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Chicago Opera Review: IL TROVATORE (Lyric Opera)
A FORMIDABLE CAST CASTS ITS CAST AROUND YOUR HEART Perhaps Verdi’s most popular opera, Il Trovatore (The Troubadour) was revived at Lyric as recently as the 2014/15 season, which itself was a revival production. Now as then, audiences are transported back in time to experience Sir David McVicar’s Goya-esque interpretation of Verdi’s gypsy drama. While…
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Music Review: CAMERON CARPENTER PLAYS SAINT-SAí‹NS (LA Phil; Roderick Cox, conductor)
COX ROCKS Sharing a program with organ superstar Cameron Carpenter, a most exciting young conductor graced Disney Hall last weekend with his triumphant debut. Roderick Cox from Macon, Georgia, is one of the very few black conductors world-wide; tall, statuesque, handsome and elegant, the 31-year-old has an air of sophistication swirling about him (aided, no…
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Album Review: COR CHRISTMAS (Cally Banham)
YOU’LL FEEL IT TO THE COR At first glance, I assumed this album from the assistant principal oboe — and Solo English horn position — of the Saint Louis Symphony (SLS), Cally Banham, would be flat-out Muzak. Boy oh hautboy, was I ever wrong. Intimate, warm, plaintive, whimsical, fresh, and full of heart, this holiday…
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Review: DAVID SEDARIS (Royce Hall at UCLA)
BALLGOWN AT A URINAL Bestselling author David Sedaris provided evidence Friday night that he has not exaggerated in the stories he has written about shopping in Japan with his sisters Amy and Gretchen. The three of them (or sometimes just two) giddily, and with acknowledged codependence, buy clothes that are outrageous and often outrageously expensive….
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CD Review: EVERYBODY’S TALKING ABOUT JAIME (Original West End Recording)
DANCE PARTY AS MUSICAL SCORE Based on a 2011 BBC documentary, Jamie: Drag Queen at 16, this pop musical tells in two acts the story of Jamie New, who dreams of being nothing more than a professional drag queen. Verbally taunted by a bully, but surrounded by a slew of loving classmates and a bestie, Jamie is…
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Opera Preview: HANSEL AND GRETEL (LA Opera)
ONCE UPON A TIME: : An intrepid pair of siblings took a dreamlike journey to unexpected places. The iconic Brothers Grimm story leaps from page to stage with a production pocked with perky puppets created by director Doug Fitch. Sure, a witch wants to bake some kids into gingerbread and eat them, but this deliciously…
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Theater Review: HUGHIE / KRAPP’S LAST TAPE (Geffen Playhouse)
BEAUTIFUL DESPAIR BY A MASTER THESPIAN The river of lost souls can be found in Westwood, and your magnificent tour guide is Brian Dennehy. In this coupling of one-acts by Eugene O’Neill and Samuel Beckett, Dennehy supplies the concentrated crux of regret by embodying how time shreds our delusions. At the same time, with brilliant…
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Theater Feature: GREAT THINGS ABOUT THE LOS ANGELES THEATRE
Los Angeles, dubbed as the City of Angels, is truly a magnificent destination that holds some of the most beautiful architectural buildings in the world. One of the biggest attractions in LA is most assuredly The Los Angeles Theatre and its rich history. This luxurious spot hosts some of the biggest Broadway shows, and based…
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Film Review: BIRD BOX (directed by Susanne Bier)
BOXED IN Written by Eric Heisserer (adapting Josh Malerman’s novel), the plot of Bird Box may be reminiscent of A Quiet Place, but instead of one sound being your death warrant, it’s another sense here that will get you killed — the sense of sight. If you see creatures, who for some unknown reason have invaded the…
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Music & Theater Review: THE TEMPEST (LA Phil and The Old Globe at Disney Hall in Los Angeles)
TEMPEST IN A TEAPOT An ill wind hit Disney Hall last weekend with this collaboration between LA Phil’s Guest Conductor Susanna Målkki and Old Globe Theatre’s Artisitic Director Barry Edelstein. Pairing edited versions of Shakespeare’s The Tempest and Jean Sibelius’s incidental music is a great idea, but the waste of talent and energy and money was…
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Dance Review: DON QUIXOTE (Mikhailovsky Ballet)
DANCING AT WINDMILLS It’s surprising for those who have never seen this ballet before, but Don Quixote isn’t really about that legendary knight who is forever battling evil and seeking his Dulcinea. In fact, the Don is only an ancillary character in the ballet, which centers around two young Spanish lovers, Kitri and Basilio, who…
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Los Angeles Theater Review: VALLEY OF THE HEART (Mark Taper Forum)
VALLEY OF THE HEART ON ITS SLEEVE Captivating stagecraft and a winning, although not always authentic, cast fuel this epic tale of war-time love. But the riveting aspects of a relationship between two American citizens — one Mexican, one Japanese — are diluted when didacticism dictates drama. Writer/director Luis Valdez has his heart in the…
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CD Review: LET THERE BE CELLO (2Cellos)
CELLO, I MUST BE GOING A little bit Celtic, a little bit rock and roll, a little bit classical, a little bit world music, and a lotta schmaltz and you get the idea behind 2Cellos, the duo of youthful, sexy Croatians Luka Š ulić and Stjepan Hauser. who put their skillful playing behind revamps and remakes…
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Los Angeles Theater Review: FINKS (Rogue Machine Theatre at Electric Lodge in Venice)
SAVING YOURSELF At the opening performance of Rogue Machine’s presentation of the Los Angeles premiere of playwright Joe Gilford’s Finks, artistic director John Flynn welcomed the audience and drew comparisons between Finks and Rogue Machine’s other current offering, Oppenheimer. The two plays do complement one another. It could be said that the creation of the…
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Theater Review: A CHRISTMAS CAROL (Geffen Playhouse in Westwood)
A GHOSTLY CAROL TO REMEMBER A Christmas Carol keeps the lights on at theaters across the country, filling their coffers every year and helping underwrite their other productions. It usually is done as a rather jolly affair, along the lines of British panto, where nothing bad ever seems to happen. Sometimes the ghosts are funny…
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CD Review: DESPERATE MEASURES (Original Cast Recording, Off-Broadway)
THERE’S TREASURES IN MEASURES This Off-Broadway hit, which just closed at New World Stages on October 28, 2018, is a Wild West musical inspired by, meaning it’s very loosely based on, Shakespeare’s Measure for Measure. When the dangerously handsome Johnny Blood’s (Conor Ryan) life is on the line, he must put his fate into the hands…
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Opera Review: IOLANTA (Chicago Opera Theater)
HOT IOLANTA, OR LOVE REALLY IS BLIND A glorious 126-year-old discovery just happened again. First performed at Saint Petersburg’s Mariinsky Theater in 1892 (on a double-bill with The Nutcracker), the one-act Iolanta is the last of eleven operas written by the great Peter Ilyich Tchaikovsky. Running for only one more weekend, this 85-minute Slavic gem, performed in Russian…
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Theater Review: DEATH AND COCKROACHES (Chalk Repertory Theatre at Atwater Village Theatre)
LOVING THE COCKROACH WITHIN Playwright Eric Reyes Loo wisely observes that the messiness of love and grief does not easily coexist within the binary world of Facebook. In his new play, Death and Cockroaches, a Chalk Repertory Theatre presentation at the Atwater Village Theatre, he explores the tectonic changes his family experienced in real life…
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Theater Review: A BRONX TALE (North American Tour)
CULTURE CLASH Narratively, there are two cultural clashes at the center of A Bronx Tale, now at the Pantages as part of its North American Tour. Italians and African-Americans are on opposite sides, as are the mafia and law-abiding citizens. There is also a third clash, though, and it’s the one that matters most: The clash…
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CD Review: SIX EVOLUTIONS: BACH CELLO SUITES (Yo-Yo Ma)
YOU GOTTA HAVE FAITH Last night at The Wallis Performing Arts Center in Beverly Hills, I was privileged to witness MacArthur “Genius” Alisa Weilerstein (A-LEE-sah WYE-ler-steen) perform all six of Bach’s Unaccompanied Cello Suites. It felt almost surreal to do this after driving through horrendous L.A. traffic listening to updates on the mass murder in…
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