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CRYPTOCURRENCY DEPOSITS AS AN OPTION FOR ONLINE SLOTS
CRYPTOCURRENCY DEPOSITS AS AN OPTION FOR ONLINE SLOTS Concepts like Cryptocurrency or Blockchain have now revolutionised every aspect of our lives. What is exactly cryptocurrency and how does it influence real money slots in the casino industry? It is nothing more than a secure form of payment that leaves traces of the data thanks to…
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Music Review: DUDAMEL CONDUCTS BRUCKNER (Los Angeles Philharmonic)
LIVE MUSIC IS ALWAYS SUSTENANCE I’m happy to report that Andrew Norman’s Sustain, an LA Phil centennial commission that premiered last year — and saw a second showing last weekend at Disney Hall — is far more agreeable than much of the atmospheric “new” music these days, and a much more promising avenue for this…
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Theater Review: THE LAST FIVE YEARS (Cygnet Theatre Company in San Diego)
TWO WAY STREET INTERSECTS AT TOUCHING PERSONAL DRAMA The Last Five Years shares the joys, trials, and failures of two people, Jamie (Michael Louis Cusimano) and Cathy (Racquel Williams), in their deeply-loving relationship. At first, it might seem like they are in two different relationships, almost schizophrenically so, because the songs they sing (and virtually…
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Theater Review: THE OTHER CINDERELLA (Black Ensemble Theater in Chicago)
IT WOULD BE A CIN TO MISS THIS Forty-three years ago, the Black Ensemble Theater produced their first and most definitive musical, a promissory note that’s been richly redeemed over five decades. Just as The Wiz opened up a childhood classic to even more make-believe, in 1976 –and now–The Other Cinderella represented playful revisionism in action. Created, composed…
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Opera Preview: THE MAGIC FLUTE (Los Angeles Opera at the Dorothy Chandler Pavilion)
MAGIC CAN STRIKE THRICE IN THE SAME PLACE In 2013, a new production of The Magic Flute from Berlin’s Komische Oper became a sell-out sensation, courtesy of the Los Angeles Opera. In 2016, it returned just as magical as it was the first time. Now, it returns to the Dorothy Chandler Pavilion starting Saturday, November 16,…
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Theater Review: THE MYSTERY OF IRMA VEP (Actors Co-op in Hollywood)
A PENNY DREADFUL SAVED ISN’T ALWAYS EARNED Back in the 1800s, the Industrial Revolution was in full swing in merry ole England. The working class was becoming more educated and printing was becoming more affordable. To quench the thirst of the masses for every day diversions, “penny dreadfuls” hit the scene. These serialized fictional publications,…
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Theater Review: LA VIE EN ROSE (Julia Migenes at the Odyssey Theatre in Los Angeles)
A LIVING ROSE If you have even a modest love of French songs, or just the art of performance, of hearing and seeing a singer bring a lyric to vibrant life, do yourself a favor and go see this consummate artist in a sweet, masterful evening of Chanson. Julia Migenes is one of those rare…
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Theater Review: IN TROUSERS (Lounge Theatre)
GETTING IN TROUSERS William Finn’s musical masterpiece Falsettos is a melding of two one-acts: March of the Falsettos ’” debatably one of the best scores of the 1980s ’” which opened Off-Broadway in 1981, and Falsettoland, which opened in 1990 at the Lucille Lortel, where unprepared audience members like myself needed boxes of tissues to survive the…
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Music Review: JOSHUA BELL AND ALESSIO BAX (Recital at Walt Disney Concert Hall)
BELL, BAX, BACH: BEAUTIFUL, BRILLIANT, BREATHTAKING I first saw Italian pianist Alessio Bax five years ago when he made his Los Angeles premiere playing Mozart’s Piano Concerto No. 24 with the L.A. Chamber Orchestra. I remember thinking he has all the right moves but had yet to incorporate personality into his work. While he demonstrated…
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Theater Review: JESUS CHRIST SUPERSTAR 50TH ANNIVERSARY TOUR
50 YEARS SINCE ITS BIRTH AND JESUS CHRIST SUPERSTAR FINALLY RISES AGAIN Tim Rice and Andrew Lloyd Webber’s Jesus Christ Superstar is given the rock concert treatment for its 50th Anniversary Tour, and that’s precisely what it needs to soar. It’s a mash-up of stadium staging with lead actors holding microphones and stands, music video,…
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Film Review: GAY CHORUS DEEP SOUTH (written and directed by David Charles Rodrigues)
HITTING THE RIGHT NOTES In 30 of the United States, LGBTQ people risk losing employment simply because of who they are. In Mississippi and North Carolina, laws have been passed to strip them of basic human rights. In this seriously divided nation, hatred is endorsed by the present administration. Far from encouraging love of one’s…
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Theater Review: N (Greenhouse Theatre Center & GLP Productions in Chicago)
THE HURT OF HATE Dirty laundry demands an airing. Given the disunion afflicting our republic, a play like N (short for the “N word”) has healing to share. A provocative world premiere by Chicago writer David Alex at the Greenhouse Theater Center, this 100-minute character piece stirs up the sometimes static tale of an evolving relationship between…
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Theater Review: MIKE BIRBIGLIA’S THE NEW ONE (Tour at The Ahmanson in Los Angeles)
TOSSING OUT THE BABY BUT KEEPING THE BATHWATER Reluctance takes center stage in Center Theater Group’s production of Mike Birbiglia’s theatrical child The New One. In his 2018 one-man show, the comedian confesses to cold feet at his wife’s suggestion of having a child. That aversion to risk unfortunately finds its way to Birbiglia’s script,…
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Film & Music Review: PSYCHO LIVE (LA Opera Orchestra at Theatre at the Ace Hotel)
YOU’D BE PSYCHO TO MISS THIS ONE The golden age of movie scoring gave us soaring symphonic works by masters of the genre — Newman, Rosza, Tiomkin, Waxman — most of them inextricably married to the movies they describe. Yet of all of them, the scores that bear closer examination, and which give the greatest…
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Music Review: JAVIER CAMARENA IN RECITAL (LA Opera at the Dorothy Chandler Pavilion)
CAMARENA HAS BELLAS ARTES IN HIS SOUL When I was 19, a friend asked if I’d like to drive to San Francisco from L.A. to hear Luciano Pavarotti in recital. Being a musical theater buff, it took quite a bit of convincing to get me into anything that smacked of opera, especially 400 miles away….
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Los Angeles Theater Review: ALL MY SONS (Pacific Resident Theatre in Venice)
THE SINS OF THE FATHER There’s no doubt that Arthur Miller’s 1947 play All My Sons is an astonishing piece of theater. Not only is the writing brilliant, but the themes addressed are timeless and important. It’s difficult to imagine how the play could possibly be improved. It is based on a true story which…
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Theater Review: THE MERCHANT OF VENICE (Invictus Theatre Co. in Chicago)
HATE CRIMES ROCK A SUBVERSIVE COMEDY This show can never be nice: Along with The Taming of the Shrew, a comedy built squarely on misogyny, The Merchant of Venice, a tragicomedy festering with anti-Semitism, remains the Bard’s most problematic play. But Shakespeare wrote it. Felt from all sides, there’s humanity to spare. Truth overcomes prejudice as an…
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Theater Review ONCE (3-D Theatricals in Cerritos)
ONCE AGAIN, PLEASE Ironically, the real-life love affair between collaborators Glen Hasard, an Irish singer-songwriter, and Markéta Irglová, a Czech songwriter, fizzled after John Carney’s 2007 film became a success (well, it’s not called Once for nothing). But the Tony-triumphant 2011 stage musical, now offered in 3-D Theatrical’s soaring, enchanting, and bittersweet yet uplifting production,…
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Dance Review: LA BAYADÈRE (Mariinsky Ballet at Segerstrom Hall in Costa Mesa)
A TEMPLE FOR BALLET Segerstrom Hall is now filled with the gorgeous melodies of a late-blooming classical ballet from 1877. With an infectious score by Ludwig Minkus, La Bayadère premiered in St. Petersburg, Russia in 1877 at the Imperial Russian Ballet, choreographed by the great Marius Petipa (who would go on to greater glory with…
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Chicago Theater Review: GREY HOUSE (A Red Orchid)
CABIN FEVER AT ITS CRAZIEST Make of this what you will. All too predictably, every review that Grey House receives will be different. Because this new work by Red Orchid Theatre ensemble member Levi Holloway defies the consistency and plausibility that feed consensus. A 95-minute absurdist horror tale, director Shade Murray’s impressively enacted world premiere is a…
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