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  • New York Opera Review: DON GIOVANNI (Metropolitan Opera)

    EXHAUSTING BUT ENJOYABLE LUST You’ll have to suspend disbelief, endure belaboring, and excuse doltish behavior to enjoy the Metropolitan Opera’s production of Don Giovanni, but once you disengage from sense and allow sensibility to take over, you’re bound to have a fun time. Produced lavishly in two acts with a running time of 3 hours…

  • San Diego Theater Review HICKORYDICKORY (Moxie Theatre)

    WASTED TIME In Marisa Wegrzyn’s Hickorydickory, all humans are born with a mortal clock encoded with the date and time of their death.   This mortal clock takes the form of an actual pocket watch.   For most people, it goes unnoticed because it is hidden behind their heart.   But for the “unfortunate few” the watch is…

  • Chicago Theater Review: ANNIE (Paramount Theatre in Aurora)

    IT’S OK TO BELIEVE THAT THE SUN WILL COME OUT TOMORROW Director Rachel Rockwell once again astounds us with an incredibly entertaining rendition of Annie at the Paramount Theatre in Aurora, IL.   Annie   (book: Thomas Meehan, music: Charles Strouse, lyrics: Martin Charnin) is a musical based on the popular Harold Gray comic strip Little Orphan…

  • Off-Broadway Theater Review: THE BOSS (The Metropolitan Playhouse)

    REIGNING SUPREME! Monay, Monay, Monay, Monay, MONAY! If the seemingly heartless Irish tycoon Michael R. Regan (a fantastic Dave Hanson) had a theme song in the beginning of Edward Sheldon’s 1911 melodrama The Boss, it would be the 70’s O’Jays’ classic, “For the Love of Money.” Despite a 60-year gap in storylines and period, the…

  • Chicago Theater Review: YOU NEVER CAN TELL (Remy Bumppo)

    A SKIRMISH OF WIT THAT CAN ONLY BE SHAW In 1896, George Bernard Shaw planned to beat Oscar Wilde at his own playful plotting and acerbic wit, so he wrote his answer to the recently successful The Importance of Being Earnest. Based on how often Shaw’s You Never Can Tell’”which has a title suggesting a…

  • Theater Review: INTIMATE APPAREL (Pasadena Playhouse)

    BEST TO LOOK AT THE QUILT AS A WHOLE, NOT THE INDIVIDUAL ELEMENTS Intimate Apparel is a delicate but persuasive play about Esther (Vanessa Williams), a gifted black seamstress in 1905 who begins a series of missives with George (David St. Louis), a strapping, fetching, and younger Caribbean man working on the Panama Canal. The…

  • Los Angeles Theater Review: ONE NOVEMBER YANKEE (NoHo Arts Center in North Hollywood)

    SIBLINGS ON A CRASH COURSE IN ONE NOVEMBER YANKEE It’s a no brainer to assume that with two marquee names (Loretta Swit and Harry Hamlin) and the backing of the multi-award winning NoHo Arts Center Ensemble that One November Yankee would be a sure bet to take off and soar to great heights, but even…

  • Los Angeles Theater Review: SLIPPED DISC (Son of Semele Theater)

    SLIPPED DISC NEEDS A STRONGER SPINE The mission of Green Card Theatre is to expose Los Angeles audiences to plays and playwrights from around the world. Their inaugural production entitled Slipped Disc: A Study of the Upright Walk by renowned German scribe Ingrid Lausund with translation by Henning Bochert is a mixed bag of workplace…

  • Los Angeles Theater Feature: GATZ (REDCAT)

    GREAT F. SCOTT! REDCAT’S GOT GATZ A phenomenon is arriving at the Roy and Edna Disney Cal Arts Theatre (REDCAT) this week in Los Angeles. I promise that once its 9-performance run is over on December 9, the buzz about Elevator Repair Service’s Gatz will have seismically traveled to your doorstep, and you will kick…

  • Theater Review: SISTER ACT (National Tour)

    NUNBEARABLE If there’s one thing I hate, it’s to see a classic movie adapted for the stage for no apparent reason. Instead of transferring the heart and sassiness that made the movie Sister Act such a classic film, the makers of the Broadway musical, now on its national tour at the Auditorium Theatre, decided to…

  • Los Angeles Theater Preview: CONEY ISLAND CHRISTMAS (Geffen Playhouse)

    CHRISTMAS ISLAND With the superfluity of Christmas-themed theater descending upon America like a Biblical plague, there is one play which is opening this week that has intrigued and even excited me for both personal and critical motives: Donald Margulies’ world premiere, Coney Island Christmas, commissioned by and playing at the Geffen Playhouse. This will be…

  • Los Angeles Theater Review: CALL ME MADAM (Musical Theatre Guild)

    CALL ME SLACKJAWED It’s amazing what critics and audiences alike are willing to forgive when they’re in the presence of a true star. Regardless of some bouncy and hummable Irving Berlin tunes in Call Me Madam, the book by Howard Lindsay and Russel Crouse is basically a dog. Based on Perle Mesta, the millionairess political…

  • Film Review: ANNA KARENINA (directed by Joe Wright)

    WEIGHED DOWN BY GLITTERING JEWELS Over-conceived and under-emoted, Joe Wright’s experimental Anna Karenina is art-directed to within both an inch of brilliance and an inch of death. This version of the Tolstoy novel indulges the British in three of their favorite pastimes: Stage, adapting novels, and pretending they’re Russian without actually performing Russian accents (how…

  • Los Angeles Theater Review: TEA, WITH MUSIC (East West Players)

    LIKE ADDING MILK  TO GREEN TEA, A GREAT PLAY IS SPOILED BY ADDING MUSIC. Post World War II Era in America isn’t a red, white, and blue haven with a backyard and a Buick waiting for everyone who wants to work. While the newsreels spun wildly about the success of the Marshall Plan, the development of…

  • Los Angeles Theater Review: A CHRISTMAS TWIST (Victory Theatre Center)

    PLEASE SIR, WE WANT SOME MORE SeaGlass Theatre only does one show a year, which is remarkable, since they’re such a spirited bunch.   For instance, it’s a shame to miss Paul Stroili any time he’s onstage: I’ve seen him do outrageously good work in good productions, like the last SeaGlass offering, Steven Berkoff’s Kvetch –…

  • Off-Broadway Theater Review: FIGARO (Pearl Theatre)

    BEAUMARCHAIS MARCHES ON The Pearl Theater’s choice for its first production at its new home on 42nd Street is a new adaptation of Pierre Caron de Beaumarchais’ 1778 play The Marriage of Figaro.   In many ways it is an inspired one, and should please both the audiences who filled Pearl’s long time home in Greenwich…

  • Los Angeles Opera Review: LA BOHÈME (Pacific Opera Project at the Highland Park Ebell Club)

    HIPSTER OPERA LA Opera should take note of Pacific Opera Project. The upstart company’s edgy productions explode popular perceptions of what opera is and how it should be performed. Pacific Opera Project takes this typically elite art form and strips it down to its barest essentials: stunning music and simple, enjoyable stories. Its latest production,…

  • Los Angeles Theater Review: UNTITLED WARHOL PROJECT (Odyssey and Caminito Theatres)

    SILK-SCREEN DEEP Even though icon Andy Warhol passed away twenty-five years ago, his legacy remains elastically strong in all its plastic nature; a man very “American” for being of the culture, by the culture, and for the culture. Many imitate the illustrious imitator hoping to acquire fame for a little longer than just fifteen minutes….

  • Chicago Theater Review: WELCOME HOME, JENNY SUTTER (Next Theatre Company)

    DOWN HOME TO HEAL UP It’s hard to make healing feel dramatic. But that’s the challenge to which Julie Marie Myatt mostly rises in this engaging Midwest premiere. In 90 minutes she depicts in fragments’”since these things must be done delicately’”the beneficent aftermath of a haunted veteran’s return to California. Jessica Thebus’ painstaking but pleasure-giving…

  • Off-Off-Broadway Theater Review: GARDEN OF DELIGHTS (Theater for the New City)

    DARK AND DELIGHTFUL A liberatingly surreal and exquisitely poetic masterwork, Fernando Arrabal’s Garden of Delights is a sinister fairytale that concerns itself with the inner struggles of Lais, a famous actress living in a secluded castle with only her sheep and a small, grotesque, ape-like halfwit she mostly keeps locked in a cage. Ildiko Nemeth,…

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