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Music Review: MICHAEL TILSON THOMAS AND PATHÉTIQUE (Los Angeles Philharmonic)
NOTHING LIKE MICHAEL TILSON THOMAS EVER WAS Michael Tilson Thomas is a rock star. The Los Angeles native, who made his conducting debut here 50 years ago, proved last night at Disney Hall that he not only maintains a Bernstein-like vigor at the podium — bringing pulse-pounding magic and emotion to Tchaikovsky’s Pathétique —  he…
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CD Review: WILL HE LIKE ME? (Philip Chaffin)
I LIKE HIM I’ve had a few friends do cabarets in which they sing songs they’ll never get hired to do. Then there are cabarets which are song cycles — those which tell the performer’s life story through songs. (There have also been albums like that: Joni Mitchell’s Both Sides, Now comes to mind.) Philip…
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Theater Preview: SOUTH PACIFIC (Rubicon Theatre Company in Ventura)
SOME ENCHANTED EVENING INDEED At about 8 am on December 7, 1941, Japanese planes filled the sky over Pearl Harbor, Hawaii. Bombs and bullets rained onto the vessels moored below on the United States Naval Air Base in the Territory of Hawaii in the Pacific. At 8:10, a 1,800-pound bomb smashed through the deck of the…
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Chicago Dance Review: Christopher Wheeldon’s THE NUTCRACKER (The Joffrey Ballet)
TAKING ANOTHER CRACK: AN UPDATE ON MARIE AND THE GREAT IMPRESARIO No matter how many times you see it, you will ALWAYS be amazed by the gorgeous Nutcracker that Christopher Wheeldon imagined in 2015 for the Joffrey Ballet and the Auditorium Theatre. It’s simply impossible to remember how beautiful it is, so each witnessing is transcendently close…
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Theater Interview: EURIAMIS LOSADA (appearing in WINK at Hollywood’s Zephyr Theatre)
LOSADA COLADA! Looking at photos of Euriamis Losada, it’s no wonder the female (and some part of the male) populace goes gaga at his looks on his muscular 6’ frame. Cuban-born and USA-raised since age six, this talented actor and singer has been performing since his teenhood in Miami, Florida. After years of singing in…
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CD Review: HYMN (Sarah Brightman)
TIME TO SAY GOODBYE She stands on the cover of her latest album, Hymn, like a diva who just came down from Sinai with the word of God, but instead of 10 Commandments, the British Broadway, West End, and ersatz-pop star Sarah Brightman is wearing a tight golden dress — not unlike Cecil B. deMille’s…
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Review: COME FROM AWAY (North American Tour)
A NEWFOUND(LAND) WAY OF LOOKING AT MUSICAL THEATER This intimate ensemble piece may only have one stand-alone song, and it may not even be the best-crafted musical or have the emotional impact it could have, but it’s a cultural blessing when a show comes along that melts away the coldness of our polarized times by…
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CD Preview: RALPH BREAKS THE INTERNET (Soundtrack)
AWESOME SOUNDTRACK ARRIVES THIS WEEK Walt Disney Records releases the soundtrack for the hit film Ralph Breaks the Internet this week. The album features original songs “A Place Called Slaughter Race” (performed in the film by Sarah Silverman and Gal Gadot) and “Zero,” written and performed by Imagine Dragons; as well as “In This Place,”…
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Chicago Theater Review: FAMILIAR (Steppenwolf)
STRIDENTLY SILLY, THEN SUDDENLY SERIOUS The title Familiar alludes to family’”and, when loved ones squabble over who they are and where they come from, this title questions just what is familiar. A Chicago premiere from Steppenwolf Theatre Company, Familiar is Danai Gurira’s family tragicomedy about whose legacy will control the future. Insistently manic, Danya Traymor’s staging, unfortunately, fits all too well…
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Film Review: DESTROYER (directed by Karyn Kusama)
SHE AIN’T KIDMAN From the opening scene of Destroyer there is a keen sense that something very different and extremely artistic is upon us. Karyn Kusama’s modern noir, aided by the sharp eye of her cinematographer Julie Kirkwood, paints amazing pictures by using a multitude of long shots capturing a sun-drenched, gritty Los Angeles in…
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Theater Review: A VERY MERRY MAGIC MANIA (Santa Monica Playhouse)
THIS REALLY IS HOLIDAY MAGIC I can’t think of more entertaining way to spend the holidays then to see A Very Merry Magic Mania at the Santa Monica Playhouse. This intimate showcase of the best magicians around was created by Albie Selznick, creator of the theatrical smash hit, Smoke and Mirrors. Albie, who hosts as well,…
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Chicago Theater Review: HELA (Sideshow Theatre and Greenhouse Productions)
FROM CANCER TO THE COSMOS, OR TO HELA AND BACK There’s cold fusion and then there’s hot fusion–the theatrical kind. In the world-premiere HeLa, an awesome co-production by Sideshow Theatre Company and Greenhouse Theater Center, it forges its own supernova of discoveries. In 150 truth-packed minutes, playwright J. Nicole Brooks manages to connect a medical miracle…
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Music Preview: CALLING ALL ANGELS (Gay Men’s Chorus of Los Angeles Holiday Spectacular)
MAKE THE YULETIDE GAY Attending GMCLA’s Holiday Spectaculars is more like a pilgrimage for me, and is a no-brainer when choosing my wintertime concerts. The musical extravaganza this year, Holiday Spectacular: Calling All Angels, plays at Glendale’s gorgeous Alex Theatre for four performances Saturday and Sunday, Dec. 15 & 16, 2018. What better way is there…
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Dance Preview: GEORGE BALANCHINE’S THE NUTCRACKER (Miami City Ballet at the Dorothy Chandler Pavilion)
CRACK AWAY Miami City Ballet’s new redesign of the magical George Balanchine’s The Nutcracker, featuring enchanting new costumes and sets by the Cuban-American artist/designer power couple Isabel and Ruben Toledo, Balanchine’s glorious choreography, and Tchaikovsky’s beloved timeless score, returns to The Music Center, having had its world premiere in Los Angeles last year. Running November 30 through December…
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CD Review: MYSTERY SONATAS (Augustin Hadelich)
IT’S A MYSTERY, ALRIGHT As a reviewer, I have tried to create a critical and theoretical paradigm for this type of contemporary music that alienates or distracts more than enraptures, but I’ve become too bored and, well, alienated to care. And when the composition is seven repetitive, ceaseless, caterwauling, cat-screeching violin solos from David Lang, boredom becomes…
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CD Review: SONDHEIM SUBLIME (Melissa Errico)
MELISSA SOLEMNIS Both Sondheim and sublimity are promised and delivered in Melissa Errico’s newest album. Her emotional, authentic, stirring, gracious, sophisticated interpretations of 15 Sondheim tunes are delivered with her delicate, dulcet, relaxed, pleasant, unpretentious, murmuring warble of a vibrato. Refinement, subtlety, and shadings are ever-present here, even in songs that are not always thought…
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Chicago Theater Review: THE STEADFAST TIN SOLDIER: A CHRISTMAS PANTOMIME (Lookingglass)
A PERFECT TEN OUT OF TIN, OR YOURS, MIME, AND OURS This “soldier” is well worth saluting: There’s an enchanting Christmas Pantomime on Michigan Avenue — Lookingglass Theatre Company’s jewel-box of a holiday divertissement. Transformed by music, dance and spectacle more than by words and lyrics, The Steadfast Tin Soldier, Hans Christian Andersen’s fairy tale from 1838,…
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Chicago Theater Review: THE DARK AT THE TOP OF THE STAIRS (Eclipse Theatre Company)
INGE’S NOISY DESPERATION Mission accomplished: Eclipse Theatre Company characteristically concludes its season with a play that wears a big heart on an open sleeve. The troupe, which cultivates one playwright per year, delivers a vintage family saga for the all-Inge year — a sad tale of thwarted affection and canceled happiness. Following Natural Affection and Bus Stop, Eclipse…
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CD Review: LIMITLESS (The Piano Guys)
ACTUALLY, THERE ARE LIMITS You know The Piano Guys, right? Their YouTube channel is one of the most popular on the planet? Technically, it’s the duo of pianist Jon Schmidt and cellist Steven Sharp Nelson, but there’s two more. The squeaky-clean 21st-century multimedia Utah-based empire is also producer Al van der Beek and videographer Paul Anderson,…
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Art Exhibit Review: KING TUT: THE TREASURES OF THE GOLDEN PHARAOH (California Science Center / Los Angeles)
THE PHARAOH-EST OF THEM ALL One of the most famous people who has ever existed isn’t well-known because of his life, but his death. Over 5,000 perfectly preserved artifacts were discovered along with this young king’s mummified remains by English archaeologist Howard Carter on November 4, 1922 in Egypt’s Valley of the Kings. As the…
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