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Tours
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Chicago Theater Review: WE WILL ROCK YOU (National Tour at Cadillac Palace Theatre)
REINVENTING ROCK A huge West End hit for over a decade, this compilation jukebox musical does for Queen what Mamma Mia! did for ABBA, Buddy for Buddy Holly and the Crickets, and Jersey Boys for Frankie V. and the Four Seasons. But it’s much closer to the first example, if only because the plot is…
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Los Angeles Dance Review: NEDERLANDS DANS THEATER 1 (Dorothy Chandler Pavilion)
PUTTING THE THEATER IN DANCE Living up to its name, Nederlands Dans Theater 1 bounded into Los Angeles last night, showing off the reasons why The Hague-based contemporary dance outfit is known for defying convention. With a mixture of acting, multi-media, unique choreography and bravado inventiveness, this world-class company offered three works in a program…
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Los Angeles Theater and Tour Review: TOTEM (San Pedro, Irvine and Santa Monica)
CIRQUE’S PERKS What’s a circus without lions, tigers, and elephants? In the case of Cirque du Soleil’s Totem, their eleventh major production in 26 years, it’s a marked improvement, proving that animal acts are strictly for the birds when it comes to grand circus entertainment. Press materials tell us that “Totem traces the fascinating journey…
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National Tour Review: ONCE (Oriental Theatre in Chicago)
LOVE IMITATES ART Ironically, the real-life love affair celebrated on film and in the theater by co-creators Glen Hasard, an Irish composer, and Marketa Irglova, a Czech songwriter, fizzled after John Carney’s 2007 film of Once became a success. (Well, it’s not called Once for nothing.) But its Tony-triumphant musical version, now in a soaring…
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Los Angeles Music Review: EMMYLOU HARRIS & RODNEY CROWELL (Valley Performing Arts Center)
AMERICAN LEGENDS Emmylou Harris and Rodney Crowell took the stage at Valley Performing Arts Center to deliver a hot set of good old-fashioned country-flavored Americana music. It was an evening of legends paying tribute to those whom they revere and love, not excluding each other. Since their first meeting forty years ago, these highly regarded…
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Theater Review: THE WIZARD OF OZ (National Tour)
NO HEART. NO BRAIN. NO NERVE. STAY HOME. Just short of insulting, a Broadway Machine-styled version of the iconic film, The Wizard of Oz, opened at the Pantages this week. Instead of writing additional new material that matched the screenplay by Noel Langley, Florence Ryerson and Edgar Allan Woolf (uncredited in the program), bookwriters Andrew…
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Chicago Dance Review: EIFMAN BALLET OF ST. PETERSBURG’S “RODIN” (Auditorium Theatre)
SCULPTED TO PERFECTION Dance should never be dull: That’s the acting credo of Boris Eifman’s kinetic Eifman Ballet of St. Petersburg, now erupting across the huge Auditorium Theatre stage through Sunday. Chicago may be a huge dance town already, but this amazing company is always welcome for their frenzied dancing, electric mood swings, pulsating lighting on swirling…
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Chicago/Tour Theater Review: ANYTHING GOES (Palace Theatre)
PORTER IS THE ONE WHO CARRIES THIS SHOW H.M.S. Titanic, they say, was unsinkable, but the S.S. American ’” the setting for Cole Porter’s Anything Goes, his biggest hit before Kiss Me Kate ’” actually is unsinkable, and has been sailing strong since 1934. Roundabout Theatre Company’s triumphant 2010 revival, a Tony-winning smash on Broadway now on tour in Chicago,…
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Music Interview: TINARIWEN (part of the MusicNOW Festival in Cincinnati)
MUSIC BORN OUT OF WAR The MusicNOW Festival will present a dynamic lineup of new music at Cincinnati’s Memorial Hall from April 12 – 14, 2013. Founded in 2006 by Bryce Dessner of the indie rock band The National, the festival hosts contemporary musicians who defy the traditional boundaries of genre. The festival fosters world…
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Chicago/National Tour Theater Review: PRISCILLA QUEEN OF THE DESERT (Auditorium Theatre)
BREAKOUT IN THE OUTBACK There are so many ways to glitter and be gay in American Musical Theater: La Cage Aux Folles depicts the unexpected bourgeois normality in a near-marriage of boa-wrapped impersonators at a gender-breaking Riviera nightclub; Kinky Boots celebrates vogue-crazed drag queens with foot fetishes who want to strut their stuff on a runway…
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Los Angeles/Tour Theater Review: ONE NIGHT WITH JANIS JOPLIN (Pasadena Playhouse)
ONE NIGHT WITH PEARL Break out the Southern Comfort and feathered boa, One Night with Janis Joplin is a helluva concert experience presented at the Pasadena Playhouse. Writer-director-creator Randy Johnson offers a celebration of the biographical-musicological journey of Janis Joplin through a psychedelic prism and accents it with 21st century theatrics. No tragedy here, just…
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Chicago/Tour Dance Review: ALVIN AILEY AMERICAN DANCE THEATER (Auditorium Theatre)
A TRUE SPRING FLING Returning to new glory and restoring golden memories after many happy visits to Chicago, Alvin Ailey Dance Theater just unleashed an unprecedented two-week, three-program showcase, part of a 21-city tour by the evergreen troupe. Opening night at the beautiful Auditorium Theatre ignited three pieces as fresh as they are familiar and…
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Los Angeles/Tour Theater Review: MIKE TYSON: UNDISPUTED TRUTH (Pantages and National Tour)
SMILE, AND SMILE, AND BE A VILLAIN Since civilization stopped executing them outright, the notorious have always had the fallback of a second act as freakshow attractions. From 1883 well into the first decade of the Twentieth Century, Americans and Europeans paid to see Buffalo Bill’s Wild West show, featuring old Indian fighters and actual…
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Los Angeles Dance/Theater Review: TRAVERSE (Arcosm at Theatre Raymond Kabbaz)
CROSS OVER FROM ROUTINE AND VIVRE LE VIE Napoleon’s vision to make the world his grand empire of France was stifled by his winter campaign in Russia and his defeat at Waterloo. However, what he may not have imagined is France’s prevailing influence in the world – not necessarily as a military superpower – but…
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Los Angeles Music Review: THE INTERRUPTERS (House of Blues)
A WELCOME INTERRUPTION Social Distortion played for over two hours with hardly a break, and sounded better than they did thirty years ago. Eddie Spaghetti of the Supersuckers rasped several songs about smoking and drinking too much. But the story of the night was the aptly-named Los Angeles punks The Interrupters, who opened for all…
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Off-Broadway Theater Review: GANESH VERSUS THE THIRD REICH (Public Theater)
BACK TO BACK BRINGS ISSUES TO THE FRONT The concept for Ganesh versus the Third Reich is staggering: the Indian god Ganesh travels through Nazi Germany to confront Adolf Hitler and reclaim the ancient Hindu symbol of the swastika. This fantastical imagined history confronts the shifting meaning of signs and questions of cultural appropriation, particularly…
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Los Angeles/Tour Theater Feature: TARTUFFE (Actors’ Gang)
THE ACTORS’ GANG’S TARTUFFE RETURNS FOR THREE NIGHTS BEFORE NATIONAL TOUR The Actors’ Gang, the critically acclaimed Los Angeles based ensemble theatre company, will present highly successful version of Moliere’s comic masterpiece, Tartuffe, for three shows only before it hits the road on its national tour. This fast-paced, outrageously funny, farcical romp is precisely the…
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Theater Feature: PETER PAN (national tour)
PETER PAN AND CATHY RIGBY HAVE SOMETHING IN COMMON: THEY WON’T GROW UP When the musical fantasy adaptation of James M. Barrie’s Peter Pan landed on Broadway in 1954, it received rave reviews. Critics were high on Mary Martin as the boy who leads the three Darling children into Never Land where they encounter the…
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Los Angeles/Regional Event Preview: SHATNER’S WORLD: WE JUST LIVE IN IT (Segerstrom Hall in Costa Mesa)
SCOTTY, BEAM SHATNER UP TO SEGERSTROM Shatner: Another Frontier. Here, the octogenarian Primetime Emmy and Golden Globe winner makes his tour. Its one-year mission: To entertain trekkies and old souls, to shed light on the iconic career being Captain Kirk and the personal struggles he continues to grapple with as a man, to boldly sing and…
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Chicago Theater and Tour Review: HOW THE GRINCH STOLE CHRISTMAS! THE MUSICAL (Cadillac Palace Theatre)
A DOCTORED WHO How the Grinch Stole Christmas! The Musical is only 90 minutes long’”not much more time than it would take to watch the beloved animation and read the book by the late Dr. Seuss. Big League Productions’ touring production of a 2006 Broadway offering contains Jack O’Brien’s staging faithfully reprised by Matt August),…



















