Areas We Cover
Categories
Los Angeles
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Film Restoration and Screening: TIME OF THE HEATHEN [1961] (directed by Peter Kass)
4K Restoration Nationwide Screenings Include May 10 in NY at Film at Lincoln Center (Opening) and May 12 in LA at the American Cinematheque Emerging from the void, mysterious drifter Gaunt (The Sting’s John Heffernan) wanders the upstate countryside in a daze with only his bible for company. But after happening upon the murder of…
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Jazz Concert Review: HERBIE HANCOCK (Disney Hall)
STILL CRAZY AMAZING AFTER ALL THESE YEARS Piano/keyboard legend Herbie Hancock, whose trailblazing role introducing synthesizers and new audio technologies to jazz and funk make him one of the most influential musicians in jazz history, made it to Walt Disney Concert Hall on April 20 2024. A 14-time GRAMMY Award-winner, Hancock has been in the creative…
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Theater Review: HITLER’S TASTERS (Rogue Machine)
MEAN GIRLS MEETS THE THIRD REICH Three teenage girls sit at a table in a bunker of some kind bored out of their minds tasting food three times a day before it is sent off to Hitler. They have clearly been convinced that this job is a privilege, for if one should die of poisoning…
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Theater Review: URBAN DEATH (Zombie Joe’s Underground)
KINK SHAME: AN ENTERTAINMENT FOR THE MASSES In North Hollywood, the audience’s senses were assaulted, mainly by each other, in the reception room before we even got into the theater for the return of Zombie Joe’s Underground Theatre Group‘s signature production Urban Death, a cornucopia of short, and I mean brief, minutes-long scenes of the…
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Concert Review: NO MORE WATER / THE FIRE NEXT TIME; THE GOSPEL OF JAMES BALDWIN (Meshell Ndegeocello presented by CAP UCLA at United Theatre on Broadway)
MESHELL, MY BELL “Free like a bird,” the Swahili meaning of the eclectic singer-songwriter and rapper Meshell Ndegeocello’s last name (pronounced N-dee-gay-o-cello), describes the essence of her No More Water/The Fire Next Time; The Gospel of James Baldwin performance at The United Theatre on Broadway presented by CAP UCLA. Inspired by American writer and civil rights…
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Theater Review: JERSEY BOYS (La Mirada Theatre)
THE BOYS ARE BACK AND BETTER THAN EVER In the never-ending array of jukebox musicals that have lit up Broadway’s vibrant landscape, Jersey Boys shines like a brilliant star. Premiering in 2005, this musical biography of The Four Seasons skillfully transcends the usual by-the-number plot, weaving a rich tapestry that intertwines their legendary hits with…
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Theater Review: MONSTERS OF THE AMERICAN CINEMA (Rogue Machine at the Matrix Theatre
A MONSTER MASH Like most boomers, I was raised watching black-and-white horror movies. Both frightening and amusing, those giant ants, grasshoppers and spiders attacking some innocent town were the best action movies back in the day. And once seen, the major monsters — King Kong, Godzilla, The Blob, Frankenstein, Dracula, et al. — are not forgotten. In…
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Theater Review: KING (Pat Kinevane at the Odyssey)
A ROYAL KING From the moment Irish actor extraordinaire Pat Kinevane appears out of the darkness as if in a dream, his lithe body moving as seductively as a snake into a sexy Argentine Tango, you will be entranced to meet Luther, a lonely Elvis Impersonator looking for love in all the wrong places. Taking…
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Highly Recommended Opera Recital: ELĪNA GARANÄŒA (Tour at Santa Monica’s BroadStage)
ONE-NIGHT ONLY: ELĪNA GARANÄŒA RECITAL Mezzo-soprano ElÄ«na GaranÄa will be returning to Santa Monica’s BroadStage for a performance as part of their Celebrity Opera Recital series bringing noted opera talents to the BroadStage, offering local audiences an opportunity to experience high-caliber operatic performances.. The event will take place on Friday, May 10, 2024, at 7:30…
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Theater Review: PRELUDE TO A KISS, THE MUSICAL (World Premiere at South Coast Rep in Costa Mesa)
WITH A MAGICAL IMBALANCE, THIS KISS IS MORE LIKE A PECK In the world of theater, revivals and adaptations often serve as a bridge between eras, illuminating how the sensibilities of one time can resonate, or clash, with those of another. Craig Lucas‘s Prelude to a Kiss, originally developed as a 70-minute play commissioned by…
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Concert Review: PATTI LUPONE: A LIFE IN NOTES (Tour)
A LEGEND IN THE LIMELIGHT Patti LuPone’s Enchanting Evening at the Dorothy Chandler Pavilion “Music holds a transformative power, the ability to encapsulate a moment in crystalline clarity,” proclaimed a visibly moved Patti LuPone, moments after her arrival on stage for her international tour stop at the Dorothy Chandler Pavilion to a resounding welcome, setting…
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Art Review: WILD THINGS ARE HAPPENING: THE ART OF MAURICE SENDAK (International Tour at Skirball Center)
MAURICE SENDAK ’” WILD AT HEART Some of us had the good fortune of growing up with the wondrous and zany work of Maurice Sendak. We didn’t know it at the time, but Sendak was in the midst of something quite extraordinary’”a decades-long manifestation of a galaxy of stories and art where children befriend monsters,…
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Theater Review: KING HEDLEY II (A Noise Within)
A Noise Within continues their 2023-2024 season with a fine production of King Hedley II by August Wilson. This ninth play in his ten-play cycle about the Black experience in twentieth-century America is loaded with the symbolism, spirituality, and superstition we have come to know from his writings. The exceptionally talented Aaron Jennings plays the…
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Theater Review: OPHELIA (World Premiere at the Odyssey)
I FEEL YA, OPHELIA Acclaimed playwright, director, and actor Stefan Marks has outdone himself taking on three roles in his World Premiere play Ophelia, now at the Odyssey Theatre through May 18. It’s a tale of family history, the journey to find love, the heartbreak of dementia, struggling to forgive yourself for past mistakes, and…
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Dance Review: WOOLF WORKS (American Ballet Theatre – North American Premiere)
WOOF! WOOLF WORKS WORKS! Virginia Woolf’s novels have had a profound impact on literature, inspiring adaptations in ballet and opera. These adaptations face the unique challenge of capturing the innovative narrative structures and exploration of inner lives that are central to Woolf’s work. Wayne McGregor‘s Woolf Works, originally choreographed for the Royal Ballet but now…
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Theater Review: KAIROS (East West Players)
A HEARTBREAKINGLY BEAUTIFUL MINDFUCK “He was immortal, so he couldn’t die, but this pain, it was agony — it was a wound that would never heal. So he begged the other deities to make him mortal. He knew that death was the only way to stop the pain.” Sylvia Kwan Laughter and pain are always…
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Theater Review: FAT HAM (Geffen Playhouse in Westwood)
Then trip him that his heels may kick at heaven Hamlet soliloquy / Shakespeare Fat Ham by James Ijames — who received a Pulitzer for his play — is an unbridled, entertaining, and funny take on Shakespeare’s Hamlet, outrageously turned on its ear. Elsinore castle is transported to a lovely house in a suburb of…
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Theater Review: FUNNY GIRL (National Tour)
KATERINA MCCRIMMON IS A BRIGHT NEW FUNNY GIRL BUT THE TOUR IS LIKE BUS-AND-TRUCK Funny Girl is a captivating musical that tells the story of Fanny Brice, a renowned comedienne and entertainer during the early 1900s. This production delves into her journey to fame, her tumultuous relationship with gambler Nick Arnstein, and her remarkable resilience…
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Theater Review: THE WITNESS ROOM (The Whitefire Theatre in Sherman Oaks)
WITNESSES FOR THE PROSECUTION Taking place within the confines of a witness room in Manhattan Criminal Court, four obdurate NYPD officers who have “done all this before and know what to say” are coached by the Prosecuting Attorney, who is fact-checking their testimony prior to a drug suppression hearing. She has instructions on what they…
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Music Review: ELGAR AND VAUGHAN WILLIAMS (LA Phil; Simone Young, conductor; Gautier Capuçon, cellist)
STUDY WAR NO MORE Last night’s program at Disney Hall began with a subdued but clear strike on the chime. It came in without warning. The atmosphere is austere and solemn, and under the clear and watchful eyes of Maestro Simone Young, the LA Phil slowly unfolds the lush colors of Arvo Pårt‘s Cantus in…



















