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Los Angeles
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Los Angeles Music Review: CAMERATA PACIFICA (Season 28; Concert 1)
A HARBISON OF THINGS TO COME Well, lightning can strike twice in the same piece. Three years ago, the glittering Santa Barbara-based chamber music ensemble Camerata Pacifica premiered its commissioned String Trio by John Harbison. That, and the stunning Harmonia Mundi CD recording, cemented this awesome work as a major addition to the already limited…
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Los Angeles Theater Review: HEAD OF PASSES (Center Theatre Group’s Mark Taper Forum)
GOD THE FATHER AND THE MOTHER OF ALL GODS I will remember Phylicia Rashad’s performance in Head of Passes until the day I die. She is an emotional hurricane, often still, even funny’”while in the eye of the storm’”but then raging and howling with a pain rooted so deeply inside the love and bondage of…
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Los Angeles Theater Review: THE DANCE OF DEATH (Odyssey Theatre Ensemble)
MISERY LOVES COMPANY In referring to August Strindberg’s 1900 play The Dance of Death as a foreshadowing of Edward Albee’s Who’s Afraid of Virginia Woolf, director Ron Sossi is on firm ground. Strindberg’s mordant characters (Alice, a former actress, and Edgar, an artillery captain) are certainly waltzing to the same music as George and Martha….
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San Diego Theater Review: BILLY ELLIOT THE MUSICAL (San Diego Musical Theatre and California Ballet Company at Spreckels Theatre)
TOO BIG FOR ITS BRITCHES With his touching screenplay as a basis, Lee Hall adapted the 2000 indie Billy Elliot for the stage, setting his moving lyrics to Elton John’s music. There’s a lot to like in Billy Elliot the Musical: The tale of a boy overcoming judgment and following a dream ran for over 1,300…
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San Diego Theater Review: BENNY & JOON (The Old Globe’s Donald and Darlene Shiley Stage)
WORLD PREMIERE MUSICAL ADAPTATION MADE EVEN BETTER BY BRYCE PINKHAM It’s tricky turning a movie into a play, given that without the auteur’s camera gimmicks and edits, it can be harder to convey mood and emotion. When adapting to a musical, however, songs can create an indelible emotional connection with a character. Not every tune…
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Los Angeles Theater Preview: STUPID KID (Road Theatre Company in North Hollywood)
STUPID IS AS STUPID DOES The Road Theatre Company, one of L.A.’s most dependable companies for original material, amazing casting, steadfast directors, and terrific production values, presents the first show of its 2017-2018 season, Stupid Kid, which plays September 22 through November 12, 2017 at Road’s Magnolia Boulevard location. This world premiere, written by one of…
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Los Angeles Theater Review: LA RAZÒN BLINDADA (24th Street Theatre)
AN EXTRAORDINARY FIVE-COURSE MEAL Course One (Primer Plato): The Story. Two unnamed political prisoners, languishing in an Argentine maximum security prison, are allowed only one hour each Sunday to congregate: the inmates make use of storytelling, specifically Cervantes’ Don Quixote, as a means to find solace under great duress. This course feeds the spirit, for it…
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Los Angeles Theater Review: BIG NIGHT (Kirk Douglas Theatre in Culver City)
A STAR IS BORN Paul Rudnick’s bright new comedy takes place on Oscar night. Michael (Brian Hutchison) is a journeyman actor with a career and life-changing Best Supporting Actor nomination. After years of steady theater work and occasional television guest shots, he is on the verge of becoming a star. His trans nephew Eddie (Tom…
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Los Angeles Theater Review: WALKING TO BUCHENWALD (Open Fist at Atwater Village Theatre)
‘SELF DEPORTATION’ OR SIX STAGES OF AMERICAN GRIEF Denial, anger, bargaining, depression, and acceptance. In life, death, and in playwright Tom Jacobson’s world view, these familiar five stages to acceptance are missing the one that is most important for survival: Laughing. Life is funny. People are funny. If God exists, He, She, They, or It…
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Los Angeles Theater Preview: A LITTLE NIGHT MUSIC IN CONCERT (Colony Theatre)
A LITTLE NIGHT MUSIC; A VERY SHORT RUN; A MOST ACCOMPLISHED CAST Get ready for the wit, sophistication, and gentle eroticism of this most worldly and elegant of American musicals. The story is worldly, charming, and rueful—emotions eloquently displayed by Stephen Sondheim’s score, and abetted by Hugh Wheeler’s astounding book. A Little Night Music is an…
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Los Angeles Theater Review: A FUNNY THING HAPPENED ON THE WAY TO THE GYNECOLOGIC ONCOLOGY UNIT AT MEMORIAL SLOAN KETTERING CANCER CENTER OF NEW YORK CITY (Geffen)
DON’T ARGUE WITH ME, I HAVE CANCER As the play begins, two women are asleep in hospital beds in a shared room with a curtain drawn between them. A tightly wound young woman, Karla (Halley Feiffer) is on one side of the curtain, with the younger of the two patients. She is an aspiring comedian,…
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San Diego Theater Review: WILD GOOSE DREAMS (La Jolla Playhouse)
FLYING WITH BROKEN WINGS It’s amazing. Thousands of billions of electronic messages are delivered every month globally, but it doesn’t feel like a small world after all. For many, these missives—texts, e-mails, IMs—are the illusion of connecting, and so the world feels more pummeling, pushy and precarious than ever. To wit, survey after survey indicates…
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Los Angeles Theater Review: FOOTLOOSE (Glendale Centre Theatre)
FOOTLOOSE AND FANCY FREE Based on the 1984 film Footloose, this eponymous musical opened on Broadway in 1998. Both adaptation and jukebox musical, in which songs sometimes land willy-nilly without thought to plot advancement and character (that’s SO old-fashioned, isn’t it?), this fish-out-of-water, stranger-changes-stuffy-town dance show doesn’t have to be examined too closely. It’s a…
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San Diego Theater Review: THE EFFECT OF GAMMA RAYS ON MAN-IN-THE-MOON MARIGOLDS (Cygnet)
THE EFFECT OF GOOD THEATER “You know, maybe someday you will be pretty,” says Beatrice to her teenage daughter Tillie. Gee, thanks, Mom. Ah, mothers. The Glass Menagerie. Ordinary People. Carrie. Where would theater and film be without the power of dysfunctional mothers? Who better to yield fascinating children, be they adult or still young,…
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San Diego Theater Review: KISS OF THE SPIDER WOMAN (Welk Resorts Theatre in Escondido)
ALONG CAME THIS SPIDER Defying torture and humiliation in a Latin American prison, two cellmates—seeming enemies—build a passionate friendship and a larger loyalty. Hollywood visions become escapist illusions, binding dramatic opposites: an apolitical gay window-dresser and devoted mama’s boy named Molina—serving eight years for sex with a minor—and Valentin, a straight, unrepentantly newly jailed idealistic…
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Los Angeles Theater Review: DAYTONA (Rogue Machine at the Met Theatre)
HIDING IN PLAIN SIGHT One of the brilliant things about Oliver Cotton’s Daytona, is how his dialogue both reveals and conceals at the same time. “Billy, are you in trouble?” Joe (George Wyner) asks his younger brother (Richard Fancy). “I’m 72 now,” is Billy’s answer, a response that says both everything and nothing. Upon learning…
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Los Angeles Theater Preview: PIPE DREAM (Musical Theatre West in Long Beach)
A DREAM TO SEE THIS MUSICAL As Musical Theatre West will no doubt prove on Sunday, March 12 at 7, even a flop Rodgers and Hammerstein musical has its surefire appeal. Get ready to discover a score that was lost on the American public because the show itself was a turkey. With a live 14-piece orchestra,…
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Los Angeles Theater Review: IPHIGENIA IN AULIS (Getty Villa in Pacific Palisades)
AULIS WELL AT THE GETTY Check out the production of Euripides’ Iphigenia in Aulis by Chicago’s Court Theatre, and you’ll see why I rave about theater in the Windy City. Guided by the scholarship of translator Nicholas Rudall (founding artistic director of Court Theatre from 1971 to 1994), director Charles Newell has crafted a powerful…
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San Diego Theater Preview: ACCOMPLICE (Scripps Ranch Theatre)
ACCOMPLISHED ACCOMPLICE Rupert Holmes’s Accomplice is the wittiest and most accomplished fooler play since Ira Levin’s Deathtrap. Each time you think you know what is unfolding you find yourself fooled again. As with Deathtrap, I have seen Accomplice more than once, and I still get swept along on a theatrical thrill ride that rivals the twists and turns…
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Los Angeles Opera Preview: CARMEN (LA Opera at the Dorothy Chandler Pavilion)
AN EXTRA PERFORMANCE AND A SIMULCAST: SHE JUST KEEPS ON GIVING This isn’t the first time LA Opera has opened a season with Carmen, but it is the first time that ticket sales are so great that an extra performance has been added before performances began. The run remains as September 7 through October 1,…



















