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Los Angeles
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Theater Review: THE TEMPEST (Antaeus Theatre Co.)
THE TEMPEST AS RADIO PLAY One can only wonder why productions of Shakespeare’s The Tempest have been sprouting up like magical vines in the jungle. Is it because the tale is about revenge as much as it is about redemption? What I can say is this: When the sorcerer Prospero discards his magic staff and…
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Theater Review: THE ANTS (Geffen Playhouse)
ANTSY The subject of “haves” and “have-nots” in the theater is nothing new, having been explored from The Greeks to Molière. More recent hallmarks are the Industrial Age’s The Hairy Ape by O’Neill; Odets’ Depression era Awake and Sing!; and John Osbourne’s “Angry Young Man” hurled in the world’s consciousness in Look Back in Anger….
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Concert Reviews: DUDAMEL CONDUCTS RAVEL AND FALLA (Gustavo Dudamel, LA Phil, Hollywood Bowl)
A HELLUVA FALLA There is something different – more beautiful – about the Hollywood Bowl this year. Immediately following the COVID shutdown, the audiences were becoming fairly unruly, including classical concerts. Even at a Joshua Bell concert last year, the crowd was talking, consuming loudly, and applauding throughout Tchaikovsky’s Violin Concerto whenever Bell would hit…
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Theater Review: THE WIZARD OF OZ (Musical Theatre West in Long Beach)
OOHS AND OZ Just in time, a new, colorful and fun version of everyone’s childhood favorite movie is here in Long Beach. Musical Theatre West’s Royal Shakespeare version of The Wizard of Oz — a faithful recreation of the 1939 movie — which opened last Saturday at the Carpenter Center, isn’t just for kids. Over the…
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Theater Review: LAST SUMMER AT BLUEFISH COVE (Fountain Theatre in Hollywood)
LAST SUMMER THIS SUMMER Written in 1976 by the late Jane Chambers, Last Summer at Bluefish Cove — which opened in 1980, NYC — is a milestone in lesbian theatre history. Chambers’ name is legend as a daring playwright who put lesbian writing on stage before it was widely accepted to have out lesbians in…
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Theater Review: INTO THE WOODS (National Tour)
WISHES ARE CHILDEN In the wake of news that Center Theatre Group, home of three major L.A. theaters, is “pausing” productions at their mid-size Mark Taper Forum and offering “select programming” at their smaller Kirk Douglas Theatre for the 2023/24 season, all eyes are on its largest and most commercially viable venue, the Ahmanson Theatre,…
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Dance Review and Commentary: GISELLE (United Ukrainian Ballet, West Coast Premiere)
PETIPA AND POLITICS In college I took one of those life-changing, niche courses that liberal arts schools like to put on their brochures, called Dancing the State: Dance and the Political. In it, we watched Ballet Folklórico de México and dissected how its aesthetics were used in the construction of the Mexican statehood project. We…
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Highly Recommended Concert Tour: PATTI LUPONE: DON’T MONKEY WITH BROADWAY (Segerstrom)
START POURING THAT MARTINI Patti LuPone has hit the road with her new tour Don’t Monkey with Broadway, which played Provincetown last month before heading to California. If you’re in the L.A./Orange County area, that means in just under two weeks, July 15, 2023 at 8pm, the three-time Tony Award winner La LuPone is coming…
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Opera Concert Review: AN EVENING WITH RENÉE FLEMING (Dorothy Chandler Pavilion)
SUBLIME STORYTELLING IN SONG At the start of this event a voice reminded us to silence our cell phones and to refrain from talking or singing along. Lucky for the crowd I don’t know the lyrics to Penelope, the vocal-theatrical work by composer André Previn and playwright Tom Stoppard. Few would as this is the…
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Music Review: SAMUEL MARIÑO (Camerata Pacifica)
SAMUEL MARIÑO MAKES U.S. DEBUT WITH CAMERATA PACIFICA As many more SoCal music lovers are discovering, Camerata Pacifica is a chamber music ensemble based in Santa Barbara that performs a monthly series of concerts in Santa Barbara, Ventura, San Marino (at the Huntington), and DTLA’s Zipper Hall (at Colburn School). Founded by Adrian Spence in…
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Concert Review: UNAMERICANS: TALENTED AND TARGETED (MUSE/IQUE at Huntington and Skirball)
TESTIFY This past weekend, the patrons at MUSE/IQUE were told some hard truths about what America was like during the mid-20th century as the powers that be feared far-left movements and those who embraced, or were suspected to embrace, ideologies like communism and socialism. The concert, UNAMERICANS: Talented and Targeted, chronicles the Hollywood Red Scare…
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Concert Review: DIVAS THROUGH THE DECADES (Pasadena POPS with Michael Feinstein)
DIVAS IN FULL BLOOM Guests took advantage of the beautiful backdrop of the LA Arboretum & Botanic Garden with picnics and wine last Saturday, June 24, when Pasadena POPS presented Divas Through the Decades, conducted by Michael Feinstein, as their second show in their Summer Concert Series Walter Murphy’s “A Fifth of Beethoven” set the…
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Film Review: OUR SON (directed by Bill Oliver)
EQUAL OF THE SON In the new film Our Son, Gabriel (Billy Porter) and Nicky (Luke Evans) have been together for thirteen years. Married once gay marriage was legalized in the U.S., they also share an eight-year old son born via surrogate. Nicky is the biological father and the egg donor is his good friend…
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Dance Preview: GISELLE (The United Ukrainian Ballet at Segerstrom Hall in Costa Mesa)
DANCING THROUGH WAR Costa Mesa’s Segerstrom Center, which has presented world premieres by Alexei Ratmansky for more than a decade — including American Ballet Theatre’s Of Love and Rage (2022), Whipped Cream (2017), The Sleeping Beauty (2015), and Firebird (2012) — once again proves itself as one of the country’s most exciting dance centers by presenting Ratmansky’s all-new full-length production of Giselle, appearing June…
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Theater Review: NOW OR LATER (Matrix Theatre)
BETTER MAKE THAT LATER Christopher Shinn clearly understands the American consciousness. In Now or Later, a 2008 one-act which opened at the Royal Court Theatre with a fresh-faced Eddie Redmayne, he offers an engaging discussion in lieu of a play. There’s no dramatic action — characters stand around and present their point-of-view. Shinn’s play is…
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Theater Review: A TRANSPARENT MUSICAL (World Premiere at Mark Taper Forum)
TRANSPARENT COULD ONE DAY TRANSITION FROM COCOON TO BUTTERFLY A Transparent Musical is based on the Amazon Prime TV series Transparent and written by the TV show’s creators – Joey Soloway and Faith Soloway. Yet while it features many of the same characters and themes as the TV show, this is a brand-new standalone story. Under Tina Landau‘s overwhelmed…
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Theater Review: THE MOUNTAINTOP (Geffen)
BECAUSE IT’S THERE What if Dr. Martin Luther King was a down-to-earth, simple, vulnerable human being like the rest of us? What if human existence could be viewed from another dimension, one that allowed the viewer to weigh the pluses and minuses of the greater good versus personal choice, or the path of one human…
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Dance Review: MEMORYHOUSE (Melissa Barak in collaboration with Los Angeles Ballet at The Broad Stage)
RESTRAINT Oh, restraint, that most pesky of virtues. We all begin our journeys with dance in the same way: with wild abandon, the freedom of children running in tutus or imitating bars of pop songs, or holding hands with our elders in a circle, stepping in a grapevine left or right. We know not restraint,…
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Dance Review: WOKE & LOVE ROCKS (Complexions Contemporary Ballet at Dorothy Chandler Pavilion)
CORTISOL ROCKSTARS I am an irreverent narrator when it comes to reviewing dance, because I delight in the mischief of disrespecting the convention of separating creation from creator. A work most interests me as either a universe in itself (for the transcendent), or, for everything else, as an expression of a human psyche – its…
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Theater Review: THE BOX (Zephyr Theater / Hollywood Fringe Festival)
A PLAY OUT OF THE BOX NO, INSIDE THE BOX NO, OUTSIDE… One of the finest offerings at this year’s Hollywood Fringe Festival is writer/director Patrick Hamilton‘s The Box which runs through June 18 at The Zephyr Theater. The title has a triple-meaning: It refers to a piece of furniture that may or may not…


















