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Chicago Theater Review: LA RUTA (Steppenwolf)
A RUTA WAKENING A play can be a cry for help — against a persistent peril, a former and future danger, a mindset that makes heartbreak. La Ruta, a Steppenwolf Theatre world premiere by Isaac Gomez, is all these and more. This 95-minute protest play both exalts and eulogizes Las Descomicidas, the disappeared Mexican women who…
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Dance & Music Preview: HUBBARD STREET DANCE CHICAGO & THIRD COAST PERCUSSION (The Wallis)
HUBBA-HUBBA-HUBBARD As one of the world’s most important contemporary dance companies, Hubbard Street Dance Chicago encompasses a vast array of techniques and forms, as well as an understanding of abstract artistry and the emotional nuances of movement. With an exuberant, athletic, and innovative repertoire, Hubbard Street presents performances that inspire, yes, but also challenge how…
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Los Angeles Music Preview: DECK THE HALL HOLIDAY CONCERTS, 2018 (Disney Hall)
EVERYTHING YOU NEED IN ONE DECKED-OUT HALL The Los Angeles Philharmonic’s  Deck the Hall  Holiday Concerts  at Disney Hall are just around the corner, and the variety this year is awesome. Be  enchanted by the ever-popular  Holiday Sing-Along (Dec. 22 at 11:30am and 2:30pm), hosted this year by Melissa Peterman, who wows us every year at the Sing-A-Long Sound of…
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Film Review: THE GAMBLER (directed by Rupert Wyatt)
A GOOD GAMBLE Remade from the 1974 film, The Gambler (2014) is sure to keep you on the edge of your seat. Wholly different than the original, it sure has the needed charisma to do that. Made under the direction of excellent filmmaker Rupert Wyatt, the script was reportedly offered to many top directors, including Martin Scorsese….
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Film Review: MARY POPPINS RETURNS (directed by Rob Marshall)
NOT SUCH A JOLLY HOLIDAY It may be sacrilege to slam an American classic — or rather, a made-to-be-foolproof sequel based on a classic film — but I’ll take my chances. While watching Mary Poppins Returns I found myself fidgety — which I knew could mean only one thing: I was bored. Very, very bored. This isn’t…
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Theater Review: LOVE ACTUALLY LIVE (The Wallis)
ACTUALLY MAGICAL I didn’t have any idea what to expect from this hybrid theatrical invention. It employs scenes from the beloved Richard Curtis film Love Actually, live musicians (who often arrive onstage as characters), and stage actors who act out some of the scenes and then sing songs from the soundtrack as well as a…
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CD Preview: MICHAEL LONGORIA: MERRY CHRISTMAS DARLING (Broadway Records)
LET YOUR HEARTH BE GAY Celebrate the holiday season with Broadway Records first Christmas album, Michael Longoria: Merry Christmas Darling. Best known for his star turn on Broadway as Frankie Valli in Jersey Boys, he has amassed 15 numbers for this romantic holiday album with a throwback 60s vibe but a modern man-to-man sensibility. His original Christmas…
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Theater Review: A MIDSUMMER NIGHT’S DREAM (Chicago Shakespeare)
A SPORADIC DREAM There’s an epiphany near the end of Shakespeare’s celebration A Midsummer Night’s Dream when the mixed-up quartet of wayward lovers who’ve been confoundedly mashed up over the course of a long July night discover they’re awake! They jump for joy over the unearned deliverance. It’s an absolutely natural response to the very complex “dream” from…
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Off-Broadway Review: BITTER GREENS (59E59)
A BITTER PILL TO SWALLOW It is said that every playwright’s first play needs to be about themselves before they are able to move onto more expansive material. This maxim seems to hold true for Clea DeCrane’s Bitter Greens, now playing at 59E59, which covers the well-trod territory of privileged post-collegiate angst with skill, if…
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Tour Theater Review: CIRQUE DREAMS HOLIDAZE (Chicago Theatre)
IT’LL LEAVE YOU DAZED AND CIRQUE-FUSED Neil Goldberg has a fine formula for his fantastic franchise. His eleven Cirque Dreams spectaculars feature ever-changing processions of dazzling celebrants strutting to seasonal songs, amazing acrobatics, kaleidoscopic set pieces, and a charming touch of audience participation. With five troupes performing in 40 venues, Cirque Dreams Holidaze is a very busy…
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CD Review: CONTRABAJO — WORKS FOR BASS AND STRING QUARTET (Pablo Aslan)
CONTRABAJO BAND Double bassist, composer, arranger, and producer Pablo Aslan has released an exciting collection of tunes that offer insight to both his instrument and the way his Argentinian roots inform the works. With Gabriel Senanes’s glorious arrangements meeting at the exciting juncture of jazz and tango, Contrabajo — Works for Bass and String Quartet is…
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Theater Review: THE FULL MONTY (Theo Ubique Cabaret Theatre in Evanston)
GET YOUR FULL For the sake of the butterfly we love the cocoon. The Full Monty, a musical version by David Yazbek and Terrence McNally, is industriously inspired by the popular 1997 film about unemployed working-class Brits. The movie fondly embraced a bunch of lovable losers who give themselves a second chance to make and feel…
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CD Review: BERLIOZ’S ROMÉO ET JULIETTE (San Francisco Symphony, Michael Tilson Thomas)
HERE’S WHAT LOVE IS What’s in a name? That which we call a symphony by any other name would sound as sweet. In the way that Monteverdi rethought the madrigal, so too did Berlioz re-imagine symphonies. He altered any previous preconceptions of what a symphony can be with his Symphonie fantastique (my first classical album!)…
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Film Review: VICE (directed by Adam McKay)
VICE FRAUD Watching the biopic Vice — written and directed by Adam McKay (The Big Short) — I found myself getting more and more irritated. Not because the film isn’t a brilliant exposé on one Dick Cheney but because Cheney is, in one simple word, a monster, one who got away with every single monstrous deed he…
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Chicago Dance Review: HUBBARD STREET DANCE CHICAGO (Season 41 Winter Series at the Harris)
GROUP DYNAMICS SURGE AT HUBBARD STREET DANCE CHICAGO Four world premieres, especially crafted by in-house choreographers for the skills and needs of their company colleagues, display a tales-within-tales meld of individuality within synchronicity, a deepening of dance that’s more than conceptual. Hubbard Street Dance Chicago’s current Winter Series, a part of their ongoing dance(e)volve program,…
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Film Review: 21 (directed by Robert Luketic)
21 IS A GOOD BET What happens when you put together a team of young, money-driven fanatics? Yes, something exceptional. 21 features a team of six talented students of MIT, led by their aberrant Math professor, who master the art of card counting, code talks, and body gestures to conquer the world of Casino in…
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CD Review: HEAD OVER HEELS (Original Broadway Cast Recording on Masterworks Broadway)
GO-GO GET THIS ALBUM Head Over Heels is an exhilarating and seemingly improbable musical mash-up of Sir Philip Sidney’s sixteenth-century work The Countess of Pembroke’s Arcadia (libretto by James Magruder, adapting from an original book conceived by Jeff Whitty) and the songs of the iconic 1980s’ female rock band, The Go-Go’s (and a few tunes from Belinda…
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Theater Review: THE PLAY THAT GOES WRONG (National Tour)
THE PLAY ABOUT THE PLAY THAT GOES WRONG GOES WRONG The title is brutally honest — and you can’t say you weren’t warned. In the style of Monty Python and Michael Frayn’s self-destroying farce Noises Off (an infinitely cleverer romp), The Play That Goes Wrong, a 2015 London hit written by Henry Lewis, Jonathan Sayer and Henry Shields, is…
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Theater Review: SHE LOVES ME (Actors Co-op)
LITTLE SHOP OF HAPPINESS I’ll be the first to admit that it may be impossible to create a bad production of the 1963 jewel-box musical She Loves Me. This perfect show, based on the 1937 play Parfumerie by Miklós László, is so resplendent, so charming, and so well-constructed that a 2011 gathering of literati for…
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Opera Review: CENDRILLON (CINDERELLA) (Lyric Opera of Chicago)
I TELL OF A HELL OF A CINDERELLA Never before performed at Lyric Opera, Jules Massenet’s Cendrillon cannot be more delightful, especially for those who love the lightness of French opera. Indeed, it is the only French opera programmed this season, and the second Massenet in three years. The score’s exuberance and playfulness is reminiscent…
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