Areas We Cover
Categories
Tours
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Los Angeles Theater Review: CRY TROJANS! (TROILUS AND CRESSIDA) (The Wooster Group at REDCAT)
CRY!BOYS AND INDIANS Let’s be honest: Director Elizabeth LeCompte’s sometimes astonishing adaptation of Shakespeare’s Trolius and Cressida by the acclaimed Wooster Group of New York is indeed a bit of a misstep. On the other hand, it is a simply brilliant failure. The show crackles with ferociously presented and compelling ideas; gorgeously visual stagecraft; and…
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Dance Interview: SAVION GLOVER (Tap Dancer and Choreographer of STePz)
THE MAN BEHIND THE STEPZ As part of an international tour, Savion Glover’s newest work STePz arrives at the Valley Performing Arts Center in Northridge this Friday, March 7. This two-act entertainment, which consists of several individual tap numbers, features Glover and four other dancers: Robyn Watson, Ayodele Casel, Sarah Savelli (a.k.a. the 3CW, or…
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Los Angeles Theater Review: GENE KELLY: THE LEGACY (Pasadena Playhouse)
THE LEGACY WILL HAVE YOU GEEKING OUT FOR GENE KELLY Gene Kelly’s widow, Patricia Ward Kelly, is touring with her retrospective multi-media presentation of Gene Kelly’s life and work, Gene Kelly: The Legacy, which plays through Sunday at the Pasadena Playhouse. Since meeting Kelly in the mid-1980s, Patricia has concurrently been his biographer, historian, and…
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Theater Review: BRIEF ENCOUNTER (Wallis Annenberg Center / Beverly Hills)
STILLED LIFE In 2007, Noël Coward and David Lean’s 1945 film Brief Encounter, a somewhat maudlin expansion of the 1936 Coward one-act Still Life, was turned into a stage spectacle by Cornwall’s Kneehigh Theatre (a production commissioned by Cineworld, David Pugh and Dafydd Rogers). In it, two happily married, middle-class British strangers fall for each other…
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Los Angeles Dance Review: JAMES BROWN: GET ON THE GOOD FOOT, A CELEBRATION IN DANCE (Ahmanson Theatre)
FUNK ME Director and choreographer Otis Sallid wants to illuminate how James Brown’s funky music and original dance styling has influenced contemporary culture. He engaged PHILADANCO (Philadelphia Dance Company) and then chose choreographers from around the world, letting each one choose from 33 of Brown’s songs and cultivate original works. The result is James Brown:…
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Los Angeles Dance Review: PLAY AND PLAY: AN EVENING OF MOVEMENT AND MUSIC (Bill T. Jones / Arnie Zane Dance Company at VPAC)
JONESING FOR SOMETHING MORE It’s been 31 years since the creation of the Bill T. Jones/Arnie Zane Dance Company, but since Zane’s death from AIDS in 1988, Jones’”his work and life partner’”has remained the sole artistic director. A touring 30th anniversary season includes two mixed programs, both of which are under the banner of “Play…
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Los Angeles Music Review: IL MANTOVANO HEBREO (Profeti Della Quinta at the Wilshire Boulevard Temple)
COLORATURA ME MINE If ever there was a case for live music, a renaissance vocal ensemble is a compelling one. There is something so pure about five voices interacting in perfect harmony, especially in an exquisitely beautiful room. Such was the case last Thursday at the Da Camera Society’s Mid-Wilshire Festival; as part of its…
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Dance Review: GISELLE (Royal New Zealand Ballet)
GISELLE’S GAZELLES First staged in 1841, Giselle is one of the oldest surviving ballets still in the international repertory, especially because the lead role is a showcase for the world’s leading prima ballerinas. Since its inception, the Romantic story ballet had several revisions, but most companies follow Marius Petipa’s fin de siècle version. The North…
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Bay Area / Tour Theater Review: MAN IN A CASE (Berkeley Repertory Theatre)
A CASE OF HIGH-TECH FUSION This production is described by Berkeley Rep as “high-tech fusion” and that, I found, indeed is what it is. Two Anton Chekhov circa-1898 short stories, “Man in a Case” and “About Love,” are dovetailed together within a marriage of theatre, interpretive movement, dance, video and music. Add to that interpretations…
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Los Angeles Dance Review: FAR (Wayne McGregor | Random Dance at Royce Hall)
FAR OUT The Los Angeles premiere of British choreographer Wayne McGregor’s FAR opened at Royce Hall last night, and you are advised to cancel all plans and catch the last performance tonight. The one-hour work eventually overstays its welcome, but up until then it is charismatic, engrossing, mysterious, spellbinding, and truly one of the most…
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Los Angeles Theater Review: THE STRANGE UNDOING OF PRUDENCIA HART (Broad Stage in Santa Monica)
GO DRUNK OR DON’T GO AT ALL The Strange Undoing of Prudencia Hart, David Greig’s ghostly, song-filled tale of a mousy academic in search of artful Scottish balladry, is running at the Broad Stage in Santa Monica. The National Theatre of Scotland creates a night in Kelso as central character Prudencia faces her demons in…
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Los Angeles Theater Review: JASON AND THE ARGONAUTS (Wallis Annenberg Center in Beverly Hills)
A TRIP Your average 4 to 12 year old carries enough infectious optimism and joie de vivre to put even a theater critic in a good mood. But childless people who like children notice things about them that parents can’t, for reasons of familiarity and self-preservation. Everybody knows there’s a biological reward for being around…
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Los Angeles Theater Review: PENNY PLAIN (Ronnie Burkett Theatre of Marionettes at UCLA)
STRINGS ATTACHED A worldwide pandemic has already claimed the lives of hundreds of millions of humans and the apocalypse is near. An intriguing plot line to be sure but hardly one you would associate with a puppet show. Rest assured, Penny Plain, currently stringing audiences along at UCLA’s Little Theater, is no ordinary puppet show….
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Chicago Theater Review: GHOST – THE MUSICAL (National Tour at the Oriental Theatre)
PARANORMAL PASSION Love can conquer death. That potent wishful thinking was why audiences gobbled up the popular 1990 film Ghost. It also explains why it was turned into a musical, which has gone from West End to Broadway (Stage and Cinema’s review) to a National Tour. While it is a tepid spin-off, the opening last night…
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Theater Review: STOMP (North American Tour)
PLEASE MAKE IT STOMP When I first saw the Blue Man Group at the Astor Place Theatre in 1991, it was performance art nirvana. Sadly, what started as a sweet and satisfying event became a corporate machine; the size of the show in its newer behemoth incarnations (Vegas, Chicago, et al) has robbed it of…
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Los Angeles/Tour Dance Review: LAR LUBOVITCH DANCE COMPANY (Valley Performing Arts Center)
UPDATING THE OLD, PRESENTING THE NEW As part of the North American tour celebrating its 45th season, the Lar Lubovitch Dance Company arrived at Valley Performing Arts Center last Saturday with a program of mostly newer works and some older duets. With Picasso’s 1905 Family of Saltimbanques as inspiration, we are taken through the creative…
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Los Angeles/Tour Dance Review: MATTHEW BOURNE’S SLEEPING BEAUTY (Ahmanson Theatre)
A HITCH IN THE BOURNE LEGACY It’s a shame that Matthew Bourne’s narrative began to fizzle out in the second act of his Sleeping Beauty, for up to then this extraordinarily imaginative and enthralling retelling was close to proving itself another feather in the cap of this British director known for his Dance Theater productions….
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San Francisco and Tour Theater Review: AMALUNA (Cirque du Soleil)
OVER THE MOON A big top with a 13-meter stage, despite its yawning spatial dimensions, hardly seemed big enough to contain the amount of sheer artistry, astounding gymnastic physicality, slapstick humor, mythology, classic literature, contemporary music and dazzling delight that make up Cirque du Soleil’s Amaluna, a tribute to the voice and work of women….
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San Francisco Music Preview: NATALIE COLE WITH THE SF SYMPHONY (Davies Hall)
NATALIE CON GUSTO Yes, she’s the daughter of jazz legend Nat “King” Cole, but I’ve been a fan of Natalie Cole’s since she burst on the scene in 1976 with her hit single and album I’ve Got Love on My Mind (her dance song, “Dangerous,” is still on my iPod). She won a whole new…
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Los Angeles Music Review: TURTLE ISLAND QUARTET WITH NELLIE MCKAY (Valley Performing Arts Center)
WHOA, NELLIE Quirky vocalist, songwriter and multi-talented instrumentalist Nellie McKay merged with the cutting-edge jazz string ensemble Turtle Island Quartet for a program of colorful tunes at the stunning Valley Performing Arts Center this week. As part of their A Flower is a Lovesome Thing tour, these unique performers dusted off some standards, introduced us…



















