, “Oh, a nice, polite little comedy is about to unfold.” But hold your horses! George Bernard Shaw, that sly old fox, has other plans with…
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Opera Review: TURANDOT (Los Angeles Opera)
A NIGHT OF MAJESTY Giacomo Puccini‘s magnum opus Turandot was posthumously completed by his compatriot Franco Alfano. This opera, which premiered at La Scala in 1926 under the baton of Arturo Toscanini, signifies the swan song of the Italian operatic movement, a tradition tracing its roots back to the early baroque compositions of Peri and Monteverdi….
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Theater Review: GOING MAD: ALICE IN HOLLYWOODLAND (Odyssey Theatre)
MAD ABOUT GOING MAD Los Angeles-based Theatre Movement Bazaar is dedicated to developing a unique style of theatre rooted in physical action which merges dance, theatre, music, and cinema, heightening physicality to create provocative storytelling. Their latest production at the Odyssey Theatre, Going Mad: Alice in Hollywoodland, was written by Richard Alger and directed by…
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Theater Review: GHOST WALTZ (Latino Theater Company at Los Angeles Theatre Center)
BRINGING BACK ROSAS’ BLOOM The inaugural presentation of the Latino Theater Company‘s 2024 season, Ghost Waltz stands as a testament to the company’s commitment to groundbreaking theatrical endeavors. Commissioned by the company, penned by local playwright Oliver Mayer and deftly helmed by director Alberto Barboza, this production transcends mere entertainment, serving as an enlightening exploration…
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Theater Review: WONDERFUL JOE (Ronnie Burkett Theatre of Marionettes at The Nimoy
RONNIE BURKETT HAS THE WORLD ON A STRING You haven’t lived until you’ve seen Santa as a beer-bellied, Silverlake bear puppet twerking in a nightclub with Jesus and the Tooth Fairy. Wonderful Joe, presented by Ronnie Burkett, OC, and his Theatre of Marionettes this past weekend at The Nimoy in Westwood, was an experience I…
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Opera Review: ELĪNA GARANČA (Recital Tour at BroadStage)
On the auspicious evening of Friday, May 10, 2024, the audience at BroadStage in Santa Monica was graced with a recital of exceptional caliber, featuring the illustrious mezzo-soprano ElÄ«na GaranÄa, whose performance was augmented by the symphonic grandeur of a full orchestra. ElÄ«na GaranÄa, whose reputation as a preeminent mezzo-soprano in the classical music sphere is…



















