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New York
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Off-Broadway Review: THE Z TEAM (Theatre Row)
THE ZZZZzzz TEAM The Z Team, currently playing at Theatre Row, is a new work by father-and-son team Jeff and Jacob Foy. Directed by Jeff Whiting, it’s advertised to be uproarious: “If The Office and The Bad News Bears had a baby, it would be The Z Team.” Times like this call for lighthearted comedies, so…
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Broadway Review: MAYBE HAPPY ENDING (Belasco Theatre)
THERE’S NO ‘MAYBE’ ABOUT IT HAPPINESS HAS LANDED AT THE BELASCO When Avenue Q ran against Wicked at the Tonys for Best Musical, it was often compared to the American folktale The Little Engine That Could vs. the big corporate multi-million-dollar musical. One was a small contender with lots of heart; the other a huge…
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Dance Review: PAUL TAYLOR DANCE COMPANY (Fall Season Programs at David H. Koch Theater at Lincoln Center)
Modern dance was born as a protest, a reaction to the rigid structure of classical ballet. As is evident from my review of the dazzling program Extreme Taylor at the Joyce in June, I couldn’t wait to see the company again, to explore more of their movement vocabulary. Now, the Paul Taylor Dance Company is back with…
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Broadway Review: A WONDERFUL WORLD: THE LOUIS ARMSTRONG MUSICAL (Studio 54)
HELLO, SATCHMO! THANK GOODNESS LOUIS IS BACK IN TOWN; WE NEED HIM MORE THAN EVER There’s a new jukebox musical in town. But don’t run in the other direction. A Wonderful World, which opened at Studio 54 tonight, November 11, is the bio-musical of Louis Armstrong, aka the Ambassador of Blues, the King of Jazz,…
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Off-Broadway: HOLD ON TO ME DARLING (written by Kenneth Lonergan; starring Adam Driver; Lucille Lortel)
Kenneth Lonergan’s Hold on to Me Darling is playing through Dec. 22, starring Adam Driver, at the Lucille Lortel Theatre. Joining Driver as Strings McCrane are Heather Burns as Nancy, Adelaide Clemens as Essie, Keith Nobbs as Jimmy, CJ Wilson as Duke, and Frank Wood as Mitch. On learning of his mother’s death, country music icon Strings McCrane (Driver) finds himself in an existential tailspin. The only way out,…
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Dance Review: LIMÓN DANCE COMPANY (The Joyce Theater)
MISSA BRAVOS The Limón Dance Company celebrates its 78th season at the Joyce Theater with an epic program that reflects José Limón’s humanist aesthetic: Limón’s The Traitor, Scherzo, Missa Brevis; Doris Humphrey’s Two Ecstatic Themes; and the world premiere of Kayla Farrish‘s The Quake that Held Them All. I enjoyed every minute of it. Even if you’re not a fan of…
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Theater Review: GATZ (Elevator Repair Service at The Public)
GREAT F. SCOTT! Elevator Repair Service’s justifiably heralded Gatz returns to The Public, opening tonight for a final New York City encore, and it’s congenial, unforgettable theater. Directed by John Collins, this single 6 1/2-hour production (more than 8 hours with the breaks) terrorized me at first because I can’t sit still for such a long time,…
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Off-Broadway Review: VLADIMIR (Manhattan Theatre Club at New York City Center)
There’s an eponymous and ominous presence onstage at New York City Center Stage I. You can’t see him. But his evil, autocratic and tyrannical nature permeates every scene in Erika Sheffer’s riveting play, Vladimir, from the moment we see a drunk Boris Yeltsin resign to the play’s tragic ending. That man, of course, is Vladimir…
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Dance Review: CRIME AND PUNISHMENT (World Premiere by American Ballet Theatre at Lincoln Center)
ABT’S NEW NARRATIVE BALLET MAY NOT BE A CRIME, BUT IT SOMETIMES FEELS LIKE PUNISHMENT Last night, October 30th, at Koch Theater, American Ballet Theater presented its world premiere of Helen Pickett‘s ballet Crime and Punishment, a production that is at once charming and abstruse (it plays through Sunday). The combination of ballet and literature…
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Off-Broadway Review: BAD KREYÒL (Signature Theatre + Manhattan Theatre Club at at Pershing Square Signature Center)
EVERYTHING KREYÒL IS NEW AGAIN Seemingly caught between differing identities and life paths, Simone is at a crossroads. Half African American and half Haitian, this early thirties, native New Yorker recently left a potentially successful career in finance because it didn’t suit her more humanistic values. Looking to help heal the world and herself, Simone…
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Broadway Opening: GOOD NIGHT, AND GOOD LUCK (A New Play by George Clooney and Grant Heslov at the Winter Garden)
STARRING GEORGE CLOONEY IN HIS BROADWAY PREMIERE Good Night, and Good Luck, a new play by George Clooney and Grant Heslov, and directed by Tony Award winner David Cromer, will premiere on Broadway at the historic Winter Garden Theatre (1634 Broadway). Performances will begin on Wednesday, March 12, with an opening night set for Thursday, April 3, 2025. Clooney…
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Off-Off-Broadway Review: WHORE’S EYE VIEW (Tour@HERE)
Whore’s Eye View is a unique event, more of a lecture on the history of women’s sexuality than the personal monologue one would expect from a sex-worker. Now at HERE Arts Center as part of an international tour, and directed by Katherine Wilkinson, writer/performer Kaytlin Bailey literally starts from the Fertility Goddesses and biblical Lilith,…
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Off-Broadway Review: RAWSHOCK (Manhattan Rep)
OUR SHOCKING HEALTH CARE SYSTEM Rawshock, a new drama by Rita Lewis which opened last night for a limited run by Manhattan Rep at the Chain Theatre, is set in a psychiatric hospital. As is often the case in this genre of plays and films, the people outside the mental health facility are more disturbed…
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Highly Recommended Album: JASON ROBERT BROWN AND STEPHEN SONDHEIM: LIVE IN CONCERT (Streaming & Vinyl)
Today, Concord Theatricals Recordings released the audio recording of Jason Robert Brown and Stephen Sondheim: Live in Concert on digital platforms worldwide. Recorded in June 2019, the album captures Broadway stars performing the music and lyrics of Jason Robert Brown and Stephen Sondheim alongside the songwriters themselves, in what would become Sondheim’s final public performance. The album will be available on 2-LP…
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Off-Broadway Review: FORBIDDEN BROADWAY: MERRILY WE STOLE A SONG (Theater 555)
FORBIDDEN PLEASURES Even the most avid theatergoers may not realize how much about Broadway there is to have fun with until they see Forbidden Broadway, the decades-old Off-Broadway musical parody created, written and directed by Gerard Alessandrini. The newest show, Merrily We Stole a Song, is no exception. JENNY LEE STERN, CHRIS COLLINS-PISANO and DANNY…
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Recommended Off-Broadway Opening: LOVE IN IDLENESS (Actors Temple Theatre)
Love In Idleness, a new musical comedy about a pharmaceutical scientist who invents the title drug to reignite passion in his long-term relationship with a drag performer is set for a limited Off-Broadway engagement this fall at Actors Temple Theatre, opening November 21, 2024. Liam Searcy in the new musical comedy Love In Idleness (Photo…
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Off-Broadway Review: DRAG: THE MUSICAL (New World Stages)
GET TO THIS MUSICAL ESPECIALLY IF YOU HAVE TO DRAG YOURSELF It’s campy. It’s trashy. It’s WAAAAY over-the-top. It’s ridiculous. It’s stunning. I’s funny. It’s moving. It’s touching. It’s corny. It’s absurd. It’s heart-warming. It’s loaded with talent. And it’s got original voice-overs from Liza Minnelli (also a producer). In a word, it’s Drag: The…
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Off-Broadway Review: KAFKAESQUE! (154 Christopher Street)
EVERYTHING ABOUT KAFKAESQUE!, INCLUDING THE COCKROACH, PROVES THAT JAMES HARVEY HAS A HISS, I MEAN, HIT, ON HIS HANDS Full-time lawyer by day, prolific author Franz Kafka wrote at night and died from tuberculosis when he was only 40 — after having burned 90% of his work due to his depression — without having achieved…



















