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Theater Review: LITTLE WOMEN, THE BROADWAY MUSICAL (Chance Theater in Anaheim)
LITTLE WOMEN IS A BIG TRIUMPH FOR CHANCE The four March sisters come alive on the stage of Bette Aitken theater arts Center in Anaheim. The Chance Theater’s returning production of Little Women, The Broadway Musical — book by Allan Knee, lyrics by Mindi Dickstein, music by Jason Howland — is a triumph, as well…
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Theater Review: Big Fish (Coronado Playhouse in San Diego)
REELING IN A SWEETLY SUNG FAIRY TALE Some theater should cause you to think deeply, stir your motivations, and cause you to be a better person for the ride you were on. And some theater is just to make you smile. Big Fish is a smiler : and there’s nothing wrong with that. Will Bloom…
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Theater Recommendation: AIN’T MISBEHAVIN’ (Rubicon Theatre Company in Ventura)
ONE OF THE ALL-TIME FEEL-GOOD MUSICALS COMES TO RUBICON Ain’t Misbehavin’ is a sizzling celebration of Fats Waller’s music ’” songs that he made famous in a career that ranged from uptown clubs to downtown Tin Pan Alley to Hollywood and concert stages around the world. This delightful revue conceived by Murray Horwitz & Richard Maltby…
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Theater Review: THE CHINESE LADY (Central Square Theater in Cambridge)
BONE-DEEP CHINA Afong Moy was brought to the United States by Boston-born traders known as the Carnes Brothers, merchants who exhibited Moy in a room filled with “Chinese curiosities” including money, musical instruments, and a bell, along with vases, rugs, and other decorative objects that were available for purchase. Moy, believed to be the first…
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Theater Review: THE CHILDREN (Moxie Theatre in San Diego)
THE CHILDREN IS NOT CHILD’S PLAY One of the challenges of reviewing theater is figuring out how much to divulge without giving away what the playwright wants to let unfold. The Children is one of those plays where it’s almost impossible to say what it is about in any sort of cohesive way because twists…
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Theater Review: MOULIN ROUGE! (North American Tour at SCFTA)
A GOOD TIME WITHOUT MUCH TO SAY In 2001, Baz Luhrmann co-wrote and directed the jukebox musical movie, Moulin Rouge! The film was especially praised for its highly stylized costumes and production values. In 2019, retaining much of the flamboyance and style, the Broadway production adapted by John Logan and directed by Alex Timbers opened,…
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Opera Review: EL íšLTIMO SUEôO DE FRIDA Y DIEGO (San Diego Opera at the Civic Theatre)
DAY OF THE DEAD, WITH A TOUCH OF KAHLO’S HUMOR If you think this is going to be the story of Frida Kahlo’s life set to operatic music, you’ve got another think coming. Conversely, if you might skip this show because you think you don’t know enough about the lives of artists Frida Kahlo and…
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Broadway Opening and Album Review: A BEAUTIFUL NOISE: THE NEIL DIAMOND MUSICAL (Broadhurst Theatre)
CRACKLIN’, SWEET, BEAUTIFUL, AND CHERRY A Beautiful Noise, the new Broadway bio-musical that tells the extraordinary story of singer-songwriter Neil Diamond, opened for previews at the Broadhurst on November 2, 2022, the same day that the Original Broadway Cast Recording became available on all platforms. The CD will be released on Dec. 2 (pre-order here),…
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Theater Review: INTO THE BREECHES (North Coast Repertory in Solana Beach, San Diego)
WOMEN IN PANTS? WHERE WILL IT ALL END? It’s 1942 and most of the men in Rhode Island are off to war. As such, most theatres, especially those who focus on the heavily male casts of Shakespeare, are shut down. But Oberon Playhouse’s assistant director Maggie Dalton (Melanie Lora) has another idea. With her husband…
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Opera Review: EL íšLTIMO SUEôO DE FRIDA Y DIEGO (San Diego Opera at the Civic Theatre)
THE ULTIMATE DREAM The tumultuous relationship between legendary Mexican artists Frida Kahlo and muralist Diego Rivera has inspired many films, books, operas, and musicals. El último sueí±o de Frida y Diego (The Last Dream of Frida and Diego) is a world premiere Spanish language opera that is co-commission by the San Diego Opera with San…
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WILL LEGISLATION PROTECT GIG WORKERS IN THEATER – OR SIMPLY RESTRICT OPPORTUNITIES FOR MINORITY GROUPS?
When it comes to stage and cinema, productivity relies completely on gig workers. However, new legislation has started to threaten that delicate ecosystem. According to British drama mag The Stage, legislation coming into force in California will threaten the ability of smaller theaters to contract workers, as they will be required to provide the full…
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Theater Review: JOE TURNER’S COME AND GONE (Huntington Theatre, Boston)
JOE TURNER’S HERE TO STAY Don’t let this gripping production of August Wilson’s Joe Turner’s Come and Gone come and go without seeing it yourself. This is classic American theater essential to our collective understanding of who we are, but that doesn’t mean you won’t find moments of pleasure in this adept production. From the…
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Theater Review: BASKERVILLE (Lambs Players in Coronado)
WHEN SHERLOCK ISN’T A SURE LOCK Arguably Arthur Conan Doyle’s most successful Sherlock Holmes mystery The Hounds of the Baskervilles was actually first run as a serial from 1901-1902. It drew excited readers to pick up the next issue of London’s Strand Magazine to find out what would happen next in the dramatic story. As…
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Theater Review: LITTLE SHOP OF HORRORS (San Diego Musical Theatre in Kearny Mesa)
PLANT YOURSELF AT SDMT Let’s start with the fact that it’s a show about a plant that craves human blood. Oh, and there’s this nerdy botanist Seymour who raises him, whom the plant intimidates into fulfilling its needs. That shouldn’t work. That really shouldn’t work. Yet, oh, it does! The 1982 hit off-Broadway musical (based…
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Theater Review: THE ELABORATE ENTRANCE OF CHAD DEITY (Chance Theater)
BOOM BOOM BOOM It’s no wonder that Kristoffer Diaz‘s The Elaborate Entrance of Chad Deity was nominated for a Pulitzer Prize in drama. The veneer is a hip-hop comic entertainment about the dynamics and crazy characters in the world of pro-wrestling (ya know, the kind where the outcome is known to the muscled performers, i.e.,…
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Theater Review: NINA SIMONE: FOUR WOMEN (South Coast Repertory in Costa Mesa)
FOUR-GET ABOUT IT While her career may be skyrocketing as a TV writer, Christina Ham has not mastered the art of playwriting. I felt terrible thinking that after seeing the opening of her world premiere Nina Simone: Four Women at South Coast Rep last weekend (right when the Orange County Museum of Art, OCMA, had…
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Recommended Dance: THE LOOK OF LOVE (Mark Morris Dance Group World Premiere at The Broad Stage in Santa Monica)
A NEW DANCE TO THE MUSIC OF BURT BACHARACH The Look of Love reunites Choreographer Mark Morris and jazz composer Ethan Iverson to create a new work showcasing the music of Burt Bacharach. Co-commissioned by BroadStage, the world premiere of Mark Morris Dance Group’s The Look of Love, an evening of dance to the music…
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Theater Review: HAMILTON (North American Tour)
OUR FUNKY FOUNDING FATHERS A hip-hop Alexander Hamilton? A beat-box Father of His Country? A jumping James Madison and a jiveass Jefferson who disses bigtime in a poetry slam? The ten-dollar bill will never be the same (or the dollar note for that matter). A sassy-spunky 2015 blast from the past set to irresistible rhythms, Hamilton is…
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Jazz Concert Recommendation: SAMARA JOY (Samueli Hall at Segerstrom Center in Costa Mesa)
A JOY TO BEHOLD COMES TO SEGERSTROM ONE NGHT ONLY, SATURDAY OCTOBER 1 AT 7 & 9 The jazz world has been abuzz about the 22-year-old New Yorker Samara Joy since she won the Sarah Vaughan International Jazz Vocal Competition in 2019, and rightfully so. Having just released her eponymous debut album, the word is…
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San Diego Theater Review: ASSASSINS (Wildsong Productions in Ocean Beach)
A MUSICAL ABOUT PRESIDENTIAL ASSASSINS & ASSASSINATION ATTEMPTS? WELL, SHOOT! At the very least, you have to give credit for anyone coming up with this bizarre idea: A musical about the nine people – from John Wilkes Booth in 1865 to John Hinckley in 1981 − who have successfully assassinated — or tried to assassinate…
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