Areas We Cover
Categories
Tours
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Los Angeles Dance Review: PLAY AND PLAY: AN EVENING OF MOVEMENT AND MUSIC (Bill T. Jones / Arnie Zane Dance Company at VPAC)
JONESING FOR SOMETHING MORE It’s been 31 years since the creation of the Bill T. Jones/Arnie Zane Dance Company, but since Zane’s death from AIDS in 1988, Jones’”his work and life partner’”has remained the sole artistic director. A touring 30th anniversary season includes two mixed programs, both of which are under the banner of “Play…
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Los Angeles Music Review: IL MANTOVANO HEBREO (Profeti Della Quinta at the Wilshire Boulevard Temple)
COLORATURA ME MINE If ever there was a case for live music, a renaissance vocal ensemble is a compelling one. There is something so pure about five voices interacting in perfect harmony, especially in an exquisitely beautiful room. Such was the case last Thursday at the Da Camera Society’s Mid-Wilshire Festival; as part of its…
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Dance Review: GISELLE (Royal New Zealand Ballet)
GISELLE’S GAZELLES First staged in 1841, Giselle is one of the oldest surviving ballets still in the international repertory, especially because the lead role is a showcase for the world’s leading prima ballerinas. Since its inception, the Romantic story ballet had several revisions, but most companies follow Marius Petipa’s fin de siècle version. The North…
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Bay Area / Tour Theater Review: MAN IN A CASE (Berkeley Repertory Theatre)
A CASE OF HIGH-TECH FUSION This production is described by Berkeley Rep as “high-tech fusion” and that, I found, indeed is what it is. Two Anton Chekhov circa-1898 short stories, “Man in a Case” and “About Love,” are dovetailed together within a marriage of theatre, interpretive movement, dance, video and music. Add to that interpretations…
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Los Angeles Dance Review: FAR (Wayne McGregor | Random Dance at Royce Hall)
FAR OUT The Los Angeles premiere of British choreographer Wayne McGregor’s FAR opened at Royce Hall last night, and you are advised to cancel all plans and catch the last performance tonight. The one-hour work eventually overstays its welcome, but up until then it is charismatic, engrossing, mysterious, spellbinding, and truly one of the most…
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Los Angeles Theater Review: THE STRANGE UNDOING OF PRUDENCIA HART (Broad Stage in Santa Monica)
GO DRUNK OR DON’T GO AT ALL The Strange Undoing of Prudencia Hart, David Greig’s ghostly, song-filled tale of a mousy academic in search of artful Scottish balladry, is running at the Broad Stage in Santa Monica. The National Theatre of Scotland creates a night in Kelso as central character Prudencia faces her demons in…
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Los Angeles Theater Review: JASON AND THE ARGONAUTS (Wallis Annenberg Center in Beverly Hills)
A TRIP Your average 4 to 12 year old carries enough infectious optimism and joie de vivre to put even a theater critic in a good mood. But childless people who like children notice things about them that parents can’t, for reasons of familiarity and self-preservation. Everybody knows there’s a biological reward for being around…
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Los Angeles Theater Review: PENNY PLAIN (Ronnie Burkett Theatre of Marionettes at UCLA)
STRINGS ATTACHED A worldwide pandemic has already claimed the lives of hundreds of millions of humans and the apocalypse is near. An intriguing plot line to be sure but hardly one you would associate with a puppet show. Rest assured, Penny Plain, currently stringing audiences along at UCLA’s Little Theater, is no ordinary puppet show….
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Chicago Theater Review: GHOST – THE MUSICAL (National Tour at the Oriental Theatre)
PARANORMAL PASSION Love can conquer death. That potent wishful thinking was why audiences gobbled up the popular 1990 film Ghost. It also explains why it was turned into a musical, which has gone from West End to Broadway (Stage and Cinema’s review) to a National Tour. While it is a tepid spin-off, the opening last night…
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Theater Review: STOMP (North American Tour)
PLEASE MAKE IT STOMP When I first saw the Blue Man Group at the Astor Place Theatre in 1991, it was performance art nirvana. Sadly, what started as a sweet and satisfying event became a corporate machine; the size of the show in its newer behemoth incarnations (Vegas, Chicago, et al) has robbed it of…
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Los Angeles/Tour Dance Review: LAR LUBOVITCH DANCE COMPANY (Valley Performing Arts Center)
UPDATING THE OLD, PRESENTING THE NEW As part of the North American tour celebrating its 45th season, the Lar Lubovitch Dance Company arrived at Valley Performing Arts Center last Saturday with a program of mostly newer works and some older duets. With Picasso’s 1905 Family of Saltimbanques as inspiration, we are taken through the creative…
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Los Angeles/Tour Dance Review: MATTHEW BOURNE’S SLEEPING BEAUTY (Ahmanson Theatre)
A HITCH IN THE BOURNE LEGACY It’s a shame that Matthew Bourne’s narrative began to fizzle out in the second act of his Sleeping Beauty, for up to then this extraordinarily imaginative and enthralling retelling was close to proving itself another feather in the cap of this British director known for his Dance Theater productions….
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San Francisco and Tour Theater Review: AMALUNA (Cirque du Soleil)
OVER THE MOON A big top with a 13-meter stage, despite its yawning spatial dimensions, hardly seemed big enough to contain the amount of sheer artistry, astounding gymnastic physicality, slapstick humor, mythology, classic literature, contemporary music and dazzling delight that make up Cirque du Soleil’s Amaluna, a tribute to the voice and work of women….
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San Francisco Music Preview: NATALIE COLE WITH THE SF SYMPHONY (Davies Hall)
NATALIE CON GUSTO Yes, she’s the daughter of jazz legend Nat “King” Cole, but I’ve been a fan of Natalie Cole’s since she burst on the scene in 1976 with her hit single and album I’ve Got Love on My Mind (her dance song, “Dangerous,” is still on my iPod). She won a whole new…
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Los Angeles Music Review: TURTLE ISLAND QUARTET WITH NELLIE MCKAY (Valley Performing Arts Center)
WHOA, NELLIE Quirky vocalist, songwriter and multi-talented instrumentalist Nellie McKay merged with the cutting-edge jazz string ensemble Turtle Island Quartet for a program of colorful tunes at the stunning Valley Performing Arts Center this week. As part of their A Flower is a Lovesome Thing tour, these unique performers dusted off some standards, introduced us…
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Los Angeles Dance Preview: MARTHA GRAHAM DANCE COMPANY (The Wallis in Beverly Hills)
GRAHAM CRACKLES The gorgeous Wallis Annenberg Center for the Performing Arts will present for its inaugural attraction the Martha Graham Dance Company, playing today and tomorrow only, November 8 and 9. The festive and comprehensive program of Graham favorites will play in the brand new state-of-the-art Bram Goldsmith Theater, the most perfectly intimate space for…
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Tour Review: BUILT TO AMAZE! (Ringling Brothers and Barnum & Bailey Circus)
A TITLE THAT LIVES UP TO ITS NAME The circus has rolled into Rosemont again, and the fall classic is worth running off to join (it moves to the United Center after Allstate Arena). This 143rd edition, Built to Amaze!, revels in its “construction zone” ambiance: An “engineering” ensemble parade as blue-collar workers erecting an edifice…
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Theater Review: EVITA (National Tour in Hollywood)
A HIGH FLYING, ADORED REVIVAL Composer Sir Andrew Lloyd Webber and lyricist Tim Rice released the Evita “rock opera concept album” in 1976, a few years before the first theatrical production came to life on the West End and ultimately Broadway, a production that I vividly remember. It was truly exhilarating to witness Patti LuPone…
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Los Angeles Music Review: THE SILK ROAD ENSEMBLE (Valley Performing Arts Center)
A MUSICAL TRAVELOGUE Silk Road Ensemble’s violinist Colin Jacobsen introduced his “Atashgah” to an attentive crowd at the gorgeous Valley Performing Arts Center with a simple, “I wrote this piece.” Yet magically, it didn’t appear written at all. The consistent soul-searching and yearning that emanated from the 11-piece ensemble rendered the work seemingly improvisational. The…
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Los Angeles Concert Preview: AUDRA MCDONALD: ONE NIGHT ONLY (Dorothy Chandler Pavilion)
I’M A LITTLE BIT IN LOVE The captivating singer and actress Audra McDonald performed last September at the SF Symphony gala opening, sharing the program with two orchestral works. At one point, she sang the Bernstein/Comden/Green tune “I’m a Little Bit in Love” from Wonderful Town: “Mm–mmm! / It’s so nice to be alive /…



















