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Gregory Fletcher
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Off-Broadway Review: THE BATHROOM ATTENDANT (SparkPlug Productions / 124 Bank Street Theater)
A THRILLER THAT TAKES A WHILE TO FLUSH OUT A perfectly matched cast and Andrew Block’s resourceful staging eventually ignite Tom Kelly’s pitch-black thriller, but the promised comedy rarely surfaces No, The Bathroom Attendant doesn’t take place in a public bathroom. The title refers to how far into indigence its protagonist has fallen—a condition made…
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Off-Broadway Review: THE VESSEL (59E59 Theaters)
A VIEW FROM THE INSIDE An intriguing drama keeps climbing but never quite reaches the heights it promises The New York premiere of The Vessel by Brendan George combines nonfiction with fiction, inspired by the true story of New York City’s infamous Hudson Yards landmark. The 150-foot-tall structure with eight levels of interconnected stairs and…
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Off-Broadway Review: AN AMERICAN DAUGHTER (La Femme Theatre Productions / Pershing Square Signature Center)
A WOMAN UNDER THE MICROSCOPE Wendy Wasserstein’s political comedy remains disturbingly current nearly three decades after its Broadway premiere How fitting that La Femme Theatre Productions, an Off-Broadway company dedicated to exploring and celebrating the universal female experience, should revive Wendy Wasserstein’s An American Daughter. Nearly three decades after its Broadway premiere, Wasserstein’s 1997 play…
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Off-Broadway Review: THE PASS (La MaMa E.T.C.)
NO PASSING THE TRUTH John Donnelly’s drama examines the devastating cost of repression, secrecy, and the life that might have been The American premiere of John Donnelly‘s The Pass (originally produced at London’s Royal Court Theatre) is smartly directed by Max Hunter, who infuses both the play and its performances with energy, theatricality, and genuine…
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Off-Off-Broadway Review: WHAT A WORLD! WHAT A WORLD! (The Tank / New York City)
NOT WAITING FOR GODOT… WAITING FOR THE DINOSAUR This delightfully confounding absurdist comedy won’t convert skeptics, but devotees of the genre may find much to admire Halfway through What a World! What a World!, a pink dinosaur toy interrupts the action and powers onstage. The actors stop and stare. The toy stops and turns upstage…
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Off-Broadway Review: GIULIA: THE POISON QUEEN OF PALERMO (PAC NYC)
A TOAST TO TOXIC JUSTICE A visually ravishing musical transforms vengeance into exhilarating theater Thanks to director Mary Zimmerman, scenic designer Daniel Ostling, and lighting designer T.J. Gerckens, there is remarkable artistry on display at PAC NYC, where the thrilling new musical Giulia: The Poison Queen of Palermo opened tonight. Topping off this impressive creative…
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Off-Broadway Review: A WALK ON THE MOON (Laura Pels Theatre / New York)
REACHING FOR MORE An engaging journey, once it finds its rhythm. Based on the 1999 film of the same name, the new musical A Walk on the Moon makes its New York premiere at the Laura Pels Theatre with book and additional lyrics by original screenwriter Pamela Gray, music and lyrics by AnnMarie Milazzo, and…
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Off-Broadway Review: CAMPING (Colt Coeur / HERE Arts Center)
INTENTS LOVE Victoria Lynne Barclay’s impressive debut traces a friendship—and a missed connection—across twenty-five years The world premiere of Camping by Victoria Lynne Barclay offers a genuine surprise: this is her professional debut as a playwright. You’d never guess it after witnessing this two-hander unfold across eight scenes spanning twenty-five years of friendship. The play…
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Off-Broadway Review: FEAR & WONDER (Flux Theatre Ensemble / A.R.T./NY Theaters)
FAITH, HOPE, AND QUEERITY: AMEN TO THAT Flux Theatre Ensemble finds grace where religion and identity collide One of the great joys of theatergoing in New York City is discovering the countless small companies producing work that rivals established organizations. Add Flux Theatre Ensemble to that list. Its current production, Fear & Wonder, is ambitious,…
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Theater Review: THE PIANO LESSON (Pennsylvania Shakespeare Festival / Center Valley, PA)
KEYS TO THE PAST Directed by James Ijames, August Wilson’s masterpiece resonates powerfully in an exceptional PSF production As the fourth installment in August Wilson‘s immense American Century Cycle, The Piano Lesson continues the playwright’s exploration of the Black American experience throughout the twentieth century. Set in Pittsburgh in 1936, Wilson’s Pulitzer Prize-winning drama wrestles…
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Off-Broadway Review: GIRL, INTERRUPTED (The Public Theater)
LESSONS INTERRUPTED A haunting memory play finds its strongest voice in music, memory, and an exceptional ensemble There is a painting at the Frick—a Vermeer—of a girl at her music lesson, her teacher’s hand resting on the back of her chair. Not quite touching her. Not quite letting her go. It is a small, suffocating…
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Off-Broadway Review: JEROME (Playwrights Horizons)
GHOSTS OF LOVE John J. Caswell, Jr.’s moving drama finds unexpected grace amid fear, desire, and survival As Pride Month begins, there may be no better theatrical companion than John J. Caswell, Jr.‘s moving, daring, and expansive new play. Set in the isolated Arizona backcountry town of Jerome—a virtual ghost town—it follows Con (Stephen Spinella)…
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Theater Review: THE EMPORIUM (Classic Stage Company / Off-Broadway)
SHOPPING FOR MEANING Thornton Wilder’s long-lost play arrives decades late, still reaching for something just beyond its grasp Seventy-five years is a long time to wait for a world premiere. But that is precisely the circumstance surrounding The Emporium, Thornton Wilder’s long-unfinished play, now receiving its New York debut at Classic Stage Company—and the wait,…
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Off-Broadway Review: THE MAIDS (St. Ann’s Warehouse / Brooklyn)
MIRROR, MIRROR, ON THE WALL Kip Williams delivers a visually stunning assault on the senses, even when the drama struggles to keep pace A co-production with London’s Donmar Warehouse, The Maids arrives at St. Ann’s Warehouse in a blistering new adaptation written and directed by Kip Williams, closing out the season with a production as…
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Off-Broadway Review: HEATED RIVALRY: THE UNAUTHORIZED MUSICAL PARODY (6th Floor Theater at The Culture Club)
PUCK BUNNIES AND POWER PLAYS Knowing exactly who it’s playing to, this gleefully ridiculous send-up shoots and scores There are fandoms, and then there are fandoms. The kind that inspires message boards, fan fiction, watch parties, and now, apparently, full-blown musical theater parodies. Heated Rivalry: The Unauthorized Musical Parody understands exactly who its audience is,…
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Off-Broadway Review: BROKEN SNOW (Theatre 71)
A PUZZLE WORTH SOLVING A slow-burn puzzle that rewards patience with emotional clarity In the middle of nowhere, in an abandoned house, Broken Snow begins with a promise. Kris (Tony Danza) steps forward and tells us he has a story—“one of utmost significance,” he insists, “a moment where everything changes.” It’s a bold promise, not…
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Broadway Review: THE BALUSTERS (Manhattan Theatre Club at the Samuel J. Friedman Theatre)
STOP SIGNS AND SOCIAL SIGNALS Sharp, humane, and richly acted, this new comedy lands with both wit and weight In The Balusters, playwright David Lindsay-Abaire once again proves himself a master of tonal tightrope walking—balancing biting social critique with deep wells of empathy, all wrapped in the polished veneer of a parlor room comedy. Set…
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Off-Broadway Review: THE ADDING MACHINE (The New Group at St. Clement’s Theatre)
MAN VS. MACHINE, STILL LOSING Rice’s century-old warning lands with unsettling familiarity In its inaugural production at the newly claimed St. Clement’s Theatre, The New Group launches its next chapter with a revival of The Adding Machine that feels both like a nod to the past and a wary glance toward the future. Written by…
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Theater Review: NO SINGING IN THE NAVY (Playwrights Horizons, NYC)
SAILORS, SILLINESS, AND A SHADOW ON THE HORIZON Quirky musical comedy drifts between charm and fatigue before finding a quietly haunting final note When it comes to musical theater, writer Milo Cramer seems to have a particular affinity for sailors—think On the Town, where three sailors spend a 24-hour leave in New York City, singing…
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Off-Broadway Review: SEAGULL: TRUE STORY (The Public Theater)
CHEKHOV IN EXILE—AND IN REVOLT A vivid, self-reflexive journey where art, politics, and survival collide Developed by En Garde Arts prior to its premiere at La MaMa ETC in May 2025, Seagull: True Story returns in a well-deserved encore production from The Public Theater and the Mart Foundation. Created and directed by Alexander Molochnikov, the…
Theater Review: RHINOCEROS (American Repertory Theater / Cambridge, MA)
by Emily Brenner | August 22, 2026
in Boston, TheaterBroadway Opening: THE IMAGINARY INVALID (Roundabout Theatre Company)
by Gregory Bernard | August 22, 2026
in New York, TheaterMusic Preview: LOOKING WEST (MUSE/IQUE)
by pwsadmin | August 22, 2026
in Concerts / Events, Los Angeles, MusicFilm Festival Preview: CINEMA DIVERSE (19th Edition in Palm Springs)
by pwsadmin | August 22, 2026
in Film, Palm Springs
(Coachella Valley)Album Review: FOR BILLIE — STELLA HEATH
by Michael Landman-Karney | August 21, 2026
in AlbumsFilm Preview: 10 KILOS (directed by Doron Eran)
by Gregory Bernard | August 21, 2026
in Film



















