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BEHIND THE SCENES: LOGISTICS FOR FILM PRODUCTIONS
What are the essentials of managing a film set? Film production involves more than just cameras, actors, and creative direction. Audiences just see the finished film. What they don’t see is the behind-the-scenes work, such as logistics. Logistics play an important role behind the scenes of a film production, ensuring production runs smoothly, reducing delays,…
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HOW POLISH ART AND CINEMA REFLECT CHANGING ENTERTAINMENT HABITS
Polish entertainment used to gather people in fixed places: the cinema hall, the gallery room, the smoky student club, the family sofa during Sunday television. Now the same impulse is split across phones, streaming queues, ticketed screenings, festival talks, game chats, and quick payments. Polish art and cinema show that shift with unusual honesty. A…
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Theater Review: NORTH BY NORTHWEST (American Conservatory Theater / San Francisco)
WRONG TURN AT MOUNT RUSHMORE Emma Rice sends Hitchcock’s classic thriller spinning into musical-comedy territory, with decidedly mixed results American Conservatory Theater opens its 60th season with Emma Rice’s stage adaptation of Alfred Hitchcock’s 1959 classic North by Northwest, which starred Cary Grant and Eva Marie Saint. Taking such an iconic film and adapting it…
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FROM SCRIPT TO IMAGE: BUILDING A FILM MOOD BOARD WITH NANO BANANA
The script says that a daughter returns to the family launderette after closing time. Her father is still there, repairing a machine he should have replaced years ago. They discuss the repair because neither is ready to discuss why she left. A mood board for this scene could easily become a collection of attractive launderette…
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Theater Review: A WRINKLE IN TIME (Lifeline Theatre / Chicago)
NO TIME LIKE THE TESSERACT Almost four decades after its Lifeline premiere, James Sie’s adaptation of Madeleine L’Engle’s novel still enchants On Lindsay Mummert’s cool Fibonacci-esque set, a sulking Meg Murry sits, hunched over. She’s gotten into trouble at school again. Her teachers hate her, and her principal is exasperated with her. It’s been two…
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Theater Review: BLACK GIRL FROM A WHITE SUBURB (American Blues Theater, Chicago)
A CLASS OF HER OWN Tania Richard recalls being the only Black girl in a white Chicago suburb, with humor that makes the painful memories hit harder “I am not the author of my life, but I am the author of my story.” — Tania Richard American Blues Theater ushers in its 41st season with…
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Theater Review: LITTLE SHOP OF HORRORS (New Conservatory Theatre Center / San Francisco)
A LITTLE SHOP WITH A BIG BITE NCTC’s colorful, high-energy revival feeds on terrific voices, sharp comedy, and one increasingly hungry plant New Conservatory Theatre Center starts its 2026–27 season with a musical that is a fun musical as well as a dark comedy. With book and lyrics by the late, great Howard Ashman and…
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Theater Review: THE SHAWSHANK REDEMPTION (Desert Theatreworks / Indio)
AN ARRESTING START TO THE SEASON An intimate staging and several compelling performances give this familiar prison drama new life Desert Theatreworks kicks off its 2026–27 season with The Shawshank Redemption, adapted from Stephen King’s novella by Dave Johns and Owen O’Neill. With a dozen men on DTW’s smallest stage, the production, directed by Lance…
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Theater Review: COME FROM AWAY (North Shore Music Theatre / Beverly, MA)
WHEN YOU’RE HOPING FOR A HARBOR A stirring in-the-round production finds hope, humor, and humanity in the strangers who became a community Director Kevin P. Hill’s production of Come From Away lands at North Shore Music Theatre as a timely reminder of human grace and community in the face of adversity. Irene Sankoff and David…
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Off-Broadway Review: THE CHERRY ORCHARD (North American Premiere / Park Avenue Armory)
CHERRY PICKING Simon Stone’s riveting Korean adaptation keeps Chekhov’s plot while stripping away much of what made it Chekhov “Chekhov, everywhere, all at once!” That’s what it has been like these past two seasons. Today’s theatre artists are reimagining Chekhov’s plays in new and surprising ways. Thomas Ostermeier’s The Seagull in London featured an acrobatic…
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TACH Luggage’s Guide To Choosing The Best Luggage Sets
Selecting an appropriate set of carabiners for your luggage means more than just selecting a few that will look nice together. When packing, consider your volume, frequency of travel, and the ease with which you can transport your bags once they are full. A set that works well for a short solo trip may not…
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WHAT ARE THE KEY STEPS FOR A SAFE BRONCO HARD TOP REMOVAL?
You finally get a clear weekend, good weather, and a Bronco that is ready for an open-air drive. The task appears easy until the removable roof panels need to come off, the hardware is still attached, and the entire top becomes cumbersome to lift. A simple project may turn out to be frustrating without a…
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Off-Broadway Review: HUMAN THINGS (The West End Theatre / New York)
NO COUPLE IS AN ISLAND Joshua Owen’s warm and funny tragicomedy finds two marriages weathering storms of very different kinds A marriage can be its own world, with inside jokes, shared memories, and shared rapport. In Joshua Owen’s Human Things, making its world premiere at the West End Theatre, a couple’s world is their own…
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FROM FILM TO DIGITAL ENTERTAINMENT: HOW POLISH AUDIENCES EXPLORE NEW ONLINE TRENDS
Polish screen culture still carries the smell of cinema seats, late TV premieres, and DVDs borrowed from cousins. Yet the same audience now watches Netflix on trams, follows Twitch chats during football breaks, and tests mobile payments before ordering pierogi. The shift is not tidy. It is practical. Viewers go where the story, price, and…
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Dance Review: LILIOM (Joffrey Ballet / Chicago)
A BLUE-SKY BALLET WITH A DARK HEART John Neumeier turns a brutal tale of love, violence and redemption into an exquisite and haunting ballet The first thing you notice on stage when you walk into the theater is a small slice of startling blue sky in a sea of grey: a window into a different…
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FROM FILM TO DIGITAL ART: ENTERTAINMENT IS EVOLVING IN THE ONLINE ERA
A cinema ticket once meant a fixed start time, sticky floors, and a screen that owned the room. Now a teenager can shoot a short on an iPhone, cut it in DaVinci Resolve, and post it before dinner. The same habit has changed games, music, betting, comics, and live shows. Entertainment has moved closer to…
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Theater Review: THE ATTIC: THINGS I’VE SEEN WHILE LYING ON MY BACK (Goodman Theatre / Chicago)
A LIFE IN THE AIR Shana Carroll’s extraordinary theatrical memoir finds wonder in the moments between falling and flying Well, it’s finally happened; I’ve been rendered speechless. The Attic, subtitled Things I’ve Seen While Lying on My Back, is unlike anything I’ve seen on a stage. Is it a drama? A musical? A ballet? A…
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Theater Review: THE SCORE (Shakespeare Theatre Company / US Premiere / Directed by Trevor Nunn)
WHEN GENIUS MEETS POWER Brian Cox’s magnificent Bach reminds us that kings disappear while great music endures What happens when artistic genius meets absolute power? The Score, written by Oliver Cotton and directed by Trevor Nunn, brings Johann Sebastian Bach and Frederick the Great face to face in a compelling clash between a king accustomed…
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Theater Review: THE WOMEN OF LOCKERBIE (The Actors’ Gang / Culver City)
GRIEF IN MOTION Christina Harris keeps Deborah Brevoort’s meditation on loss moving with remarkable theatrical urgency There is very little stillness in The Women of Lockerbie, and that turns out to be one of the great strengths of Christina Harris’s superbly directed production at The Actors’ Gang. Deborah Brevoort’s play takes place seven years after…
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